In October, MXR will launch their new clone looper pedal M303. The pedalboard- friendly looper is lacquered in silver and about the same size like a MXR Phase90 (landscape format). The two footswitches for recording and play/stop and one volume pot will make this pedal easy to handle. Continue reading “News +++ MXR Clone Looper +++ News”
Several times I found in guitar forums the comment that some guitarists can`t deal with the mix pot of the MXR Carbon Copy Deluxe. It is true: you have to turn the pot into full clockwise direction to get a delay signal which is a bit louder than the clean guitar signal. Continue reading “Tips & Tricks: MXR Carbon Copy Deluxe”
This is a comparison of the Walrus Audio ARP-87 with the MXR Carbon Copy Deluxe. For the MXR Carbon Copy Deluxe is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
The dark sound is a very famous aspect of analog delays. Because of their design, analog delays cut the treble to minimize besides noise. As a result, they sound very warm and rich and, on top, they go well together with overdrive effects. Continue reading “Dark Delays”
Besides spectacular delays every analog delay produces white noise. Generally, one can say that the proportion of white noise increases in dependency of the delay time. To some this unintended noise represent an important part of an analog character, others prefer digital delays to produce a signal that is more clear. Continue reading “Are there analog delays without white noise?”
At the moment flanger pedals are rather unpopular- maybe because they have been used far too often in the 80s or maybe because of their distinctive sound. But not all flange effects are equal and depending on the way of use a flange effect can sound quite interesting. Continue reading “Flanger”
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