Like probably every musician, I love my instruments and effect pedals. And not just my own: I think every instrument, every pedal is a treasure that we must preserve. Unfortunately, even the best devices sometimes break. Continue reading “DelayDude – we give broken pedals a new life”
In this video I want to show you how to combine a synthesizer like the Arturia MicroFreak with delay effect pedals for guitars as a little suggestion for sound experiments. This synthesis opens up completely new worlds of sound and can definitely expand the sonical horizon. Have fun trying.
This is a demo of the NUX NDD-7 Tape Echo. Find out more about this compact emulation of the Roland RE-201 Space Echo. The built-in looper offers so many options that you will have to get this digital delay anyway.
1. Tape head 3 – long delay with reverb and wow & flutter Continue reading “NUX NDD-7 Tape Echo Delay”
With a little help from my friends… or with much help from people I partly didn’t even know before, we succeed in recovering our channel “delay dude”!
We want to thank everyone, who supported us.
But our very special thanks go to Philipp Ernst (Bonedo), who was so kind to spend hours to get in contact with the YouTube support. He was the guy who did all the bureaucratic paperwork with us.
We also want to thank Frank Prager. Without your mail and your comments, we wouldn’t even have started the fight.
We are so grateful, because this channel means so much to us and so much to my beloved father, who is fighting the cancer and who must endure so many cruel operations these days.
Thank you all so much!
This is a demo of my favorite settings of the Donner Vintaverb.
Check out some of the numerous sonic options of this bargain.
In my honest opinion, it is definitively worth it to try out this robust little reverb pedal that provides even more than traditional vintage reverb sounds.
gear: Fender Telecaster, DelayDude Custom Amp, Shure SM57, Cubase, Evidence Audio SIS Cables.
Although the name refers to traditional reverb sounds, the Donner Vintaverb provides even more. Continue reading “Donner Vintaverb – Review”
This is a demo of the LeafAudio Microphonic Soundbox mk2 Montreal Assembly Count to Five and the Chase Bliss Audio Thermae. Continue reading “LeafAudio Microphonic Soundbox mk2 feat.Montreal Assembly Count to Five & Chase Bliss Audio Thermae”
This is a demo of the LeafAudio Microphonic Soundbox mk2 (https://www.exploding-shed.com/microphonic-soundbox/) and the Strymon Volante. Continue reading “LeafAudio Microphonic Soundbox mk2 feat. Strymon Volante”
For my Telecaster, I use an analog setup: A Mad Professor Sweet Honey Deluxe, a MXR Analog Chorus, a MXR Carbon Copy into a Fender Custom Vibro Champ Reverb.
At the moment, to me, it is pretty difficult to adjust the delay time of the Carbon Copy. Surely, I know that there are apps to tap the repeats manually and then they will be shown on the display. At that point, I can re-adjust the time, play again, tap again and so on.
My question regarding that issue is: Do you know an app that listens while I play a note, and then shows the respective delay time so I can re-adjust the time easily? Continue reading “Is there tap tempo apps for analog delay pedals?”
This is a comparison of the JHS Pedals Panther Cub with the Electro Harmonix Deluxe Memory Boy.
Two dark and a bit gritty sounding analog delays with the same size and comparable features.
This is a comparison of the JHS Pedals Panther Cub with the MXR Carbon Copy Deluxe.
These both analog delays come along with comparable features and need about the same space on the pedalboard.
0:52 long delay time Continue reading “JHS Pedals Panther Cub vs. MXR Carbon Copy Deluxe”
This is a demo of the @JHS Pedals Panther Cub.
It is such a nice analog dark delay with modulation and tap tempo.
In contrast to many other analog delay pedals the Cub offers the possibility to pitch the signal by variing the tap devider by hand.
What a pity that JHS discontinued the production…
0:13 wobbly tape style Continue reading “JHS Pedals Panther Cub”
This is a comparison of the Pigtronix Constellator with the MXR Carbon Copy. These pedals are two marvelous sounding dark analog delays with a beautiful modulation. Just get inspired.
0:12 with slight modulation Continue reading “Pigtronix Constellator vs. MXR Carbon Copy”
I guess, you are well versed in planning pedalboards.
