Neunaber Expanse vs. Source Audio Nemesis

This is a comparison of the Neunaber Expanse with the Source Audio Nemesis.
The Neuaber Expanse is quite more than a reverb. Thus, I compare different settings of both pedals like tape and digital. But also modes like scatter (Expanse) versus rhythmic (Nemesis) and echelon stock (Expanse) versus digital mode (Nemesis). Last but not least, you will get a demo of how both pedals sound in the mix.

0:10 tape Continue reading “Neunaber Expanse vs. Source Audio Nemesis”

Malekko EKKO 616 MKII Dark

Malekko Ekko darkThe name reflects the aim: The Malekko EKKO 616 MKII Dark: this is the dark version of the Malekko EKKO 616 MKII. The pedalboard-friendly analog delay offers up to 650ms of maximum delay time and enables its user to choose between true bypass and buffer. Continue reading “Malekko EKKO 616 MKII Dark”

Effect pedals for recording

Tips & tricksToday, almost every musician records his/her music at home. Mostly via a soundcard directly into a DAW.
There, you will find numerous VST effects to create a sophisticated sound.
But many effect pedals as well are also suitable for recording. Continue reading “Effect pedals for recording”

Neunaber Expanse as a delay

In this video, I used the Neunaber Expanse as a delay.
Most people use it as a reverb effect, but through the Neunaber App you can also download several delay algorithms. The additional EXP Controller allows to choose between up to four different presets.
For it is stereo, please use your headphones!

 

0:08 echelon scatter Continue reading “Neunaber Expanse as a delay”

Korg SDD-3000 Pedal

Korg SDD 3000 PedalA long time ago, there was the Korg SDD-3000 rack delay with its legendary sound.
Some years ago, the also less pedalboard-friendly version of this classic has been put on the market. Continue reading “Korg SDD-3000 Pedal”

Maxon/ Ibanez AD 999

Maxon AD 999Similar to the other Maxon AD-pedals, the AD 999 as well is a less pedalboard-friendly analog delay.
The MC4107D bucket brigade ICs make the AD 999 sound a bit dirtier, less defined and a bit rougher than the AD 900. Continue reading “Maxon/ Ibanez AD 999”

7 questions to Dave Fruehling (Strymon)

7 questions toI love Strymon effects and the Strymon Volante is one of my favorite delay pedals.
Therefore, I am proud to present this interview with Dave Fruehling, Co-Founder of Strymon. Continue reading “7 questions to Dave Fruehling (Strymon)”

Ibanez DDL Series

ibanez-ddl-digital-delayAll three versions of the Ibanez DDL Series are pedalboard-friendly digital delays.
Some guitarists swear by the DDL which have been produced only for about one year (1985). Continue reading “Ibanez DDL Series”

Maxon/Ibanez AD 999 Pro

Maxon AD 999 ProThe Maxon AD 999 Pro is a less pedalboard-friendly analog delay.
Similar to the AD 9 Pro, the extended version of the AD 999 offers an additional tape echo multi head function. A toggle switch allows to choose between single head and dual head mode. Continue reading “Maxon/Ibanez AD 999 Pro”

I did not know that I can use the TC Electronic DITTO X4 as a ….

This is a video about how to use the TC Electronic DITTO X4 as a delay effect by connecting it to the Elektron Digitakt. Check out how to create different delay times like quarters, eighths and half notes. I also present a tape reverse as well as a tape stop effect. If you are interested in a step-by-step instruction, please let me know.

0:10 normal speed = quarter notes Continue reading “I did not know that I can use the TC Electronic DITTO X4 as a ….”

Ibanez AD 99

Ibanez AD 99The Ibanez AD 99 is a less pedalboard-friendly analog delay.
To be strictly accurate, this mono- pedal is AD 9 in a bigger enclosure. Continue reading “Ibanez AD 99”

Maxon/Ibanez AD 900

Maxon AD900Because of its size, the Maxon AD 900 is a less pedalboard-friendly analog delay.
Sonically oriented to the AD 9 the sprit separates regarding the two possible chips that have been used for the circuit of the Maxon AD 900. Continue reading “Maxon/Ibanez AD 900”

Effect pedals for bass players – part 2

Tips & tricksThe majority of effect pedals are made for guitarists and therefore, many bass players fear the contact with the small (and sometimes big) devices that can add a special character to the sound.
In the first part of this two-part series, I already presented some effect categories, every bass player can use without taking any risks. In this second part, we will have a closer look on effects, that require a bit more sensitivity.
So, boys and girls behind the fat strings: go for it! Continue reading “Effect pedals for bass players – part 2”