Source Audio Nemesis vs. Line6 DL4

This is a comparison of the Source Audio Nemesis with the Line6 DL4.
The Line6 DL4 has been launched decades ago, but still doesn’t have to be shy about a comparison with the Source Audio Nemesis.

In this demo I compare different modes of these two workhorses.

0:09 DL4: tube tape / Nemesis: noise tape with slight modulation Continue reading “Source Audio Nemesis vs. Line6 DL4”

Line6 DL4

This is a demo about the Line6 DL4.
Most people love the DL4 because of its crazy looper. But don’t forget: it is also a delay…
So, check out some sounds of one of the first multi delays.

0:09 tube echo Continue reading “Line6 DL4”

Strymon Iridium

NewsAlmost surprisingly, Strymon put the Iridium – an amp and IR cab simulator – on the market.
The Iridium emulates three classical amplifiers: The options called round, chime and punch are no less than the sounds of the Fender Deluxe Reverb, the Vox AC30 and a Marshall Plexi. Continue reading “Strymon Iridium”

Ask the Dude: Modulation effects – analog dry through yes or no?

Ask the DudeQuestion to the Dude:

“I decided to spend a bit more money for a pedalboard and to buy a Gigrig G2 and, beside others, a Strymon Timeline. I am almost sure, that the analog dry through function makes a decisive difference regarding the dry signal.
Here is my question: Is it true, that modulation effects can not really deal with analog dry through and phasing problems may occur? Continue reading “Ask the Dude: Modulation effects – analog dry through yes or no?”

Tips & Tricks: Wireless?

Tips & tricksEven on small stages it is pretty comfortable, not to get entangled in guitar cables and to avoid the knotting of the cables of all band members.
The alternative to the usual stereo cables is a wireless sound system.
But is this kind of signal transmission suitable for every guitarist?
And, are there any disadvantages? Continue reading “Tips & Tricks: Wireless?”

Videos on YouTube – Why my videos are how they are

Ask the DudeI love to watch YouTube videos about pedals, guitars and amps.
The boundless vastness of the Internet offers to some extend magnificent, inspiring and enlightening content created by great people. Continue reading “Videos on YouTube – Why my videos are how they are”

Fulltone Tube Tape Echo vs. Line6 DL4 – Delay Comparison

This is a comparison of the Fulltone Tube Tape Echo with the Line6 DL4. Find out if the digital emulation sounds like the original.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Other history = other ideas of a good sound?

Was wäreThe sounds you already know will shape your acoustic habits and expectations and every new impression of sound will be measured by these aspects.

Continue reading “Other history = other ideas of a good sound?”

Blind Digital Delay Comparison: Line 6 Echo Park vs. Akai Headrush

This is a blind comparison of the Line 6 Echo Park with the Akai Headrush.

gear: Epiphone Riviera (with P-94 Pickups)Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Solution : Continue reading “Blind Digital Delay Comparison: Line 6 Echo Park vs. Akai Headrush”

Multi Overdrive Part 3

In the first part of this article, I dedicated myself to multi overdrive pedals in general.
In the second part I introduced some interesting analog multi overdrive pedals.
And in this last part I would like to present some digital multi pedals. Continue reading “Multi Overdrive Part 3”

Delay Blind Comparison: Fulltone Tube Tape Echo vs. Line6 DL4

This is a blind comparison of the Fulltone Tube Tape Echo with the Line6 DL4.

 

Solution: Continue reading “Delay Blind Comparison: Fulltone Tube Tape Echo vs. Line6 DL4”

Electro Harmonix Deluxe Memory Man vs. Line 6 Echo Park – Delay Comparison

This is a comparison of the Line 6 Echo Park with the Electro Harmonix Deluxe Memory Man.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Effect History: Multi Digital Delays (Part 2)

Effect PedalThe next generation

The first part of this series was about the Boss DD-20 and the Line6 DL4.
Both pedals have been the standard for a long time and still they are pretty popular.
But they have been replaced by technically extensive pedals of the next generation. Continue reading “Effect History: Multi Digital Delays (Part 2)”

Effect History: The first multi digital delays (Part 1)

Effect PedalAlmost every guitarist who is addicted to delays is always searching for the perfect delay sound.
Uncountable analog and digital delays are jockeying for space on the pedalboard.
Early 21st century numerous manufacturers recognized this dilemma and started to invent multi digital delays.
Some of them I would like to present in a three-part series. Continue reading “Effect History: The first multi digital delays (Part 1)”