This is a comparison of the Maxon AD-900 with the Fulltone Tube Tape Echo.
The comparison of an analog delay with a tape echo might be a bit extraordinary – but these two classics can definitvely compete with each other.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck with the DMB Pedals Lunar.
Both delays provide modulation and oscillation.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Source Audio Ventris with the Strymon Big Sky.
Both of these brilliant reverb pedals offer sonic options like hall and plate reverb as well as a cloud/e-dome and shimmer mode.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a reverb pedal comparison: TC Electronic Hall Of Fame vs. Strymon Big Sky.
gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:
gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
