Today I am delighted to present the “7 questions to…” -interview with Tom Majeski. Go ahead and find out more about the guy behind the inspiring and brilliant Cooper FX pedals. Continue reading “7 questions to Tom Majeski (Cooper FX)”
The market for guitar-effects has grown a lot in the recent years and therefore there has never been a wider range of pedals as today.
While the first boutique manufacturers focused themselves on the modification and the building of clones of old and rare pedals, the next generation of boutique manufacturers found a totally new way. Continue reading “Innovative boutique pedals”
This is a demo of my soundscaping-/ambient- pedalboard.
I used the following pedals:
PLUS Pedal, Line 6 Echo Park, Origin Effects Cali 76 TX, Bogner Wessex, Strymon DIG, TC Electronic Hall of Fame.
gear: Fender Telecaster, Fender Deluxe Reverb, PLUS Pedal, Line 6 Echo Park, Origin Effects Cali 76 TX, Bogner Wessex, Strymon DIG, TC Electronic Hall of Fame, Celestion G12M, Shure SM57, Cubase.
But what is the difference between them? Continue reading “Overdrive – Distortion – Fuzz”
This is a comparison of an analog voiced, PT 2399 based digital delay and an analog delay (Chase Bliss Audio Tonal Recall RKM).
gear: Fender Telecaster, Fender Deluxe Reverb, Celestion G12M, Shure SM57, Cubase.
For further information about the “delay(ed)”- delay don’t hesitate to ask the Dude ( firstname.lastname@example.org).
…are looking for a certain sound, but you don’t know how to create it? Continue reading “Ask the Dude”
Although many guitarists love large pedalboards, most of them go into raptures over the sound that originates when the guitar-signal runs straight into the amplifier. The dynamic is increased and the guitar has got a higher output. Continue reading “Downsizing”
There are many good and informative pages for guitarists on the internet. I would like to present you a list of my favourite pages: Continue reading “The 10 most exciting pages for guitarists”
In the 90s there was a recollection. Grunge killed the dreams of the hairspray-metal bands and thus, also of the effect-industry. For cost reasons and also as a commercially statement many guitarists bought second hand pedals and were satisfied with two or three of them. The previous polished sound became rougher. Continue reading “Effect history (Part 5): Retro boom of the 90s”
“True bypass” – I guess, there is no term that is mentioned more frequently relating to the presentation of a new pedal. What does “true bypass” mean and does it have any advantages? Continue reading “Ask the Dude: True Bypass vs. Buffer”
This is a short comparison of two analog delay pedals:
The ARDx20 is a boutique delay by Analogman. It is an analog pedal with numerous features: two different settings, effect-loop amm. The Ibanez Admini also is analog and because of its size pretty “pedalboard-friendly”.
Both pedals are based on the old Ibanez AD-9 from the 80s.