Similar to the TC Electronic Flashback, the Flashback 2 is a pedalboard-friendly digital delay as well. Additionally, to the sounds of its predecessor, the Flashback 2 offers the “Crystal Delay” that adds an octave-effect to each repeat. Continue reading “TC Electronic Flashback 2”
The TC Electronic Flashback is a pedalboard friendly digital delay. The solid allrounder comes around with numerous classical delay sounds. And because of the fact that TC Electronic is authorized to do so, they call the digital mode of the Flashback “2290”. If this digital delay with modulation gets closer to the sound of the legend remains to be discussed. Continue reading “TC Electronic Flashback”
The Strymon Brigadier is a relatively pedalboard-friendly dbucket digital delay. It comes around in the Strymon-typical gentle, but pleasing design and offers, depending on the respective mode up to 5000ms of maximum delay time. Continue reading “Strymon Brigadier”
Because of the numerous requests regarding my favorite bugdet delays, I tried to figure out my top delays within the categories tape emulation, digital delay and analog delay. The order of the delays within the respective group or video is not a ranking, for I am unable to tell which of them I like best.
Strymon calls the NightSky a time-warped reverberator which includes more functions than a usual reberb pedal. The new type of setting options is also innovative and is an invitation for experimentation.
This is the first part of a two-part review of the Strymon NightSky. In the first part you will learn all about the construction and the extensive functions of the NightSky, while the second part will be dedicated to the sound of this extraordinary pedal. Continue reading “Review: Strymon NightSky – Part 1”
The first part of the of the Strymon Brigadier-review was about the features of this digital delay pedal. This second part is dedicated to the sound of the Strymon Brigadier.
Th short mode, which is oriented to a one-chip delay, offers a beautiful slapback sound with at least up to 400ms. Maxed, the delay sound becomes somehow metallic – similar to an analog delay with an overclocked chip. The peak of the repeats is very realistic at the upper mids and cut very well through the mix. Continue reading “Review: Strymon Brigadier Part 2”
This is the first part of a detailed review about theStrymon Brigadier, a dbucket delay which emulates an analog delay is dedicated to the features of this digital delay pedal. The Brigadier comes around in a compact, green aluminum enclosure that is similar to the ones we know from the El Capistan, the DIG or the Flint. While these three are absolutely legendary, the Brigadier seems to be overlooked in a certain way. With justification? Continue reading “Review: Strymon Brigadier Part 1”
Because of the numerous requests regarding my favorite delays, I tried to figure out my top delays and I want to start this three-part series with my favorite tape emulations. The order of the delays within the respective group or video is no ranking for I am unable to tell which of them I like best. Thus, the presentation is according to the alphabetical order of their names. Check out the reasons why I have chosen these delays here.
Many times, I have been asked about my favorite delay pedals and I must confess, that this question is soo hard to answer to. Nevertheless, after a long time of thinking and trying, I figured out groups of my favorite delays regarding the categories analog delays, digital delays and tape emulations. Continue reading “My favorite tape emulations”
The Boss DD-8 is the most recent compact Boss delay and the direct successor of the DD-7. In this two- part review, I will first present facts about the construction and the standard sounds of the Boss DD-8, before, in the second part, I will dedicate myself to the special modes of this compact digital delay. Continue reading “Review: Boss DD-8 part I”
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