Similar to the other Maxon AD-pedals, the AD 999 as well is a less pedalboard-friendly analog delay. The MC4107D bucket brigade ICs make the AD 999 sound a bit dirtier, less defined and a bit rougher than the AD 900. Continue reading “Maxon/ Ibanez AD 999”
All three versions of the Ibanez DDL Series are pedalboard-friendly digital delays. Some guitarists swear by the DDL which have been produced only for about one year (1985). Continue reading “Ibanez DDL Series”
The Maxon AD 999 Pro is a less pedalboard-friendly analog delay. Similar to the AD 9 Pro, the extended version of the AD 999 offers an additional tape echo multi head function. A toggle switch allows to choose between single head and dual head mode. Continue reading “Maxon/Ibanez AD 999 Pro”
Because of its size, the Maxon AD 900 is a less pedalboard-friendly analog delay. Sonically oriented to the AD 9 the sprit separates regarding the two possible chips that have been used for the circuit of the Maxon AD 900. Continue reading “Maxon/Ibanez AD 900”
Yes, the Ibanez ADmini IS a pedalboard-friendly analog delay. Regarding the size of the enclose, which comes around in an Ibanez-typical coloring, this 9V midget keeps the promise. Continue reading “Ibanez ADmini”
This is a comparison of two identical Ibanez AD9 delays. Find out the differences between these two legends (if there are any?). Maybe you will find sonic differences between both. Furthermore, the fans of oscillation will find their very special comparison at the end of this video.
In many forums all over the world guitarist are searching for the “transparent overdrive”. But what is meant by this and does a transparent overdrive make sense?
Tubscreamer and similar overdrives place great emphasis on the mids. This kind of overdrive is appropriate as an additional booster to an amplifier that is already overdriven. By creating haunting mids the sound of the guitar becomes more assertive and will be perceived much more in the context of the band as a whole. Continue reading “Transparent Overdrives- The perfect Low Gain Sound”
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