Tape Emulation, analog and digital delay – how do they sound with an overdrive pedal (Paul Cochrane Timmy)?

This is a comparison of three different types of delays all accompanied by the Timmy.
For this demo I used a classic analog delay (Electro Harmonix Deluxe Memory Man), a tape echo emulation (Strymon Volante) and a digital delay (Empress Echosystem).
The Paul Cochrane Timmy is probably the best choice, if you are looking for a transparent overdrive. so, go ahead and find out, how it affects every single type of delay depending on the respective kind of playing (like dynamic playing, modulation, in the mix).
If you are looking for a sonic sneak peak, check out 1:22.

0:04 EXH Deluxe Memory Man with Timmy Continue reading “Tape Emulation, analog and digital delay – how do they sound with an overdrive pedal (Paul Cochrane Timmy)?”

MXR Carbon Copy Deluxe vs. AnalogMan ARDX20 – Analog delay comparison

This is a comparison of the MXR Carbon Copy Deluxe with the AnalogMan ARDX20.
These both analog delays create a rather dark sound. By using the Amazeo, the ARDX20 provides tap tempo like the MXR Carbon Copy Deluxe. Find out more about the sound of different delay times, the modulation sound and how both pedals may sound in the mix.

0:07 medium delay time Continue reading “MXR Carbon Copy Deluxe vs. AnalogMan ARDX20 – Analog delay comparison”

Analog, digital and tape delay – how do they sound with an overdrive pedal (AnalogMan King of Tone)?

This is a comparison of three different types of delays all accompanied by the AnalogMan King of Tone.
For this demo I used a dark analog delay (DOD Rubberneck), a digital delay (Strymon DIG) and a tape delay(Fulltone Tube Tape Echo).
The first 25 seconds you can hear a sneak peak of each type of delay accompanied by the King of Tone.
Learn more about the how the King of Tone affects every single type of delay depending on the respective kind of playing (palm mutes, modulation, in the mix).

0:07 AnalogMan King of Tone solo
0:10 sneak peak DOD Rubberneck + King of Tone Continue reading “Analog, digital and tape delay – how do they sound with an overdrive pedal (AnalogMan King of Tone)?”

Empress Echosystem Freezification vs. Gamechanger Audio PLUS Pedal

This is a comparison of the Freezification-mode of the Empress Echosystem with the Gamechanger Audio PLUS Pedal.
In this comparison, I used different times for attack and release and altered the adjustment of the tone pot in the different sound files to create varying tonal colorings.
Especially in the second file you will hear the sonic difference between the PLUS Pedals and the Echosystem. While the PLUS Pedal puts the layers on top of each other and fades out more fluently, the current signal of the Echosystem fades out completely before the next sound wave arises. Depending on the style of playing, this difference regarding the blend effect can be used quite purposefully.

1:39 Kill dry/Wet only + dark, natural sustain Continue reading “Empress Echosystem Freezification vs. Gamechanger Audio PLUS Pedal”

Tips & Tricks: Truetone CS7

Tips & tricksWhile, some time ago, multi power supplies mostly were transformer based, Truetone uses digital technology for their multi power supplies. Continue reading “Tips & Tricks: Truetone CS7”

Walrus Audio ARP-87 vs. DOD Rubberneck – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the DOD Rubberneck.
For the DOD Rubberneck is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Maxon AD-900 vs. Walrus Audio ARP-87 – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900.
For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in the mix.

Chase Bliss Audio Tonal Recall RKM vs. Walrus Audio ARP-87 – Delay Comparison

This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87.
For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Walrus Audio ARP-87 vs. MXR Carbon Copy Deluxe – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the MXR Carbon Copy Deluxe.
For the MXR Carbon Copy Deluxe is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Boss DD-7 vs. Source Audio Nemesis – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the Source Audio Nemesis. Besides the analog and digital delay sounds and the reverse mode of both pedals, I also demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Boss DD-7 vs. Strymon DIG – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the Strymon DIG.

In this video I only used the digital mode of the Boss DD-7, because the Strymon DIG does not offer an analog delay mode.
At the end of the video I demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Walrus Audio ARP-87 vs. Source Audio Nemesis – Digital Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.

Boss DD-7 vs. Walrus Audio ARP-87 – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the Walrus Audio ARP-87.
Besides the digital mode, I also present the analog emulation, modulation and how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Boss DD-7 vs. MXR Carbon Copy Deluxe – Delay Comparison

This is a Comparison of the Boss DD-7 with the MXR Carbon Copy Deluxe.

In this video I only used the analog mode of the Boss DD-7. At the end of the video I demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Walrus Audio ARP-87 – Digital Delay Demo

This is a demo of the Walrus Audio ARP-87.

Besides varying setting options in the digital and analog mode, I also present the modulation and the lo-fi sounds of this versatile digital delay. And at the end of this video you will find out how the ARP-87 sounds in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.