This is a comparison of the DOD Rubberneck with the Way Huge Supa-Puss. Find out more about the sound of these analog delay pedals. Besides the default settings, I present the sound at a darker and grittier setting, vibrato and chorus effects and how they both might sound in the mix.
Especially in the songs of hard rock or heavy metal bands the guitars sound pretty voluminous and punchy. One produces this kind of sound by combining several microphones for the recording but notably by doubling the guitar-tracks or by multi-tracking. Continue reading “Punchy Guitar-Sound”
Although many guitarists love large pedalboards, most of them go into raptures over the sound that originates when the guitar-signal runs straight into the amplifier. The dynamic is increased and the guitar has got a higher output. Continue reading “Downsizing”
In the 90s there was a recollection. Grunge killed the dreams of the hairspray-metal bands and thus, also of the effect-industry. For cost reasons and also as a commercially statement many guitarists bought second hand pedals and were satisfied with two or three of them. The previous polished sound became rougher. Continue reading “Effect history (Part 5): Retro boom of the 90s”
First of all, a chorus creates an exact copy of the signal. Subsequently one of these signals is, similar to a delay, reproduced delayed. But the delays of the sound are so short that they are not perceived as delays. They only last 2 up to 70 ms. Continue reading “Modulation pedals”
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