Review: Boss DD-200 part II – special algorithms

Boss DD 200The first part of the DD-200 review was dedicated to the design and the fundamental sounds of the latest Boss delay-creation.
Now, I would like to take a closer look to some special algorithms of this digital delay. Continue reading “Review: Boss DD-200 part II – special algorithms”

Review: Boss DD-200 Part I

Boss DD 200The youngest member of the Boss family is the Boss DD-200. Although it comes around in a compact enclosure, it offers numerous features.

In this first part of the review, you will learn more about the design and some sounds of the Boss DD-200. The second part will be about some special algorithms. Continue reading “Review: Boss DD-200 Part I”

BOSS DD-200 special algorithms

This is a demo of some special algorithms of the marvelous BOSS DD-200 (http://www.bossus.com/).The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi.

Shimmer
0:54 Tera Echo Continue reading “BOSS DD-200 special algorithms”

BOSS DD-200

This is a demo of the BOSS DD-200 (http://www.bossus.com/).
The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi.

0:10 standard Continue reading “BOSS DD-200”

Maxon AD 9 Pro

Maxon ad 9 proLike its predecessor, the Ibanez AD 9, the Maxon AD 9 Pro is also a pedalboard-friendly analog delay. Continue reading “Maxon AD 9 Pro”

Ibanez AD9 double feature

This is a comparison of two identical Ibanez AD9 delays.
Find out the differences between these two legends (if there are any?).
Maybe you will find sonic differences between both.
Furthermore, the fans of oscillation will find their very special comparison at the end of this video.

0:11 maxed delay time Continue reading “Ibanez AD9 double feature”

Ask the Dude: Is there a pedal sounding like the Binson Echorec?

Ask the DudeRecently, I found the following request in my mailbox:

I think, I actually would need a Binson Echorec, but they are in fact beyond price. I love the flutter echo mash, that the Echorec is able to create.
In the meantime, I think, that an analog delay is able to produce every sound, I long for. Digital delays with analog emulation do not sound that nice to me. But at the same time, I don’t want to get into dept.
Could you tell me, if the Ibanez Echo Shifter might be a suitable pedal for me? Especially in contrast to the Ibanez analog delay, AD9, mini or even the EHX Memory Toy?
I have already tried to many sappy pedals. Right now, I do (still!) use the Hardwire DL8. But in my opinion, it is too cold and inorganic.” Continue reading “Ask the Dude: Is there a pedal sounding like the Binson Echorec?”

Review: Crazy Tube Circuits – Echotopia

EchotopiaToday I’m going to test a very nice pedal: The Crazy Tube Circuits Echotopia.
The play of words with echo (resonance) and utopia (wishful thinking/illusion) describes the pedal quite well. The guys from Crazy Tube Circuits categorize the sound of the Echotopia as a retro tape echo for soundscapes. Continue reading “Review: Crazy Tube Circuits – Echotopia”

MXR Carbon Copy Deluxe vs. Maxon AD-900 Analog Delay – Analog Delay Comparison

This is a Comparison of the MXR Carbon Copy Deluxe with the Maxon AD-900 Analog Delay.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Analog delay sound

Analog delay pedals are not all equal. By now, there are so many different pedals that you cannot speak of THE analog delay sound anymore. Continue reading “Analog delay sound”

DOD Rubberneck vs. DMB Pedals Lunar – analog delay comparison

This is a comparison of the DOD Rubberneck with the DMB Pedals Lunar.
Both delays provide modulation and oscillation.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Maxon AD-900 vs. DMB Pedals Lunar Echo – Analog Delay Comparison

This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.

Maxon AD-900 vs. Retro-Sonic Analog Delay Comparison

This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

DOD Rubberneck vs. Ibanez DE-7 Delay Comparison

This is a comparison of the DOD Rubberneck with the Ibanez DE-7.

The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.

The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.