This is a comparison of the Maxon AD-900 with the Ibanez AD-80. These two analog classics are about the same age and sonically they are pretty close to each other. If you ever get the chance, to get one of them on the second hand market, got for it. Here you can find out, which one, you should get.
This is a comparison of the the Valhalla delay VST with two analog delay pedals. For I wanted a darker delay sound without modulation and a brighter delay sound with modulation as a sonic reference, I choose the Maxon AD900 and Electro Harmonix Deluxe Memory Man for this comparison.
The Maxon AD-900 is definitively not a pedalboard-friendly delay. But this analog wonder does not need to be space-saving. It offers up to 600ms of maximum delay time. At the time of its construction, an absolutely phenomenal duration. Continue reading “Maxon AD-900”
Similar to the other Maxon AD-pedals, the AD 999 as well is a less pedalboard-friendly analog delay. The MC4107D bucket brigade ICs make the AD 999 sound a bit dirtier, less defined and a bit rougher than the AD 900. Continue reading “Maxon/ Ibanez AD 999”
This is a comparison of the AnalogMan ARDX20 with the Maxon AD-900. These both analog delays create a rather dark sound. They are about the same size, but for the AnalogMan ARDX20 comes along with the Amazeo, it will need a bit more space on the pedalboard. Therefore, you will additionally get tap tempo and modulation. Sonically both delay pedals are based on the Ibanez AD-9. For the Maxon AD-9 does not provide modulation, I forego showing this feature of the AnalogMan ARDX20. Find out more about the sound of different delay times and how both pedals may sound in the mix.
The Maxon AD 999 Pro is a less pedalboard-friendly analog delay. Similar to the AD 9 Pro, the extended version of the AD 999 offers an additional tape echo multi head function. A toggle switch allows to choose between single head and dual head mode. Continue reading “Maxon/Ibanez AD 999 Pro”
Because of its size, the Maxon AD 900 is a less pedalboard-friendly analog delay. Sonically oriented to the AD 9 the sprit separates regarding the two possible chips that have been used for the circuit of the Maxon AD 900. Continue reading “Maxon/Ibanez AD 900”
This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900. For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in the mix.
This is a comparison of the Maxon AD-900 with the Fulltone Tube Tape Echo. The comparison of an analog delay with a tape echo might be a bit extraordinary – but these two classics can definitvely compete with each other.
The dark sound is a very famous aspect of analog delays. Because of their design, analog delays cut the treble to minimize besides noise. As a result, they sound very warm and rich and, on top, they go well together with overdrive effects. Continue reading “Dark Delays”
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