In my opinion, the Free The Tone Future Factory FF-1Y is a great pedal and because I’m always interested in who are the creative people behind the devices that I like so much, I asked Yukihiro Hayashi 7 questions. How did he become the owner and president of Free The Tone, which pedal from another manufacturer he wished he had invented, and what if things had turned out completely differently? The friendly Yuki gives us answers to these and other questions in our interview. Continue reading “7 questions to Yukihiro Hayashi (Free The Tone)”
This is a demo about the different reverb sounds of the Sonicake Matribox. Besides these reverb effects, Matribox offers a large number of other high-quality digital effects and more than 40 legendary amplifier models.
And the compact multi-effects processor is not only suitable for guitarists. It also might be interesting for bass-players and keyboarders as well.
In this video I check out the various delay settings of the wonderful Sonicake Matribox. The multi-effects processor provides more than 130 high-quality effects and it is hard to decide which one I like best.
The Matribox is a compact multi-effects processor that wants to thrill guitarists, bassists and even keyboarders with more than 130 high-quality digital effects and more than 40 legendary amplifier models.
The Boss DD-7 as well as the MXR Carbon Copy Deluxe are two popular delays. Both have some similarities (tap tempo, modulation) but actually, they are fundamentally different. Continue reading “Which pedal should I get: Boss DD-7 or MXR Carbon Copy Deluxe?”
While the first part of this review was dedicated to the design of the Ibanez ES3 Echo Shifter, now it comes to the crunch: the sound of this brilliant delay pedal. Continue reading “Ibanez Echo Shifter ES3 review part 2”
Certainly, the Ibanez ES2 has been a resounding success: the slider inspires experimenting and the beautiful analog delay does not only sound very pleasing, it also provides a brilliant oscillation.
The device was made and still is perfect für dark delays and sonic escapades.
With the ES3 Echo Shifter, Ibanez now remastered the great predecessor and added some sought-after features.
This first part is dedicated to the design of the Ibanez ES3 Echo Shifter, while in the second part you will learn all about the sound of this great delay pedal. Continue reading “Ibanez Echo Shifter ES3 review part 1”
I need the help of a specialist regarding the Deluxe Memory Man:
To me, the sound of Ben McLeod (All Them Witches) is brilliant and I would love to recreate it.
Luckily, the guy offers several rig rundowns online, so it ought to be an easy project…. That’s what I thought first. Continue reading “Which pedal should I get? Deluxe Memory Man: Big Box or XO version?”
I have got a question regarding the Wet Output + Volume Poti Mod and the Remote Switch Mod for the EHX Freeze.
Is the volume mod supposed to control the volume of the wet signal or the dry signal or the mix?
And will the function of the original switch of the Freeze remain after the installation of the output for the additional switch? In other words: Could the bass player in my band control the Freeze on my pedalboard from the other side of the stage while I am playing the WahWah? Continue reading “A question regarding the wet output + volume poti mod for the EHX Freeze”
For a new song, I used a chord sequence recorded with a reverse delay. I think, in my own case this is an appropriate substitute for an extensive synth sound.
But I recognized that it is pretty hard to control the reverse delay and now, I am not able to reproduce my record exactly. I have the feeling that it does whatever it wants to do. Somehow, the rhythm of the reverse signal varies each time.
I am not sure, if this is problem only occurs in my setup but I tried my best to describe the trouble.
At the moment I am using the reverse delay of the Boss ME-80, might this be the source of error? Continue reading “Reverse delay trouble”
The Strymon Brigadier is a relatively pedalboard-friendly dbucket digital delay.
It comes around in the Strymon-typical gentle, but pleasing design and offers, depending on the respective mode up to 5000ms of maximum delay time. Continue reading “Strymon Brigadier”
The Source Audio Nemesis is a rather pedalboard-friendly digital delay.
Dressed in a classical black, the stereo stompbox provides up to 2.4ms of Continue reading “Source Audio Nemesis”
The Seymour Duncan Vapor Trail is a pedalboard-friendly analog delay.
Initially, the mono pedal came around in a stylish silver-blue lacquering, while the more recent version attracts attention in an intensive blue. Continue reading “Seymour Duncan Vapor Trail”
Many times, I have been asked about my favorite delay pedals and I must confess, that this question is soo hard to answer to.
Nevertheless, after a long time of thinking and trying, I figured out groups of my favorite delays regarding the categories analog delays, digital delays and tape emulations.
The order of the delays within the respective group or video is no ranking for I am unable to tell which of them I like best. Thus, the presentation is according to the alphabetical order of their names.
This second part is dedicated to my favorite analog delay pedals. Continue reading “My favorite analog delay pedals”
“I have a question about two delay pedals, one of which I own and another I do not, but am interested in. You have demoed both on your channel, just never head to head.
The pedal I currently run on my board is a MXR Carbon Copy Deluxe. I love the pedal. I am running a professional tele through it into a Deluxe Reverb, and I love how it stays warm and doesn’t color my tone the way a lot of the digital delays seem to.
For some reason though, I am constantly looking at other delays thinking, “Ohhh, that will be the one I should replace the MXR with.” I am not looking to replace it, but, I don’t know why I keep looking at other ones.
This brings me to the other pedal, the Eventide Rose.
Seems awesome, and has that feeling of the MXR, but I cannot find any direct comparison videos of both.
I was hoping you could just tell me what you think about the two of them in comparison. Continue reading “MXR Carbon Copy Deluxe or Eventide Rose?”