There is an enormous number of nice delay pedals and there is one within everyone’s price range. Regarding the budget area, you will also find a lot of good delay pedals, analog ones as well as tape emulations and digital delays.
This is a comparison of the Electro Harmonix Deluxe Memory Man with the DOD Rubberneck. Find out mor about the sonic possibilities like brighter and darker repeats, modulation and the sound of these two analog delays in the mix.
This is a comparison of the DOD Rubberneck with the Erica Synths Zen Delay For both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording. The Zen Delay does not provide an analog mode. Via the filter settings, I formed an analog-like sound in the digital delay mode. And the Rubberneck is, what it is: a great dark and gritty analog delay.
This is a comparison of the AnalogMan ARDX20 with the DOD Rubberneck. These both analog delays create a rather dark sound. Each of them provides modulation and – if you also use the Amazeo for the ARDX20- also tap tempo. Find out more about the sound of different delay times and how both pedals may sound in the mix.
This is a comparison of three different types of delays all accompanied by the AnalogMan King of Tone. For this demo I used a dark analog delay (DOD Rubberneck), a digital delay (Strymon DIG) and a tape delay(Fulltone Tube Tape Echo). The first 25 seconds you can hear a sneak peak of each type of delay accompanied by the King of Tone. Learn more about the how the King of Tone affects every single type of delay depending on the respective kind of playing (palm mutes, modulation, in the mix).
This is a comparison of the DOD Rubberneck with the Way Huge Supa-Puss. Find out more about the sound of these analog delay pedals. Besides the default settings, I present the sound at a darker and grittier setting, vibrato and chorus effects and how they both might sound in the mix.
This is a comparison of the Walrus Audio ARP-87 with the DOD Rubberneck. For the DOD Rubberneck is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
The DOD Rubberneck is a moderate pedalboard-friendly but really nice sounding analog delay. The trails mode allows to make the repeats of the 1500 ms maximum delay time fade out marvelously. Continue reading “DOD Rubberneck”
This is a Comparison of the Boss DD-7 with the DOD Rubberneck. For this comparison I only used the analog mode of the Boss DD-7. At the end of the video I also demonstrate how either of them will sound in the mix.
The dark sound is a very famous aspect of analog delays. Because of their design, analog delays cut the treble to minimize besides noise. As a result, they sound very warm and rich and, on top, they go well together with overdrive effects. Continue reading “Dark Delays”
This is a comparison of the DOD Rubberneck with the Ibanez DE-7.
The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays. All pots are quite interactive and offer numerous setting options.
The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot. Echo and delay can be selected by the mode switch.
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