I have a big studio board, which I like a lot, but for it is not even easy to manage the transport.
Now, I want to assemble a smaller and more compact pedalboard.
For overdrive effects I use my amp and the Ibanez Tubescreamer TS 808 and the Vahlbruch Kaluna.
Due to the lack of space, delay and modulation ought to be (as far as possible) combined in one enclosure. I also think midi might be important…
The Boss GT 1000 Core could be one of those which offers all the sounds I know (DD, MD and RV of the 500 series).
But it also has uncountable overdrive effects that I do not need. Nevertheless, is the quality of the delay, modulation and reverb therefore worse?
Do you know an alternative to the GT 1000 Core, or do you think it is ok?
I really like Boss pedals, live on stage and also in the rehearsal room. And especially here, I need a compact pedalboard.
In the studio I use my big pedalboard – mostly analog.
By the way: I am not even a fan of editing, so a small display and a easy handling would be perfect.
Its always a bit difficult to assemble a compact pedalboard that is also flexible.
The Boss GT 1000 Core might be a solution, but for you already have several overdrive pedals, it would be even better to choose a pedal that is specialized in creating delay- and reverb-effects. The more features a pedal offers, the less capacity can be used for every single effect.
But if you want a multi effect anyway, the Eventide H9 might be interesting for you. It offers midi, is compact and has a superb sound. Furthermore, you can select 4 parameters per preset directly and control them via a pot. After you have successfully completed the programming, it is pretty easy to handle. But it is not able to combine several effects. Thus, it would only act as a delay or a reverb.
As an alternative, you could also choose the Line6 M5. It offers midi as well, sounds pretty nice, is a real bargain, the programming is quite easy and it is compact.
I use the M5 on one of my pedalboards as a supplement. But, similar to the H9, it only offers one effect at the time.
The handling of the HX Stomp whereas seems somewhat confusing to me.
For most combined pedals have a certain focus, it makes sense to think about your preferences first. What is more important to you: a delay or a reverb?
The Boss devices (DD-500 and RV- 500) also offer a reverb and a delay setting. If you are looking for a flexible delay and only need a little reverb, the DD-500 might be the perfect match for you anyway.
And the Empress Echosystem offers reverb besides the numerous delay effects.
For the Boss pedal as well as the Empress pedal offer the possibility to combine two presets, you would be able to get both.
But the only “real” pedal that combines delay and reverb and that can be controlled via midi is the Source Audio Collider. It is a combination of the Nemesis and the Ventris. But for a really distinguished adjustment, you will have to use the app. Anyway, if you have adjusted the basic sound (or use the presets), the pots will be sufficient to customize the sound.
Sound vs. handling
Provided that you are also looking for modulation, things will get a bit more complicated.
Of course, you can use the delay part of the Collider to create effects like chorus/vibrato (modulation of the delay time) and tremolo (modulation of the level), but this is not as easy as with one of the common modulation- effect. In this case, the handling of a multi-effect would be easier. In the end, you have the choice between sound and handling.
If the pedal ought to be compact and extensively equipped at the same time, you won’t be able to avoid menus and a display to adjust your sounds. Or you chose two pedals instead of one. The Collider for superb delay/reverb and a separate modulation pedal. With midi control in addition, this might be a very good option.
It always depends on your individual preferences and needs. For there is always too little space on the pedalboard, I dispense with a modulation pedal and create the vibrato- or tremolo-effect with my delay pedals. And I can also forgo flanger and phaser.
Regarding a compact pedalboard, to me it is generally more important to pare my pedals down to those which are really necessary for my music.
And to be honest, I don’t like menu-diving or the use of apps as well, thus I use the space on my pedalboard for the most important effect pedals.
Mostly, it makes sense to start with a little number of pedals first and add further pedals later. Removing a (unused) pedal from the pedalboard is habitually harder.
For I love delay- and reverb-sounds, I use only little space on my pedalboard for drive pedals (either booster and overdrive in one enclosure or even a single overdrive pedal).
And less pedals on the board will in the end improve your basic sound.
Enjoy planning your new pedalboard!