In my opinion, the Free The Tone Future Factory FF-1Y is a great pedal and because I’m always interested in who are the creative people behind the devices that I like so much, I asked Yukihiro Hayashi 7 questions. How did he become the owner and president of Free The Tone, which pedal from another manufacturer he wished he had invented, and what if things had turned out completely differently? The friendly Yuki gives us answers to these and other questions in our interview. Continue reading “7 questions to Yukihiro Hayashi (Free The Tone)”
This is a demo of the NUX NDD-7 Tape Echo. Find out more about this compact emulation of the Roland RE-201 Space Echo. The built-in looper offers so many options that you will have to get this digital delay anyway.
1. Tape head 3 – long delay with reverb and wow & flutter Continue reading “NUX NDD-7 Tape Echo Delay”
Hard to believe, but true: the time has come! Finally, an event we didn’t have to wait for forever because the SUPERBOOTH by Schneiders Laden actually takes place in May.
From the 12th of May to the 14th of May, the FEZ in Berlin opens its doors, gates and outdoor facilities for the fans of electronic music from all over the world. Continue reading “Save the date: SUPERBOOTH 2022”
This is a demo of the DigiTech SDRUM in sync with the TC Electronic DITTO X4.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The Ditto only adopts the tempo of the SDRUM when he hasn’t saved a loop yet.
After you have recorded a loop you can’t change the tempo of the Ditto anymore. But the SDRUM sends signals via midi to start/stop the Ditto in sync. If you delete the loops on the Ditto you will be able to feed in a new tempo with the SDRUM. Hereafter you can record a different part in another tempo.
The TC Electronic Flashback Triple is a less pedalboard-friendly digital delay, which, as compensation for its size offers the possibility to use three different delays at the same time. Continue reading “TC Electronic Flashback Triple”
The DelayDude Midi Sync cable has been created to synchronize the Digitech SDRUM with the DITTO X4.
Now, The Pedal Guy has checked the DelayDude Midi Sync cable and to him as well, “it works like a charm!”. Continue reading “The DelayDude Midi Sync Cable: Now approved by The Pedal Guy!”
The Strymon DIG is a pedalboard-friendly digital delay which is able to emulate the double-rack unit of the 1980s. Continue reading “Strymon DIG”
The Strymon Timeline is definitively not pedalboard-friendly, but in exchange to its size, this digital delay has a lot to offer. Continue reading “Strymon Timeline”
The Source Audio Nemesis is a rather pedalboard-friendly digital delay.
Dressed in a classical black, the stereo stompbox provides up to 2.4ms of Continue reading “Source Audio Nemesis”
The Seymour Duncan Andromeda is a rather lee pedalboard-friendly digital delay that throws extensive features in the ring to fight for its space on the pedalboard. Continue reading “Seymour Duncan Andromeda”
The first part of the DD-200 review was dedicated to the design and the fundamental sounds of the latest Boss delay-creation.
Now, I would like to take a closer look to some special algorithms of this digital delay. Continue reading “Review: Boss DD-200 part II – special algorithms”
Super Delay is the additional designation of the Moog Moogerfooger MF-104M SD. Similar to all the other analog delays of the MF-series, the MF-104M SD is also not pedalboard-friendly. Continue reading “Moog Moogerfooger MF-104M SD”
In this first part of the review, you will learn more about the design and some sounds of the Boss DD-200. The second part will be about some special algorithms. Continue reading “Review: Boss DD-200 Part I”
The Deluxe version of the MXR Carbon Copy needs more space on the pedalboard than its ancestor. Thus, it is a less pedalboard-friendly analog delay. Continue reading “MXR Carbon Copy Deluxe”
The MXR Carbon Copy is a pedalboard-friendly analog delay.
It offers up to 600ms of maximum delay time that can be garnished with modulation. Continue reading “MXR Carbon Copy”