Analog, digital and tape delay – how do they sound with an overdrive pedal (AnalogMan King of Tone)?

This is a comparison of three different types of delays all accompanied by the AnalogMan King of Tone.
For this demo I used a dark analog delay (DOD Rubberneck), a digital delay (Strymon DIG) and a tape delay(Fulltone Tube Tape Echo).
The first 25 seconds you can hear a sneak peak of each type of delay accompanied by the King of Tone.
Learn more about the how the King of Tone affects every single type of delay depending on the respective kind of playing (palm mutes, modulation, in the mix).

0:07 AnalogMan King of Tone solo
0:10 sneak peak DOD Rubberneck + King of Tone Continue reading “Analog, digital and tape delay – how do they sound with an overdrive pedal (AnalogMan King of Tone)?”

Fulltone Tube Tape Echo vs. Strymon El Capistan + Kingsley Page V2

This is a comparison of the Fulltone Tube Tape Echo with a tape echo emulation (Strymon El Capistan) in combination with a tube preamp (Kingsley Page V2).

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

Ask the Dude: How to create the sound of the legendary Fulltone Tube Tape Echo

Ask the DudeThe Strymon El Capistan is one of the best digital tape echo emulations.
Nevertheless, some miss the warm character of an analog device and consider that the sound of the Strymon El Capistan is somehow sterile. Continue reading “Ask the Dude: How to create the sound of the legendary Fulltone Tube Tape Echo”

Delay Blind Comparison: Fulltone Tube Tape Echo vs. Line6 DL4

This is a blind comparison of the Fulltone Tube Tape Echo with the Line6 DL4.

 

Solution: Continue reading “Delay Blind Comparison: Fulltone Tube Tape Echo vs. Line6 DL4”

Source Audio Nemesis vs. Fulltone Tube Tape Echo – Delay Comparsion

This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.