Moog Moogerfooger vs. Chase Bliss Audio Thermae

This is a comparison of the Moog Moogerfooger with the Chase Bliss Audio Thermae.
Both are analog delay pedals with a very nice modulation.
For the Chase Bliss Audio Thermae offers the pitch modulation as a special feature, I tried to emulate this kind of pitch modulation with the Moogerfooger by using the internal modulation. The last three soundfiles of this Video are dedicated to this sonic experiment. In the last part, I created the Moog “pitch modulation” by changing the position of the Short/Long switch manually. Of course, this can also be done automatically via midi.

0:07 bright setting Continue reading “Moog Moogerfooger vs. Chase Bliss Audio Thermae”

Empress Echosystem vs. Wampler Faux Tape Echo

This is a comparison of the Empress Echosystem with the Wampler Faux Tape Echo.
These two digital delays emulate the sounds of a tape echo. Both provide a very nice modulation and the sound can be fine-tuned quite well via the tone control.

 

0:10 Echosystem: new tape/ Faux Tape Echo: stock setting Continue reading “Empress Echosystem vs. Wampler Faux Tape Echo”

Boss DD-200 vs. Source Audio Nemesis

This is a comparison of the Boss DD-200 with the Source Audio Nemesis. Both digital delays provide likewise functions and have the same form factor.
Check out their sonic differences and similarities in varying settings.

0:10 digital setting Continue reading “Boss DD-200 vs. Source Audio Nemesis”

Catalinbread Belle Epoch vs. Empress Echosystem

This is a comparison of the Catalinbread Belle Epoch with the Empress Echosystem.
The Belle Epoch emulates the legendary Echoplex EP-3 as well as the respective algorithm of the Echosystem. Both delays provide modulation, a tone control and for those, who like grittier sounds, they also add some dirt to the signal.

0:11 Empress Echosystem Echoplex algorithm Continue reading “Catalinbread Belle Epoch vs. Empress Echosystem”

Ibanez AD-80 vs. DOD Rubberneck

This is a comparison of the Ibanez AD-80 with the DOD Rubberneck.
I wanted to compare the analog classic (AD-80) that is pretty hard to find on the second hand market with a modern classic which is easily available.
By using the the sonic options of the Rubberneck (gain/tone), I tried to make them both sound as similiar as possible.

0:11 AD-80 maximum delay time/ Rubberneck tone at noon, gain fccw Continue reading “Ibanez AD-80 vs. DOD Rubberneck”

Maxon AD-900 vs. Ibanez AD-80

This is a comparison of the Maxon AD-900 with the Ibanez AD-80.
These two analog classics are about the same age and sonically they are pretty close to each other. If you ever get the chance, to get one of them on the second hand market, got for it. Here you can find out, which one, you should get.

0:12 AD-80 max delay time / AD-900 delay time adjusted to the AD-80 Continue reading “Maxon AD-900 vs. Ibanez AD-80”

Fulltone Tube Tape Echo vs. Echoboy VST

Because of the request of one of my followers, I made this comparison of the Fulltone Tube Tape Echo vs. Echoboy VST. Check out the sound of the classic compared to different settings of the digital VST.

0:13 TTE brighter and grittier setting vs. Echoboy echoplex setting Continue reading “Fulltone Tube Tape Echo vs. Echoboy VST”

Valhalla delay VST vs. analog delay pedals

This is a comparison of the the Valhalla delay VST with two analog delay pedals. For I wanted a darker delay sound without modulation and a brighter delay sound with modulation as a sonic reference, I choose the Maxon AD900 and Electro Harmonix Deluxe Memory Man for this comparison.

0:10 Maxon AD900 vs. Valhalla delay past era setting Continue reading “Valhalla delay VST vs. analog delay pedals”

Akai Headrush vs. Line6 Echo Park

This is a comparison of the Akai Headrush with the Line6 Echo Park.
Besides the digital sound, you can also check out the tape echo sounds of these two classic digital budget delays.

0:14 digital setting Continue reading “Akai Headrush vs. Line6 Echo Park”

How to remove Velcro

Tips & tricksYou can find it on the bottom of numerous effect pedals, supposed to keep them on the pedalboard: Velcro.
But at the latest, when you want to sell your pedal, it makes sense to get rid of the adhesive straps. Continue reading “How to remove Velcro”

Akai Headrush vs. Ibanez DE7

This is a comparison of the Akai Headrush with the Ibanez DE7.
Two old classics competing with each other.

0:14 digital setting Continue reading “Akai Headrush vs. Ibanez DE7”

Line6 Echo Park vs. Ibanez DE7

This is a comparison of the Line6 Echo Park with the Ibanez DE7.
These two digital delays emulate in a marvelous way a tape echo. Besides, the echo mode of the DE7 is absolutely unique. Some might say, both look very unpleasant, but what really matters is the beauty within…

0:14 digital setting Continue reading “Line6 Echo Park vs. Ibanez DE7”

Strymon Brigadier vs. MXR Carbon Copy Deluxe

This is a comparison of the Strymon Brigadier with the MXR Carbon Copy Deluxe. The MXR Carbon Copy Deluxe is by now a modern classic and besides the modulation, you can also choose between a dark and a bright setting.
Therefore, I decided to compare these two green digital delay pedals.

0:11 Carbon Copy Deluxe dark setting Continue reading “Strymon Brigadier vs. MXR Carbon Copy Deluxe”

Strymon Brigadier vs. Source Audio Nemesis

This is a comparison of the Strymon Brigadier with the Source Audio Nemesis. The Source Audio Nemesis is, as well as the Brigadier, able to emulate numerous analog delay sounds.
For it has about the same size, I decided to compare these two digital delays.

0:11 tone pot at noon Continue reading “Strymon Brigadier vs. Source Audio Nemesis”

Strymon NightSky

This is a demo of some of the marvellous sounds of the Strymon NightSky.

Learn more about the heavenly Strymon NightSky in the detailed review.

gear: Fender Telecaster, DelayDude Custom Amp, Shure SM57, Cubase, Evidence Audio SIS Cables