This is a comparison of the DOD Rubberneck with the Way Huge Supa-Puss. Find out more about the sound of these analog delay pedals. Besides the default settings, I present the sound at a darker and grittier setting, vibrato and chorus effects and how they both might sound in the mix.
This is a comparison of the Way Huge Supa-Puss with the MXR Carbon Copy Deluxe. Find out more about the sound of these analog delay pedals. You will get to know different settings, slow modulation, with vibrato and how they both might sound in the mix.
This is a comparison of the Way Huge Supa-Puss with the Chase Bliss Audio Tonal Recall rkm. Find out more about the sound of these wunderful analog delay pedals. You will get to know different settings, slow and fast modulation and how they both might sound in the mix.
The dark sound is a very famous aspect of analog delays. Because of their design, analog delays cut the treble to minimize besides noise. As a result, they sound very warm and rich and, on top, they go well together with overdrive effects. Continue reading “Dark Delays”
Besides spectacular delays every analog delay produces white noise. Generally, one can say that the proportion of white noise increases in dependency of the delay time. To some this unintended noise represent an important part of an analog character, others prefer digital delays to produce a signal that is more clear. Continue reading “Are there analog delays without white noise?”
Right after the advent of first rumors, NAAM news and reviews the pedal addict is longing for the releasing day of the coveted pedal. Unable to wait, the European guitarists are tempted to order the stompbox in the United States before it is available in Europe. Continue reading “The first batch Problem”
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