Boss DD-200 vs. Source Audio Nemesis

This is a comparison of the Boss DD-200 with the Source Audio Nemesis. Both digital delays provide likewise functions and have the same form factor.
Check out their sonic differences and similarities in varying settings.

0:10 digital setting Continue reading “Boss DD-200 vs. Source Audio Nemesis”

Catalinbread Belle Epoch vs. Empress Echosystem

This is a comparison of the Catalinbread Belle Epoch with the Empress Echosystem.
The Belle Epoch emulates the legendary Echoplex EP-3 as well as the respective algorithm of the Echosystem. Both delays provide modulation, a tone control and for those, who like grittier sounds, they also add some dirt to the signal.

0:11 Empress Echosystem Echoplex algorithm Continue reading “Catalinbread Belle Epoch vs. Empress Echosystem”

Review: Strymon Brigadier Part 2

The first part of the  of the Strymon Brigadier-review was about the features of this digital delay pedal. This second part is dedicated to the sound of the Strymon Brigadier.

Sound

Th short mode, which is oriented to a one-chip delay, offers a beautiful slapback sound with at least up to 400ms. Maxed, the delay sound becomes somehow metallic – similar to an analog delay with an overclocked chip.
The peak of the repeats is very realistic at the upper mids and cut very well through the mix. Continue reading “Review: Strymon Brigadier Part 2”

Review: Strymon Brigadier Part 1

Strymon BrigadierThis is the first part of a detailed review about theStrymon Brigadier, a dbucket delay which emulates an analog delay is dedicated to the features of this digital delay pedal.
The Brigadier comes around in a compact, green aluminum enclosure that is similar to the ones we know from the El Capistan, the DIG or the Flint. While these three are absolutely legendary, the Brigadier seems to be overlooked in a certain way. With justification? Continue reading “Review: Strymon Brigadier Part 1”

My favorite analog delays (2020)

Because of the numerous requests regarding my favorite delays, I tried to figure out my top delays. In this second part, I present my favorite analog delays.
The order of the delays within the respective group or video is no ranking for I am unable to tell which of them I like best. Thus, the presentation is according to the alphabetical order of their names.

0:04 MXR Carbon Copy Deluxe Continue reading “My favorite analog delays (2020)”

My favorite tape emulations

Because of the numerous requests regarding my favorite delays, I tried to figure out my top delays and I want to start this three-part series with my favorite tape emulations.
The order of the delays within the respective group or video is no ranking for I am unable to tell which of them I like best. Thus, the presentation is according to the alphabetical order of their names.
Check out the reasons why I have chosen these delays here.

0:03 Echosystem Continue reading “My favorite tape emulations”

My favorite tape emulations

Many times, I have been asked about my favorite delay pedals and I must confess, that this question is soo hard to answer to.
Nevertheless, after a long time of thinking and trying, I figured out groups of my favorite delays regarding the categories analog delays, digital delays and tape emulations. Continue reading “My favorite tape emulations”

Review: Nux Atlantic -Part II

Nux AtlanticIn the second part of this review, you will get to know all about the sound of the astonishing Nux Atlantic. Continue reading “Review: Nux Atlantic -Part II”

Review: Nux Atlantic -Part I

Nux AtlanticThe first part of this two-part review is dedicated to the construction of the Nux Atlantic delay/reverb. And in the second part you will get to know all about the sound of this astonishing bargain. Continue reading “Review: Nux Atlantic -Part I”

Akai Headrush

This is a demo about the Akai Headrush.
Probably the only pedal that provides one separate output for each virtual tape head.
Although it almost seems like a silver-ager, it has extraordinary functions like the tape head spacing to create rhythmical delays.

0:09 tape echo Continue reading “Akai Headrush”

Malekko EKKO 616 MKII Dark

Malekko Ekko darkThe name reflects the aim: The Malekko EKKO 616 MKII Dark: this is the dark version of the Malekko EKKO 616 MKII. The pedalboard-friendly analog delay offers up to 650ms of maximum delay time and enables its user to choose between true bypass and buffer. Continue reading “Malekko EKKO 616 MKII Dark”

Electro Harmonix Deluxe Memory Man vs. DOD Rubberneck

This is a comparison of the Electro Harmonix Deluxe Memory Man with the DOD Rubberneck.
Find out mor about the sonic possibilities like brighter and darker repeats, modulation and the sound of these two analog delays in the mix.

Adjustments for the Rubberneck
0:10 tone at noon Continue reading “Electro Harmonix Deluxe Memory Man vs. DOD Rubberneck”

DOD Rubberneck vs. Way Huge Supa-Puss

This is a comparison of the DOD Rubberneck with the Way Huge Supa-Puss. Find out more about the sound of these analog delay pedals. Besides the default settings, I present the sound at a darker and grittier setting, vibrato and chorus effects and how they both might sound in the mix.

0:10 default setting Continue reading “DOD Rubberneck vs. Way Huge Supa-Puss”

Way Huge Supa-Puss vs. MXR Carbon Copy Deluxe

This is a comparison of the Way Huge Supa-Puss with the MXR Carbon Copy Deluxe. Find out more about the sound of these analog delay pedals. You will get to know different settings, slow modulation, with vibrato and how they both might sound in the mix.

0:09 default setting/bright setting Continue reading “Way Huge Supa-Puss vs. MXR Carbon Copy Deluxe”

Way Huge Supa-Puss vs. Chase Bliss Audio Tonal Recall rkm

This is a comparison of the Way Huge Supa-Puss with the Chase Bliss Audio Tonal Recall rkm. Find out more about the sound of these wunderful analog delay pedals. You will get to know different settings, slow and fast modulation and how they both might sound in the mix.

0:08 Supa-Puss tone at noon, Tonal Recall rkm brightest setting Continue reading “Way Huge Supa-Puss vs. Chase Bliss Audio Tonal Recall rkm”