Because of its size, the Maxon AD 900 is a less pedalboard-friendly analog delay. Sonically oriented to the AD 9 the sprit separates regarding the two possible chips that have been used for the circuit of the Maxon AD 900. Continue reading “Maxon/Ibanez AD 900”
Yes, the Ibanez ADmini IS a pedalboard-friendly analog delay. Regarding the size of the enclose, which comes around in an Ibanez-typical coloring, this 9V midget keeps the promise. Continue reading “Ibanez ADmini”
This is a comparison of two identical Ibanez AD9 delays. Find out the differences between these two legends (if there are any?). Maybe you will find sonic differences between both. Furthermore, the fans of oscillation will find their very special comparison at the end of this video.
This is a comparison of the Eventide ROSE with the Ibanez DE7. Both of these digital delays are using an analog filter. Check out some of their sonic possibilities at different setting, for slapback delays and in the mix.
Recently, I found the following request in my mailbox:
“I think, I actually would need a Binson Echorec, but they are in fact beyond price. I love the flutter echo mash, that the Echorec is able to create. In the meantime, I think, that an analog delay is able to produce every sound, I long for. Digital delays with analog emulation do not sound that nice to me. But at the same time, I don’t want to get into dept. Could you tell me, if the Ibanez Echo Shifter might be a suitable pedal for me? Especially in contrast to the Ibanez analog delay, AD9, mini or even the EHX Memory Toy? I have already tried to many sappy pedals. Right now, I do (still!) use the Hardwire DL8. But in my opinion, it is too cold and inorganic.”Continue reading “Ask the Dude: Is there a pedal sounding like the Binson Echorec?”
The dark sound is a very famous aspect of analog delays. Because of their design, analog delays cut the treble to minimize besides noise. As a result, they sound very warm and rich and, on top, they go well together with overdrive effects. Continue reading “Dark Delays”
This is a comparison of the DOD Rubberneck with the Ibanez DE-7.
The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays. All pots are quite interactive and offer numerous setting options.
The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot. Echo and delay can be selected by the mode switch.
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