“I have a question about two delay pedals, one of which I own and another I do not, but am interested in. You have demoed both on your channel, just never head to head. The pedal I currently run on my board is a MXR Carbon Copy Deluxe. I love the pedal. I am running a professional tele through it into a Deluxe Reverb, and I love how it stays warm and doesn’t color my tone the way a lot of the digital delays seem to. For some reason though, I am constantly looking at other delays thinking, “Ohhh, that will be the one I should replace the MXR with.” I am not looking to replace it, but, I don’t know why I keep looking at other ones. This brings me to the other pedal, the Eventide Rose. Seems awesome, and has that feeling of the MXR, but I cannot find any direct comparison videos of both. I was hoping you could just tell me what you think about the two of them in comparison.Continue reading “MXR Carbon Copy Deluxe or Eventide Rose?”
This is a comparison of the Eventide ROSE with the Ibanez DE7. Both of these digital delays are using an analog filter. Check out some of their sonic possibilities at different setting, for slapback delays and in the mix.
This is a comparison of the Moog Moogerfooger MF-104 with Eventide ROSE. To get close to the brightest setting of the Moogerfooger MF-104 I reduced the filter of the ROSE. You will also get a demo of a darker setting, slow and faster modulation and how both delay pedals may sound in the mix. For pitch shifting effects, I added an expression pedal to the ROSE delay. Regarding the Moogerfooger, I used a square waveform modulation to create the pitch shifting effects.
This is a comparison of the Chase Bliss Audio THERMAE with Eventide ROSE. To get close to the brightest setting of the THERMAE, I reduced the filter of the ROSE. You will also get a demo of a darker setting, slow modulation and how both of delay pedals may sound in the mix. For pitch shifting effects, I added an expression pedal to the ROSE delay.
These are my favorite 7 settings of the Eventide ROSE delay. Find out how a maxed filter pot will create bright repeats (0:08) while a reduced filter will bring out almost analog-like sounds (0:43). An envelope controlled modulation will produce a tape-like feeling (1:27). And of course, I also used an expression pedal (3:00) for reverse delays with pitch shifting.
This is a comparison of the Empress Echosystem with the Eventide Rose. For the Rose is a mono pedal, I chose the single mode for the Echosystem. Find out more about different settings of these delay pedals and how both of them can sound in the mix.
“I decided to spend a bit more money for a pedalboard and to buy a Gigrig G2 and, beside others, a Strymon Timeline. I am almost sure, that the analog dry through function makes a decisive difference regarding the dry signal. Here is my question: Is it true, that modulation effects can not really deal with analog dry through and phasing problems may occur? Continue reading “Ask the Dude: Modulation effects – analog dry through yes or no?”
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