The Neunaber Expanse is a pedalboard-friendly digital delay that, in combination with the Expanse software sonically offers almost everything a delay-addicted can long for. Continue reading “Neunaber Expanse”
This is a comparison of the DOD Rubberneck with the Way Huge Supa-Puss. Find out more about the sound of these analog delay pedals. Besides the default settings, I present the sound at a darker and grittier setting, vibrato and chorus effects and how they both might sound in the mix.
0:10 default setting Continue reading “DOD Rubberneck vs. Way Huge Supa-Puss”
The Electro Harmonix Memory Toy is one of the few pedalboard-friendly analog delays of the Memory-series.
The propitious basis version comes around without any frills. Continue reading “Electro Harmonix Memory Toy”
The Crazy Tube Circuits Echotopia was one of the most unexpected delays I learned to know in 2019. This is why I think, we all should learn a bit more about the man behind the great pedals from Greek. Continue reading “7 questions to Christos Ntaifotis (Crazy Tube Circuits)”
This is a comparison of the Source Audio Nemesis with the Electro Harmonix Deluxe Memory Man.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The Boss CE-1 Chorus Ensemble was the first chorus pedal that has been put on the market in the 1970s.
Originally, the wiring of this pedal has been integrated into the legendary Roland Jazz Chorus amplifier. Continue reading “Review: Vintage Boss CE-1 Chorus Ensemble”
Especially in the songs of hard rock or heavy metal bands the guitars sound pretty voluminous and punchy.
One produces this kind of sound by combining several microphones for the recording but notably by doubling the guitar-tracks or by multi-tracking. Continue reading “Punchy Guitar-Sound”
Although many guitarists love large pedalboards, most of them go into raptures over the sound that originates when the guitar-signal runs straight into the amplifier. The dynamic is increased and the guitar has got a higher output. Continue reading “Downsizing”
In the 90s there was a recollection. Grunge killed the dreams of the hairspray-metal bands and thus, also of the effect-industry. For cost reasons and also as a commercially statement many guitarists bought second hand pedals and were satisfied with two or three of them. The previous polished sound became rougher. Continue reading “Effect history (Part 5): Retro boom of the 90s”
First of all, a chorus creates an exact copy of the signal. Subsequently one of these signals is, similar to a delay, reproduced delayed. But the delays of the sound are so short that they are not perceived as delays. They only last 2 up to 70 ms. Continue reading “Modulation pedals”