This is a comparison of the Boss DD-200 with the Source Audio Nemesis. Both digital delays provide likewise functions and have the same form factor. Check out their sonic differences and similarities in varying settings.
Similar to the TC Electronic Flashback, the Flashback 2 is a pedalboard-friendly digital delay as well. Additionally, to the sounds of its predecessor, the Flashback 2 offers the “Crystal Delay” that adds an octave-effect to each repeat. Continue reading “TC Electronic Flashback 2”
The TC Electronic Flashback is a pedalboard friendly digital delay. The solid allrounder comes around with numerous classical delay sounds. And because of the fact that TC Electronic is authorized to do so, they call the digital mode of the Flashback “2290”. If this digital delay with modulation gets closer to the sound of the legend remains to be discussed. Continue reading “TC Electronic Flashback”
This is a comparison of the Catalinbread Belle Epoch with the Empress Echosystem. The Belle Epoch emulates the legendary Echoplex EP-3 as well as the respective algorithm of the Echosystem. Both delays provide modulation, a tone control and for those, who like grittier sounds, they also add some dirt to the signal.
Last year (after several years of playing the guitar) I finally bought my first effect pedals: the Walrus Audio Slö, the Earthquaker Devices Westwood and the Ditto looper. I mostly listen to minimal, indie and ambient and therefore, I would love to create such sounds myself. But unfortunately, I have not made up my mind about a specific sound.Continue reading “Which pedal should I get?”
For a new song, I used a chord sequence recorded with a reverse delay. I think, in my own case this is an appropriate substitute for an extensive synth sound. But I recognized that it is pretty hard to control the reverse delay and now, I am not able to reproduce my record exactly. I have the feeling that it does whatever it wants to do. Somehow, the rhythm of the reverse signal varies each time. I am not sure, if this is problem only occurs in my setup but I tried my best to describe the trouble. At the moment I am using the reverse delay of the Boss ME-80, might this be the source of error?Continue reading “Reverse delay trouble”
Recently, I received the following request: I moved on from a DOD Rubberneck due to its size, and I am considering a Walrus Audio ARP 87. I would really like a full analog delay in small size, but the Chase Bliss Audio is way above my budget and I didn’t really like the JHS Panther Cub in relation to its price. Is there any other delay you would recommend? I want something with tap tempo and a small footprint…Continue reading “Which pedal should I get: Walrus Audio ARP 87 or DOD Rubberneck?”
The Strymon Timeline is definitively not pedalboard-friendly, but in exchange to its size, this digital delay has a lot to offer. Continue reading “Strymon Timeline”
The Strymon Deco is a relatively pedalboard-friendly effect pedal, that hardly can be characterized as a classical delay pedal. Underneath the optical shy designed surface, you will find the sound of two tape decks. Continue reading “Strymon Deco”
This is a comparison of the the Valhalla delay VST with two analog delay pedals. For I wanted a darker delay sound without modulation and a brighter delay sound with modulation as a sonic reference, I choose the Maxon AD900 and Electro Harmonix Deluxe Memory Man for this comparison.
The Strymon Brigadier is a relatively pedalboard-friendly dbucket digital delay. It comes around in the Strymon-typical gentle, but pleasing design and offers, depending on the respective mode up to 5000ms of maximum delay time. Continue reading “Strymon Brigadier”
This is a comparison of the Akai Headrush with the Line6 Echo Park. Besides the digital sound, you can also check out the tape echo sounds of these two classic digital budget delays.
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