The Deluxe version of the MXR Carbon Copy needs more space on the pedalboard than its ancestor. Thus, it is a less pedalboard-friendly analog delay. Continue reading “MXR Carbon Copy Deluxe”
The MXR Carbon Copy is a pedalboard-friendly analog delay.
It offers up to 600ms of maximum delay time that can be garnished with modulation. Continue reading “MXR Carbon Copy”
The MXR Carbon Copy Bright is the bright version of the Carbon Copy. Similar to its darker brother, this analog delay as well comes around in a pedalboard-friendly enclosure. Continue reading “MXR Carbon Copy Bright”
This is a comparison of the Way Huge Supa-Puss with the MXR Carbon Copy Deluxe. Find out more about the sound of these analog delay pedals. You will get to know different settings, slow modulation, with vibrato and how they both might sound in the mix.
0:09 default setting/bright setting Continue reading “Way Huge Supa-Puss vs. MXR Carbon Copy Deluxe”
In a certain way he was like the doctor of the music scene. Besides his brilliant own inventions, Jim Dunlop brought dead ones back to life. Continue reading “Obituary: Jim Dunlop – more than the Cry-Baby”
The rumor mill is churning….
Here I would like to present the last part of a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 4+++”
The rumor mill is churning….
Here I would like to present a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 3+++”
Besides spectacular delays every analog delay produces white noise.
Generally, one can say that the proportion of white noise increases in dependency of the delay time.
To some this unintended noise represent an important part of an analog character, others prefer digital delays to produce a signal that is more clear. Continue reading “Are there analog delays without white noise?”
In the 80s there was a boom of pedals and some technical progress. Each of the most famous manufacturers (Boss, MXR, Ibanez and Electro Harmonix)) produced his own interpretation of each kind of pedal and all of them have been packed into colorful enclosures. Continue reading “Effect history (Part 4): The 80s shaped in racks”
In den 70ern wurden zahlreiche Effekte entwickelt. Die ersten OP-Amps vereinfachten den Aufbau von Effektgeräten enorm. So konnten auch komplexe Modulationseffekte, wie zum Beispiel Phaser, Chorus, Auto Wah und Flanger Effektpedale umgesetzt werden. Continue reading “Effect history (Part 3): die 70er – Revolution der Modulationseffekte”
First of all, a chorus creates an exact copy of the signal. Subsequently one of these signals is, similar to a delay, reproduced delayed. But the delays of the sound are so short that they are not perceived as delays. They only last 2 up to 70 ms. Continue reading “Modulation pedals”
“True bypass” – I guess, there is no term that is mentioned more frequently relating to the presentation of a new pedal. What does “true bypass” mean and does it have any advantages? Continue reading “Ask the Dude: True Bypass vs. Buffer”
DelayDude Demo: MXR SF01 Slash Octave Fuzz
This is a demonstration of the MXR SF01 Slash Octave Fuzz. The signature pedal creates fuzz, octave up and octave down sounds.