The Boss DD-7 as well as the MXR Carbon Copy Deluxe are two popular delays. Both have some similarities (tap tempo, modulation) but actually, they are fundamentally different. Continue reading “Which pedal should I get: Boss DD-7 or MXR Carbon Copy Deluxe?”
The first part of the of the Strymon Brigadier-review was about the features of this digital delay pedal. This second part is dedicated to the sound of the Strymon Brigadier.
Th short mode, which is oriented to a one-chip delay, offers a beautiful slapback sound with at least up to 400ms. Maxed, the delay sound becomes somehow metallic – similar to an analog delay with an overclocked chip.
The peak of the repeats is very realistic at the upper mids and cut very well through the mix. Continue reading “Review: Strymon Brigadier Part 2”
This is the first part of a detailed review about theStrymon Brigadier, a dbucket delay which emulates an analog delay is dedicated to the features of this digital delay pedal.
The Brigadier comes around in a compact, green aluminum enclosure that is similar to the ones we know from the El Capistan, the DIG or the Flint. While these three are absolutely legendary, the Brigadier seems to be overlooked in a certain way. With justification? Continue reading “Review: Strymon Brigadier Part 1”
On this Paul Cochrane Tim I installed an internal switch for various clipping options.
Now you can choose between the following clipping options:
Symmetric/ asymmetric, LED, MOSFET or silicon. Continue reading “Mod: internal Clipping switch”
Who does not dream about starting crazy sound escapades, driving the delay to the border of oscillation and then, suddenly, turn back while you keep both hands on your guitar?
The installation of an external switch enables you to choose via an expression-pedal if you want to control the delay time or the repeats by using an additional expression pedal. Continue reading “Mod: External switch to adjust the delay time via expression pedal”
The Ibanez WF10 is a rare vintage wah-fuzz. The wah circuit is similar to the legendary WH10 which is also used by John Frusciante. Continue reading “Mod: External Amout Pot”
The Boss DD-8 is the most recent compact Boss delay and the direct successor of the DD-7.
In this two- part review, I will first present facts about the construction and the standard sounds of the Boss DD-8, before, in the second part, I will dedicate myself to the special modes of this compact digital delay. Continue reading “Review: Boss DD-8 part I”
In the second part of this review, you will get to know all about the sound of the astonishing Nux Atlantic. Continue reading “Review: Nux Atlantic -Part II”
This is a comparison of the Electro Harmonix Deluxe Memory Man with the DOD Rubberneck.
Find out mor about the sonic possibilities like brighter and darker repeats, modulation and the sound of these two analog delays in the mix.
Adjustments for the Rubberneck
0:10 tone at noon Continue reading “Electro Harmonix Deluxe Memory Man vs. DOD Rubberneck”
To many guitarists, midi is still a mystery. Although midi is nothing new. Initially, it has been used mostly by keyboarders. Maybe this is the reason why so many guitarists refuse to use midi as well. But besides some disadvantages, even guitarists can benefit from midi. Continue reading “Midi for pedalboards: Is it only bling-bling or does it make sense?”
ARP-87 – a pair of interacting galaxies, affecting each other by gravitative interaction and the exchange of gas and dust.
Let`s have a look, if the Walrus Audio ARP-87 boasts likewise characteristics like its eponym. Continue reading “Review: Walrus Audio ARP-87”
Several times I found in guitar forums the comment that some guitarists can`t deal with the mix pot of the MXR Carbon Copy Deluxe. It is true: you have to turn the pot into full clockwise direction to get a delay signal which is a bit louder than the clean guitar signal. Continue reading “Tips & Tricks: MXR Carbon Copy Deluxe”
Analog delay pedals are not all equal. By now, there are so many different pedals that you cannot speak of THE analog delay sound anymore. Continue reading “Analog delay sound”