Review: Nux Atlantic -Part II

Nux AtlanticIn the second part of this review, you will get to know all about the sound of the astonishing Nux Atlantic. Continue reading “Review: Nux Atlantic -Part II”

Review: Nux Atlantic -Part I

Nux AtlanticThe first part of this two-part review is dedicated to the construction of the Nux Atlantic delay/reverb. And in the second part you will get to know all about the sound of this astonishing bargain. Continue reading “Review: Nux Atlantic -Part I”

Akai Headrush

This is a demo about the Akai Headrush.
Probably the only pedal that provides one separate output for each virtual tape head.
Although it almost seems like a silver-ager, it has extraordinary functions like the tape head spacing to create rhythmical delays.

0:09 tape echo Continue reading “Akai Headrush”

Malekko EKKO 616 MKII Dark

Malekko Ekko darkThe name reflects the aim: The Malekko EKKO 616 MKII Dark: this is the dark version of the Malekko EKKO 616 MKII. The pedalboard-friendly analog delay offers up to 650ms of maximum delay time and enables its user to choose between true bypass and buffer. Continue reading “Malekko EKKO 616 MKII Dark”

Electro Harmonix Deluxe Memory Man vs. DOD Rubberneck

This is a comparison of the Electro Harmonix Deluxe Memory Man with the DOD Rubberneck.
Find out mor about the sonic possibilities like brighter and darker repeats, modulation and the sound of these two analog delays in the mix.

Adjustments for the Rubberneck
0:10 tone at noon Continue reading “Electro Harmonix Deluxe Memory Man vs. DOD Rubberneck”

DOD Rubberneck vs. Way Huge Supa-Puss

This is a comparison of the DOD Rubberneck with the Way Huge Supa-Puss. Find out more about the sound of these analog delay pedals. Besides the default settings, I present the sound at a darker and grittier setting, vibrato and chorus effects and how they both might sound in the mix.

0:10 default setting Continue reading “DOD Rubberneck vs. Way Huge Supa-Puss”

Way Huge Supa-Puss vs. MXR Carbon Copy Deluxe

This is a comparison of the Way Huge Supa-Puss with the MXR Carbon Copy Deluxe. Find out more about the sound of these analog delay pedals. You will get to know different settings, slow modulation, with vibrato and how they both might sound in the mix.

0:09 default setting/bright setting Continue reading “Way Huge Supa-Puss vs. MXR Carbon Copy Deluxe”

Way Huge Supa-Puss vs. Chase Bliss Audio Tonal Recall rkm

This is a comparison of the Way Huge Supa-Puss with the Chase Bliss Audio Tonal Recall rkm. Find out more about the sound of these wunderful analog delay pedals. You will get to know different settings, slow and fast modulation and how they both might sound in the mix.

0:08 Supa-Puss tone at noon, Tonal Recall rkm brightest setting Continue reading “Way Huge Supa-Puss vs. Chase Bliss Audio Tonal Recall rkm”

Strymon Volante vs. Source Audio Nemesis

This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Crazy Tube Circuits Echotopia vs. Source Audio Nemesis

This is a comparison of the Source Audio Nemesis with the CCrazy Tube Circuits Echotopia.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Strymon Volante – my favorite 7 settings

This is a video about the marvellous Strymon Volante.
For the Volante is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.

0:08 dark bouncing drum
0:47 bright slapback tape
1:17 wobbling drum
1:57 floating studio
2:23 percussive drum
2:55 worn-out drum
3:32 crisp drum

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Click here for a detailed review of the Volante.

Crazy Tube Circuits Echotopia vs. Wampler Faux Tape Echo

This is a comparison of the Wampler Faux Tape Echo with the Crazy Tube Circuits Echotopia.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Crazy Tube Circuits Echotopia

EchotopiaThe Crazy Tube Circuits Echotopia is a digital tape echo emulation and for its size not even pedalboard-friendly. But regarding the dimensions of a Roland Space Echo, the space requirement is definitively justified. Continue reading “Crazy Tube Circuits Echotopia”

Eventide H9 Harmonizer vs. Crazy Tube Circuits Echotopia

This is a stereo comparison of the Crazy Tube Circuits Echotopia with the Eventide H9 Harmonizer.
Please use your headphones!

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Crazy Tube Circuits Echotopia vs. Fulltone Tube Tape Echo

This is a comparison of the Crazy Tube Circuits Echotopia with the Fulltone Tube Tape Echo.

For a better comparability, I maxed the mood pot of the Crazy Tube Circuits Echotopia because the Fulltone Tube Tape Echo provides a very bright sound.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase, AB bypass switch.