A question regarding the wet output + volume poti mod for the EHX Freeze

A reader’s question:

I have got a question regarding the Wet Output + Volume Poti Mod and the Remote Switch Mod for the EHX Freeze.
Is the volume mod supposed to control the volume of the wet signal or the dry signal or the mix?
And will the function of the original switch of the Freeze remain after the installation of the output for the additional switch? In other words: Could the bass player in my band control the Freeze on my pedalboard from the other side of the stage while I am playing the WahWah? Continue reading “A question regarding the wet output + volume poti mod for the EHX Freeze”

Reverse delay trouble

A readers question to the DelayDude:

For a new song, I used a chord sequence recorded with a reverse delay. I think, in my own case this is an appropriate substitute for an extensive synth sound.
But I recognized that it is pretty hard to control the reverse delay and now, I am not able to reproduce my record exactly. I have the feeling that it does whatever it wants to do. Somehow, the rhythm of the reverse signal varies each time.
I am not sure, if this is problem only occurs in my setup but I tried my best to describe the trouble.
At the moment I am using the reverse delay of the Boss ME-80, might this be the source of error? Continue reading “Reverse delay trouble”

Review: Boss DD-200 part II – special algorithms

Boss DD 200The first part of the DD-200 review was dedicated to the design and the fundamental sounds of the latest Boss delay-creation.
Now, I would like to take a closer look to some special algorithms of this digital delay. Continue reading “Review: Boss DD-200 part II – special algorithms”

Review: Boss DD-200 Part I

Boss DD 200The youngest member of the Boss family is the Boss DD-200. Although it comes around in a compact enclosure, it offers numerous features.

In this first part of the review, you will learn more about the design and some sounds of the Boss DD-200. The second part will be about some special algorithms. Continue reading “Review: Boss DD-200 Part I”

BOSS DD-200 special algorithms

This is a demo of some special algorithms of the marvelous BOSS DD-200 (http://www.bossus.com/).The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi.

Shimmer
0:54 Tera Echo Continue reading “BOSS DD-200 special algorithms”

Korg Volca Modular splitter set for patch cables – in the DelayDude Shop!

Modular Splitter1The big modular systems are famous for the possibility to use adapter cables to split or to combine several signals. Thereby, you can create really crazy sounds. Continue reading “Korg Volca Modular splitter set for patch cables – in the DelayDude Shop!”

BOSS DD-200

This is a demo of the BOSS DD-200 (http://www.bossus.com/).
The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi.

0:10 standard Continue reading “BOSS DD-200”

Korg Volca Modular – Midi-In Mod – in the DelayDude Shop!

Midi in mod

The Korg Volca Modular is a nice little gimmick, but unfortunately the only Korg Volca unit that lacks a midi input. The Midi-In mod makes the toy become a real instrument. Continue reading “Korg Volca Modular – Midi-In Mod – in the DelayDude Shop!”

Effect pedals for bass players – part 2

Tips & tricksThe majority of effect pedals are made for guitarists and therefore, many bass players fear the contact with the small (and sometimes big) devices that can add a special character to the sound.
In the first part of this two-part series, I already presented some effect categories, every bass player can use without taking any risks. In this second part, we will have a closer look on effects, that require a bit more sensitivity.
So, boys and girls behind the fat strings: go for it! Continue reading “Effect pedals for bass players – part 2”

Effect pedals for bass players – part 1

Tips & tricksThe majority of effect pedals are made for guitarists and therefore, many bass players fear the contact with the small (and sometimes big) devices that can add a special character to the sound.
In the first part of this two-part series, I would like to present some effect categories, every bass player can use without taking any risks. In the second part, we will have a closer look on effects, that require a bit more sensitivity.
So, boys and girls behind the fat strings: go for it! Continue reading “Effect pedals for bass players – part 1”

An overdrive pedal after a delay

Tips & tricksCommonly, you arrange the pedals in a way that the guitar signal first passes the overdrive pedal and is then send to modulation effects like delays or reverb pedals.
But in my honest opinion, it is worth it to change this accustomed layout. Continue reading “An overdrive pedal after a delay”