Like its predecessor, the Ibanez AD 9, the Maxon AD 9 Pro is also a pedalboard-friendly analog delay. Continue reading “Maxon AD 9 Pro”
The Ibanez AD 9 is a pedalboard-friendly analog delay and, to me, the embodiment of a dark old-school analog delay sound. Continue reading “Ibanez AD 9”
Yes, the Ibanez ADmini IS a pedalboard-friendly analog delay. Regarding the size of the enclose, which comes around in an Ibanez-typical coloring, this 9V midget keeps the promise. Continue reading “Ibanez ADmini”
The Ibanez AD80 is a pedalboard-friendly analog delay, colored as eccentric as we know most Ibanez effects. Continue reading “Ibanez AD80”
Compared to the legendary original, the Electro Harmonix Deluxe Memory Man Tap Tempo 550 promises an extended maximum delay time. Like its idol, this analog delay is also rather less pedalboard-friendly. Continue reading “Electro Harmonix Deluxe Memory Man Tap Tempo 550”
The Electro Harmonix Memory Boy is quite a bit more pedalboard friendly than the Deluxe-version. Based on the Memory Man, the Memory Boy is additionally equipped with modulation. Continue reading “Electro Harmonix Memory Boy”
The Electro Harmonix Memory Toy is one of the few pedalboard-friendly analog delays of the Memory-series.
The propitious basis version comes around without any frills. Continue reading “Electro Harmonix Memory Toy”
As we know the Electro Harmonix pedals, the Deluxe Memory Man 1100-TT also needs a lot of space on the pedalboard. But it is worth it. Continue reading “Electro Harmonix Deluxe Memory Man 1100-TT”
Like its great idol, the Deluxe Memory Man, the size of the Electro Harmonix Deluxe Memory Boy is also rather less pedalboard friendly.But, the analog delay with a maximum delay time of 700 ms offers numerous features in on XO- enclosure. Continue reading “Electro Harmonix Deluxe Memory Boy”
This second part of the two-part review is about concrete functions like reverse and midi. And, of course, you will get my conclusion about this delightful delay pedal. Continue reading “Review: Eventide Rose – Part 2”
The Eventide Rose is a digital delay with some special features.
This first part of the two-part review is about the construction, the sound and the modulation of this delightful delay pedal. Continue reading “Review: Eventide Rose – Part 1”
Delay pedals, analog as well es digital ones are ten a penny.
Mostly, they provide numerous features like tap tempo, modulation and tone pots. But are there any stereo analog delays, too? Continue reading “Stereo analog delays”
Already, there are 3 versions of the Wampler Faux Tape Echo with the purple sparkling enclosure.
While the third version allows to adjust the subdivisions, the version 1.2, that will be presented in this review, provides the possibility to deactivate the modulation.
The first version came along without tap tempo, but it offered modulation with envelope – thus, the intensity has been controlled via the string attack. Continue reading “Review: Wampler Faux Tape Echo”
My absolute favorite one! The Electro Harmonix Deluxe Memory Man is a brilliant, rather less pedalboard-friendly analog delay that, in my opinion, deserves every centimeter on the pedalboard. Continue reading “Electro Harmonix Deluxe Memory Man”
“I think, I actually would need a Binson Echorec, but they are in fact beyond price. I love the flutter echo mash, that the Echorec is able to create.
In the meantime, I think, that an analog delay is able to produce every sound, I long for. Digital delays with analog emulation do not sound that nice to me. But at the same time, I don’t want to get into dept.
Could you tell me, if the Ibanez Echo Shifter might be a suitable pedal for me? Especially in contrast to the Ibanez analog delay, AD9, mini or even the EHX Memory Toy?
I have already tried to many sappy pedals. Right now, I do (still!) use the Hardwire DL8. But in my opinion, it is too cold and inorganic.” Continue reading “Ask the Dude: Is there a pedal sounding like the Binson Echorec?”