NUX Atlantic vs. Source Audio Ventris

This is a comparison of the Nux Atlantic with the Source Audio Ventris.
Both pedals provide the combination of delay and reverb.
Besides the direct comparison of varying reverb- and delay sounds, you will also get a soundscape of shimmer to float away.

 

0:09 hall Continue reading “NUX Atlantic vs. Source Audio Ventris”

Review: Nux Atlantic -Part II

Nux AtlanticIn the second part of this review, you will get to know all about the sound of the astonishing Nux Atlantic. Continue reading “Review: Nux Atlantic -Part II”

Review: Nux Atlantic -Part I

Nux AtlanticThe first part of this two-part review is dedicated to the construction of the Nux Atlantic delay/reverb. And in the second part you will get to know all about the sound of this astonishing bargain. Continue reading “Review: Nux Atlantic -Part I”

NUX Atlantic delay & reverb

This is a demo of the Nux Atlantic delay & reverb.
For this versatile double effect provides delay and reverb, I would like to present modes like analog, tape and digital delay.
And, of course, I also present the three reverb sounds (plate, hall and spring reverb).
Last but not least, you will also find different combinations of the sounds and orders of both effects.

 

0:10 60s (analog delay) Continue reading “NUX Atlantic delay & reverb”

Source Audio Ventris vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Eventide H9 vs. Source Audio Ventris – Reverb comparison

This is a stereo comparison of the Eventide H9 with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Source Audio Ventris vs. Strymon Big Sky – Reverb comparison

This is a comparison of the Source Audio Ventris with the Strymon Big Sky.
Both of these brilliant reverb pedals offer sonic options like hall and plate reverb as well as a cloud/e-dome and shimmer mode.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Lexicon PCM 81 vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, DIY Buffer, Cubase.

Lexicon PCM 81 vs. Eventide H9 Harmonizer – Reverb Comparison

This is a comparison of the Eventide H9 Harmonizer with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

Source Audio Ventris Dual Reverb vs. Lexicon PCM 81 (Stereo Comparison)

This is a comparison of the Source Audio Ventris Dual Reverb with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

Neunaber Expanse vs. Strymon Big Sky – Reverb Comparison

This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:

 

gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

How a tube-amp works – Part 1

RöhreTo me as a layperson the functionality of a tube-amp is a phenomenon and because of this fascination I decided to deal a bit more intensively with it.

Here I would like to explain (maybe some kind of inexpertly) try to explain how a tube-amplifier with cathode-bias works: Continue reading “How a tube-amp works – Part 1”