My favorite tape emulations

Because of the numerous requests regarding my favorite delays, I tried to figure out my top delays and I want to start this three-part series with my favorite tape emulations.
The order of the delays within the respective group or video is no ranking for I am unable to tell which of them I like best. Thus, the presentation is according to the alphabetical order of their names.
Check out the reasons why I have chosen these delays here.

0:03 Echosystem Continue reading “My favorite tape emulations”

My favorite tape emulations

Many times, I have been asked about my favorite delay pedals and I must confess, that this question is soo hard to answer to.
Nevertheless, after a long time of thinking and trying, I figured out groups of my favorite delays regarding the categories analog delays, digital delays and tape emulations. Continue reading “My favorite tape emulations”

Boss DD-8 vs. DOD Rubberneck

This is a comparison of the Boss DD-8 with the DOD Rubberneck.
On request, I made this video. In comparison to the DD-7, the analog mode of the DD-8 has been changed. So, I wanted to compare this sound to another analog delay (DOD Rubberneck).
Furthermore, you will get slapback sounds, run-away feedback and oscillation.

1:13 slapback Continue reading “Boss DD-8 vs. DOD Rubberneck”

NUX Tape Core Deluxe

Nux Tape core deluxeThe NUX Tape Core Deluxe is a pedalboard-friendly digital delay with beautiful tape sounds.
One extraordinary specialty of this 9V pedal which you can run on battery as well as on a power supply, is the so-called T.Lock. Continue reading “NUX Tape Core Deluxe”

Review: Nux Tape Core Deluxe – Part II

Nux Tape core deluxeWhile the first part of this review was dedicated to the outer and inner values of the Nux Tape Core Deluxe, you will now learn all about the editor of this pedal. Continue reading “Review: Nux Tape Core Deluxe – Part II”

Review: Nux Tape Core Deluxe – Part I

Nux Tape core deluxeThe Nux Tape Core Deluxe is not even new, but nevertheless, it might worth it to mind this pedal if you are looking for a new tap echo. It is really robust; its editor makes it very versatile and the price of 69€ is unbeatable. Continue reading “Review: Nux Tape Core Deluxe – Part I”

Ibanez DL 10

Ibanez DL 10The Ibanez DL 10 is a pedalboard-friendly digital delay/reverb from the 80s.
Accordingly, the sound of the up to 400ms maximum delay time reminds definitively of this period. Continue reading “Ibanez DL 10”

AnalogMan ARDX20 vs. Maxon AD-900 – Analog delay comparison

This is a comparison of the AnalogMan ARDX20 with the Maxon AD-900.
These both analog delays create a rather dark sound. They are about the same size, but for the AnalogMan ARDX20 comes along with the Amazeo, it will need a bit more space on the pedalboard. Therefore, you will additionally get tap tempo and modulation.
Sonically both delay pedals are based on the Ibanez AD-9.
For the Maxon AD-9 does not provide modulation, I forego showing this feature of the AnalogMan ARDX20. Find out more about the sound of different delay times and how both pedals may sound in the mix.

0:07 about 600ms delay time (max. delay time of the AD-900)
1:02 shorter delay time Continue reading “AnalogMan ARDX20 vs. Maxon AD-900 – Analog delay comparison”

AnalogMan ARDX20 vs. DOD Rubberneck – Analog delay comparison

This is a comparison of the AnalogMan ARDX20 with the DOD Rubberneck.
These both analog delays create a rather dark sound. Each of them provides modulation and – if you also use the Amazeo for the ARDX20- also tap tempo.
Find out more about the sound of different delay times and how both pedals may sound in the mix.

0:07 Rubberneck with tone and gain at 12 o’clock Continue reading “AnalogMan ARDX20 vs. DOD Rubberneck – Analog delay comparison”

Maxon AD 9 Pro

Maxon ad 9 proLike its predecessor, the Ibanez AD 9, the Maxon AD 9 Pro is also a pedalboard-friendly analog delay. Continue reading “Maxon AD 9 Pro”

MXR Carbon Copy Deluxe vs. AnalogMan ARDX20 – Analog delay comparison

This is a comparison of the MXR Carbon Copy Deluxe with the AnalogMan ARDX20.
These both analog delays create a rather dark sound. By using the Amazeo, the ARDX20 provides tap tempo like the MXR Carbon Copy Deluxe. Find out more about the sound of different delay times, the modulation sound and how both pedals may sound in the mix.

0:07 medium delay time Continue reading “MXR Carbon Copy Deluxe vs. AnalogMan ARDX20 – Analog delay comparison”

Strymon Volante vs. Source Audio Nemesis

This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Strymon Volante – my favorite 7 settings

This is a video about the marvellous Strymon Volante.
For the Volante is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.

0:08 dark bouncing drum
0:47 bright slapback tape
1:17 wobbling drum
1:57 floating studio
2:23 percussive drum
2:55 worn-out drum
3:32 crisp drum

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Click here for a detailed review of the Volante.

Catalinbread Adineko

catalinbread adinekoThe Catalinbread Adineko is a pedalboard friendly digital delay. The 9V pedal dispenses with tap tempo, stereo in- and outputs, a looper as well as an input for an expression pedal or midi. Continue reading “Catalinbread Adineko”