This is a comparison of the DOD Rubberneck with the Electro Harmonix Deluxe Memory Boy.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck with the Electro Harmonix Deluxe Memory Boy.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a blind comparison of the digital Line 6 Echo Park with the analog Electro Harmonix Deluxe Memory Man (because the sound of the DMM gets pretty close to the sound of a real tape echo).
Continue reading “Delay Blind Comparison: Line 6 Echo Park vs. Electro Harmonix Deluxe Memory Man”
To many guitarists the chase for the perfect overdrive pedal is a never ending story.
And not only because of different ideas of sound, have other guitarist’s recommendations leaded to disappointment as not every overdrive pedal is suitable for all kind of sounds. Continue reading “How to find the right overdrive pedal?”
There are some pedals that have been put on the market a long time ago and that, because of their sound are known as the legendary ones.
But sometimes the circuit has been changed over time. Continue reading “Pedals: same design – different circuit”
In the 1980s many guitarists were pretty excited about the ostensible possibilities of the first multi effect pedals.
But soon they recognized that the quality of the sound of those multi effects did not convince at all.
Although this aspect has changed through the last years, the combination of two effects in one enclosure is much more popular today. Continue reading “Multi Effect Pedals”
These are the top 10 analog delays.
Of course this ranking is absolutely subjective. Continue reading “My Top 10 delays”
After the release of a new analog delay mostly the question arises if this pedal sounds like an old Deluxe Memory Man and if it is possible to replace this legendary pedal by the new one. Continue reading “Which pedal sounds like the Deluxe Memory Man (Part 1) ?”
Every guitarist knows the pulsating sound of a tremolo-effect. The Super Pulsar by Electro Harmonix is a tremolo pedal that provides controllability beyond the setting of speed and depth. Continue reading “Review: EHX Super Pulsar”
This is a comparison of the new DOD Rubberneck with the legendary EHX Deluxe Memory Man:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Some years ago only very few guitarists used reverb-effects, apart from a discreet spring reverb integrated into an amplifier. But today you can find almost every month a new reverb-pedal put on the market.
Here I would like to present some different types of reverb-effects. Continue reading “Reverb”
Delays enrich the guitar-signal and create a vivid sound. There are numerous songs that get their very own character through the sound of a delay (f. e. many songs of U2).
There are different types of delays; each of them has got its advantages and disadvantages. Continue reading “Types of Delays”
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The first pedal that could be controlled with an expression-pedal in real time was the Uni-Vibe. The advantage was that you could adjust the swiftness without taking the hands off the strings. Later this function could also be found in Auto-Wahs. In this way the pedal could be controlled just like a real Wah. Continue reading “How to control the parameters of a pedal”
In the 90s there was a recollection. Grunge killed the dreams of the hairspray-metal bands and thus, also of the effect-industry. For cost reasons and also as a commercially statement many guitarists bought second hand pedals and were satisfied with two or three of them. The previous polished sound became rougher. Continue reading “Effect history (Part 5): Retro boom of the 90s”
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