This is a comparison of the Ibanez AD-80 with the DOD Rubberneck. I wanted to compare the analog classic (AD-80) that is pretty hard to find on the second hand market with a modern classic which is easily available. By using the the sonic options of the Rubberneck (gain/tone), I tried to make them both sound as similiar as possible.
The Strymon Brigadier is a relatively pedalboard-friendly dbucket digital delay. It comes around in the Strymon-typical gentle, but pleasing design and offers, depending on the respective mode up to 5000ms of maximum delay time. Continue reading “Strymon Brigadier”
This is a comparison of the Line6 Echo Park with the Ibanez DE7. These two digital delays emulate in a marvelous way a tape echo. Besides, the echo mode of the DE7 is absolutely unique. Some might say, both look very unpleasant, but what really matters is the beauty within…
This is a comparison of the Strymon Brigadier with the MXR Carbon Copy Deluxe. The MXR Carbon Copy Deluxe is by now a modern classic and besides the modulation, you can also choose between a dark and a bright setting. Therefore, I decided to compare these two green digital delay pedals.
This is a comparison of the Strymon Brigadier with the Source Audio Nemesis. The Source Audio Nemesis is, as well as the Brigadier, able to emulate numerous analog delay sounds. For it has about the same size, I decided to compare these two digital delays.
This is a comparison of the Strymon Brigadier with the Electro Harmonix Deluxe Memory Man. The Electro Harmonix Deluxe Memory Man is one of the brightest analog delays with a maximum delay time of up to 550ms. Therefore, I choose the medium setting of the Brigadier, which emulates an analog delay with two ICs. Additionally, I turned the tone pot a bit further to create a similar bright sound.
This is a comparison of the Ibanez AD9 and the Boss DM-2 with the Strymon Brigadier. The Ibanez AD9 and the Boss DM-2 are two of the first analog delays. They provide a maximum delay time of about 300ms and a unique kind of oscillation. For this comparison, choose the short setting for the Brigadier, because, it emulates an analog delay with one IC. Thereby, the Brigadier gets close to the sound of the AD9 and the DM-2.
This is a comparison of the Strymon Brigadier with the DOD Rubberneck. I think, the DOD Rubberneck sets the standards regarding analog delay pedals. Therefore, I would like to find out if the Strymon Brigadier is able to emulate such analog sounds. Besides the comparison of different settings, I also checked out how these two sound stacked.
The first part of the of the Strymon Brigadier-review was about the features of this digital delay pedal. This second part is dedicated to the sound of the Strymon Brigadier.
Th short mode, which is oriented to a one-chip delay, offers a beautiful slapback sound with at least up to 400ms. Maxed, the delay sound becomes somehow metallic – similar to an analog delay with an overclocked chip. The peak of the repeats is very realistic at the upper mids and cut very well through the mix. Continue reading “Review: Strymon Brigadier Part 2”
This is the first part of a detailed review about theStrymon Brigadier, a dbucket delay which emulates an analog delay is dedicated to the features of this digital delay pedal. The Brigadier comes around in a compact, green aluminum enclosure that is similar to the ones we know from the El Capistan, the DIG or the Flint. While these three are absolutely legendary, the Brigadier seems to be overlooked in a certain way. With justification? Continue reading “Review: Strymon Brigadier Part 1”
This is a comparison of the Boss DD-8 with the DOD Rubberneck. On request, I made this video. In comparison to the DD-7, the analog mode of the DD-8 has been changed. So, I wanted to compare this sound to another analog delay (DOD Rubberneck). Furthermore, you will get slapback sounds, run-away feedback and oscillation.
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