Because of the numerous requests regarding my favorite delays, I tried to figure out my top delays and I want to start this three-part series with my favorite tape emulations. The order of the delays within the respective group or video is no ranking for I am unable to tell which of them I like best. Thus, the presentation is according to the alphabetical order of their names. Check out the reasons why I have chosen these delays here.
Many times, I have been asked about my favorite delay pedals and I must confess, that this question is soo hard to answer to. Nevertheless, after a long time of thinking and trying, I figured out groups of my favorite delays regarding the categories analog delays, digital delays and tape emulations. Continue reading “My favorite tape emulations”
This is a comparison of the Boss DD-8 with the DOD Rubberneck. On request, I made this video. In comparison to the DD-7, the analog mode of the DD-8 has been changed. So, I wanted to compare this sound to another analog delay (DOD Rubberneck). Furthermore, you will get slapback sounds, run-away feedback and oscillation.
The NUX Tape Core Deluxe is a pedalboard-friendly digital delay with beautiful tape sounds. One extraordinary specialty of this 9V pedal which you can run on battery as well as on a power supply, is the so-called T.Lock. Continue reading “NUX Tape Core Deluxe”
The Ibanez DL 10 is a pedalboard-friendly digital delay/reverb from the 80s. Accordingly, the sound of the up to 400ms maximum delay time reminds definitively of this period. Continue reading “Ibanez DL 10”
This is a comparison of the AnalogMan ARDX20 with the Maxon AD-900. These both analog delays create a rather dark sound. They are about the same size, but for the AnalogMan ARDX20 comes along with the Amazeo, it will need a bit more space on the pedalboard. Therefore, you will additionally get tap tempo and modulation. Sonically both delay pedals are based on the Ibanez AD-9. For the Maxon AD-9 does not provide modulation, I forego showing this feature of the AnalogMan ARDX20. Find out more about the sound of different delay times and how both pedals may sound in the mix.
This is a comparison of the AnalogMan ARDX20 with the DOD Rubberneck. These both analog delays create a rather dark sound. Each of them provides modulation and – if you also use the Amazeo for the ARDX20- also tap tempo. Find out more about the sound of different delay times and how both pedals may sound in the mix.
This is a comparison of the MXR Carbon Copy Deluxe with the AnalogMan ARDX20. These both analog delays create a rather dark sound. By using the Amazeo, the ARDX20 provides tap tempo like the MXR Carbon Copy Deluxe. Find out more about the sound of different delay times, the modulation sound and how both pedals may sound in the mix.
This is a comparison of the Strymon Volante with the Source Audio Nemesis. Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.
This is a video about the marvellous Strymon Volante. For the Volante is an incredible extensive delay, I won’t even try to present all of its brilliant functions. I only present my 7 favorite settings instead.
The Catalinbread Adineko is a pedalboard friendly digital delay. The 9V pedal dispenses with tap tempo, stereo in- and outputs, a looper as well as an input for an expression pedal or midi. Continue reading “Catalinbread Adineko”
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