Legendary overdrive pedals 4 – Fulltone OCD

Fulltone OCDThis episode of the series is dedicated to a modern overdrive pedal which already has become a legend: the Fulltone OCD. Continue reading “Legendary overdrive pedals 4 – Fulltone OCD”

Delay Blind Comparison: Fulltone Tube Tape Echo vs. Electro Harmonix Deluxe Memory Man

This is a blind comparison of the Electro Harmonix Deluxe Memory Man with the Fulltone Tube Tape Echo.

Solution: Continue reading “Delay Blind Comparison: Fulltone Tube Tape Echo vs. Electro Harmonix Deluxe Memory Man”

Source Audio Nemesis vs. Fulltone Tube Tape Echo – Delay Comparsion

This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Tremolo effects

Effect PedalTo modulate sound signals by rhythmical amplitude fluctuations was a technique that has already been used in the 1950s and became famous again through grunge music.
Besides the first DeArmond tremolo effect, about which I already wrote in this article, there are many other possibilities to produce a tremolo effect. Continue reading “Tremolo effects”

Delay Blind Comparison: Strymon El Capistan vs. Fulltone Tube Tape Echo

This is a blind comparison of the Strymon El Capistan with the Fulltone Tube Tape Echo.

Clarification:

Continue reading “Delay Blind Comparison: Strymon El Capistan vs. Fulltone Tube Tape Echo”

Tips & Tricks: Tape echo maintenance

A real tape echo provides an extraordinary sound and is a worthwhile investment for your guitar sound. Unfortunately the maintenance of a tape echo is not as simple as the care of a digital or analog delay pedal. Continue reading “Tips & Tricks: Tape echo maintenance”

Fulltone Tube Tape Echo TTE vs. T-Rex Replica – Tape Delay Comparison

This is a comparison of the legendary Fulltone Tape Echo with the T-Rex Replica.

Click here for other TTE videos.

gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Tips & Tricks: Power for pedals – 9V or more?

Multi-NetzteilTo almost all producers of guitar effect pedals 9V still is the one and only standard. But who has set this norm? And is 9V really the best option for effect pedals? Continue reading “Tips & Tricks: Power for pedals – 9V or more?”

Types of Delays

Delays enrich the guitar-signal and create a vivid sound. There are numerous songs that get their very own character through the sound of a delay (f. e. many songs of U2).

There are different types of delays; each of them has got its advantages and disadvantages. Continue reading “Types of Delays”

Effect history (Part 5): Retro boom of the 90s

Effect Pedal In the 90s there was a recollection. Grunge killed the dreams of the hairspray-metal bands and thus, also of the effect-industry. For cost reasons and also as a commercially statement many guitarists bought second hand pedals and were satisfied with two or three of them. The previous polished sound became rougher. Continue reading “Effect history (Part 5): Retro boom of the 90s”

Hughes and Kettner Replex vs Fulltone TTE

This is a comparison of the Hughes & Kettner Replex (which is a very fine tube driven tape emulation) with the Fulltone Tube Tape Echo.

 

Weitere Vergleichsvideos des Fulltone TTE findest du hier.

Effect history (Part 2): The 60s – transistor pedals

Effect PedalThe new transistor-technique

The first fuzz-pedals have been invented in the early 60s. One of the first pedals using the new transistor-technique was the Maestro Fuzz Tone Pedal which became famous by the Song “Satisfaction” of the Rolling Stones. Continue reading “Effect history (Part 2): The 60s – transistor pedals”