The name reflects the aim: The Malekko EKKO 616 MKII Dark: this is the dark version of the Malekko EKKO 616 MKII. The pedalboard-friendly analog delay offers up to 650ms of maximum delay time and enables its user to choose between true bypass and buffer. Continue reading “Malekko EKKO 616 MKII Dark”
This is a comparison of the Electro Harmonix Deluxe Memory Man with the DOD Rubberneck.
Find out mor about the sonic possibilities like brighter and darker repeats, modulation and the sound of these two analog delays in the mix.
Adjustments for the Rubberneck
0:10 tone at noon Continue reading “Electro Harmonix Deluxe Memory Man vs. DOD Rubberneck”
The Malekko Ekko 616 as well as its improved version, the Ekko 616 MKII is a pedalboard-friendly analog delay. Continue reading “Malekko Ekko 616/ Ekko 616 MKII”
The Lovepedal Hermida EPH-3 is a pedalboard-friendly digital delay.
Inicially, the tape echo emulation has been produced by Hermida. Some time ago, Lovepedal aquired Hermida. Continue reading “Lovepedal Hermida EPH-3”
I guess, there is no guitarist/ bass player in the world, who doesn’t own at least one BOSS pedal. And the effects that are produced under the leadership of the company’s president, Yoshi Ikegami, accompany me since my first days as a guitarist.
Therefore, it is a special honor for me that he took the time to answer to the 7 questions of the Delay Dude. Continue reading “7 questions to Yoshi Ikegami (Boss)”
Similar to the other Maxon AD-pedals, the AD 999 as well is a less pedalboard-friendly analog delay.
The MC4107D bucket brigade ICs make the AD 999 sound a bit dirtier, less defined and a bit rougher than the AD 900. Continue reading “Maxon/ Ibanez AD 999”
The Ibanez DL 10 is a pedalboard-friendly digital delay/reverb from the 80s.
Accordingly, the sound of the up to 400ms maximum delay time reminds definitively of this period. Continue reading “Ibanez DL 10”
I love Strymon effects and the Strymon Volante is one of my favorite delay pedals.
Therefore, I am proud to present this interview with Dave Fruehling, Co-Founder of Strymon. Continue reading “7 questions to Dave Fruehling (Strymon)”
The Ibanez DE-7 is a pedalboard-friendly digital delay from the Ibanez Tone-Lok series. Continue reading “Ibanez DE-7”
The Maxon AD 999 Pro is a less pedalboard-friendly analog delay.
Similar to the AD 9 Pro, the extended version of the AD 999 offers an additional tape echo multi head function. A toggle switch allows to choose between single head and dual head mode. Continue reading “Maxon/Ibanez AD 999 Pro”
The Ibanez AD 99 is a less pedalboard-friendly analog delay.
To be strictly accurate, this mono- pedal is AD 9 in a bigger enclosure. Continue reading “Ibanez AD 99”
Because of its size, the Maxon AD 900 is a less pedalboard-friendly analog delay.
Sonically oriented to the AD 9 the sprit separates regarding the two possible chips that have been used for the circuit of the Maxon AD 900. Continue reading “Maxon/Ibanez AD 900”
Like its predecessor, the Ibanez AD 9, the Maxon AD 9 Pro is also a pedalboard-friendly analog delay. Continue reading “Maxon AD 9 Pro”
The Ibanez AD 9 is a pedalboard-friendly analog delay and, to me, the embodiment of a dark old-school analog delay sound. Continue reading “Ibanez AD 9”
The 80s are back on the agenda. Whether fashion or music. And although the music business (as well as the fashion designers) committed some really bad crimes during the 1980s, the LoFi sounds of the 80s game consoles have been permanently engraved in our minds and ears. Far away from the perfect sound, always accompanied by some dirt and a slight tendency to kitsch. Pure nostalgia.
Therefore, in this article, I would like to present some pedals that are able to create such an Arcade sound. Continue reading “16-bit Arcade sounds – revival of the 80s”