Like probably every musician, I love my instruments and effect pedals. And not just my own: I think every instrument, every pedal is a treasure that we must preserve. Unfortunately, even the best devices sometimes break. Continue reading “DelayDude – we give broken pedals a new life”
If there’s one thing Keeley Electronics is famous for, it’s compressor pedals. I tested the Keeley Compressor Plus and here’s what I came up with.
In this video I have checked out the 10 new algorithms of the marvellous Eventide H90 Harmonizer.
All I can say, is that I am speechless! This multi effect pedal blows my mind!
I guess, you are well versed in planning pedalboards.
I have a big studio board, which I like a lot, but for it is not even easy to manage the transport.
Now, I want to assemble a smaller and more compact pedalboard.
For overdrive effects I use my amp and the Ibanez Tubescreamer TS 808 and the Vahlbruch Kaluna.
Due to the lack of space, delay and modulation ought to be (as far as possible) combined in one enclosure. I also think midi might be important…
The Boss GT 1000 Core could be one of those which offers all the sounds I know (DD, MD and RV of the 500 series).
But it also has uncountable overdrive effects that I do not need. Nevertheless, is the quality of the delay, modulation and reverb therefore worse?
Do you know an alternative to the GT 1000 Core, or do you think it is ok?
I really like Boss pedals, live on stage and also in the rehearsal room. And especially here, I need a compact pedalboard.
In the studio I use my big pedalboard – mostly analog.
By the way: I am not even a fan of editing, so a small display and a easy handling would be perfect.
Its always a bit difficult to assemble a compact pedalboard that is also flexible.
The Boss GT 1000 Core might be a solution, but for you already have several overdrive pedals, it would be even better to choose a pedal that is specialized in creating delay- and reverb-effects. The more features a pedal offers, the less capacity can be used for every single effect.
But if you want a multi effect anyway, the Eventide H9 might be interesting for you. It offers midi, is compact and has a superb sound. Furthermore, you can select 4 parameters per preset directly and control them via a pot. After you have successfully completed the programming, it is pretty easy to handle. But it is not able to combine several effects. Thus, it would only act as a delay or a reverb.
As an alternative, you could also choose the Line6 M5. It offers midi as well, sounds pretty nice, is a real bargain, the programming is quite easy and it is compact.
I use the M5 on one of my pedalboards as a supplement. But, similar to the H9, it only offers one effect at the time.
The handling of the HX Stomp whereas seems somewhat confusing to me.
For most combined pedals have a certain focus, it makes sense to think about your preferences first. What is more important to you: a delay or a reverb?
The Boss devices (DD-500 and RV- 500) also offer a reverb and a delay setting. If you are looking for a flexible delay and only need a little reverb, the DD-500 might be the perfect match for you anyway.
And the Empress Echosystem offers reverb besides the numerous delay effects.
For the Boss pedal as well as the Empress pedal offer the possibility to combine two presets, you would be able to get both.
But the only “real” pedal that combines delay and reverb and that can be controlled via midi is the Source Audio Collider. It is a combination of the Nemesis and the Ventris. But for a really distinguished adjustment, you will have to use the app. Anyway, if you have adjusted the basic sound (or use the presets), the pots will be sufficient to customize the sound.
Sound vs. handling
Provided that you are also looking for modulation, things will get a bit more complicated.
Of course, you can use the delay part of the Collider to create effects like chorus/vibrato (modulation of the delay time) and tremolo (modulation of the level), but this is not as easy as with one of the common modulation- effect. In this case, the handling of a multi-effect would be easier. In the end, you have the choice between sound and handling.
If the pedal ought to be compact and extensively equipped at the same time, you won’t be able to avoid menus and a display to adjust your sounds. Or you chose two pedals instead of one. The Collider for superb delay/reverb and a separate modulation pedal. With midi control in addition, this might be a very good option.
It always depends on your individual preferences and needs. For there is always too little space on the pedalboard, I dispense with a modulation pedal and create the vibrato- or tremolo-effect with my delay pedals. And I can also forgo flanger and phaser.
Regarding a compact pedalboard, to me it is generally more important to pare my pedals down to those which are really necessary for my music.
And to be honest, I don’t like menu-diving or the use of apps as well, thus I use the space on my pedalboard for the most important effect pedals.
Mostly, it makes sense to start with a little number of pedals first and add further pedals later. Removing a (unused) pedal from the pedalboard is habitually harder.
For I love delay- and reverb-sounds, I use only little space on my pedalboard for drive pedals (either booster and overdrive in one enclosure or even a single overdrive pedal).
And less pedals on the board will in the end improve your basic sound.
Enjoy planning your new pedalboard!
The TC Electronic Flashback Triple is a less pedalboard-friendly digital delay, which, as compensation for its size offers the possibility to use three different delays at the same time. Continue reading “TC Electronic Flashback Triple”
I have got a question regarding the Wet Output + Volume Poti Mod and the Remote Switch Mod for the EHX Freeze.
Is the volume mod supposed to control the volume of the wet signal or the dry signal or the mix?
And will the function of the original switch of the Freeze remain after the installation of the output for the additional switch? In other words: Could the bass player in my band control the Freeze on my pedalboard from the other side of the stage while I am playing the WahWah? Continue reading “A question regarding the wet output + volume poti mod for the EHX Freeze”
Last year (after several years of playing the guitar) I finally bought my first effect pedals: the Walrus Audio Slö, the Earthquaker Devices Westwood and the Ditto looper.
I mostly listen to minimal, indie and ambient and therefore, I would love to create such sounds myself. But unfortunately, I have not made up my mind about a specific sound. Continue reading “Which pedal should I get?”
The Strymon DIG is a pedalboard-friendly digital delay which is able to emulate the double-rack unit of the 1980s. Continue reading “Strymon DIG”
The Strymon Timeline is definitively not pedalboard-friendly, but in exchange to its size, this digital delay has a lot to offer. Continue reading “Strymon Timeline”
Some time ago, 100 Watts amps have been really common, but at the moment, small tube amps are as popular as never before. And there are many reasons, why. Continue reading “Fender Silverface Princeton Reverb – the perfect bedroom/rehearsal amp”
The Seymour Duncan Vapor Trail is a pedalboard-friendly analog delay.
Initially, the mono pedal came around in a stylish silver-blue lacquering, while the more recent version attracts attention in an intensive blue. Continue reading “Seymour Duncan Vapor Trail”
Despite the middle size of its enclosure, to me, the NUX Atlantic is a pedalboard-friendly stompbox for it is a double-effect which combines delay and reverb. Continue reading “NUX Atlantic”
The Deluxe version of the MXR Carbon Copy needs more space on the pedalboard than its ancestor. Thus, it is a less pedalboard-friendly analog delay. Continue reading “MXR Carbon Copy Deluxe”
The MXR Carbon Copy is a pedalboard-friendly analog delay.
It offers up to 600ms of maximum delay time that can be garnished with modulation. Continue reading “MXR Carbon Copy”
The MXR Carbon Copy Bright is the bright version of the Carbon Copy. Similar to its darker brother, this analog delay as well comes around in a pedalboard-friendly enclosure. Continue reading “MXR Carbon Copy Bright”