Maxon AD 9 Pro

Maxon ad 9 proLike its predecessor, the Ibanez AD 9, the Maxon AD 9 Pro is also a pedalboard-friendly analog delay. Continue reading “Maxon AD 9 Pro”

MXR Carbon Copy Deluxe vs. AnalogMan ARDX20 – Analog delay comparison

This is a comparison of the MXR Carbon Copy Deluxe with the AnalogMan ARDX20.
These both analog delays create a rather dark sound. By using the Amazeo, the ARDX20 provides tap tempo like the MXR Carbon Copy Deluxe. Find out more about the sound of different delay times, the modulation sound and how both pedals may sound in the mix.

0:07 medium delay time Continue reading “MXR Carbon Copy Deluxe vs. AnalogMan ARDX20 – Analog delay comparison”

Strymon Volante vs. Source Audio Nemesis

This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Strymon Volante – my favorite 7 settings

This is a video about the marvellous Strymon Volante.
For the Volante is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.

0:08 dark bouncing drum
0:47 bright slapback tape
1:17 wobbling drum
1:57 floating studio
2:23 percussive drum
2:55 worn-out drum
3:32 crisp drum

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Click here for a detailed review of the Volante.

Catalinbread Adineko

catalinbread adinekoThe Catalinbread Adineko is a pedalboard friendly digital delay. The 9V pedal dispenses with tap tempo, stereo in- and outputs, a looper as well as an input for an expression pedal or midi. Continue reading “Catalinbread Adineko”

Downsizing Part 2

PedalboardLarge pedalboards with uncountable pedals on them might weaken the signal or at least change the sound in a certain way. In this case, it is secondary whether you use true bypass pedals or buffered ones. Even the length of the cables on your pedalboard will influence the sound. Continue reading “Downsizing Part 2”

Digital delays

In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”

Electro Harmonix Deluxe Memory Man vs. Ibanez DE-7

This is a comparison of the Ibanez DE-7 with the Electro Harmonix Deluxe Memory Man.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Electro Harmonix Deluxe Memory Man vs. Way Huge Echo Puss – Analog Delay Comparison

This is a comparison of the Way Huge Echo Puss with the Electro Harmonix Deluxe Memory Man.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Electro Harmonix Deluxe Memory Man vs. Line 6 Echo Park – Delay Comparison

This is a comparison of the Line 6 Echo Park with the Electro Harmonix Deluxe Memory Man.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Source Audio Nemesis vs. Strymon DIG – Delay Comparsion

This is a comparison of the Source Audio Nemesis with the Strymon DIG.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Source Audio Nemesis vs. Electro Harmonix Deluxe Memory Man

This is a comparison of the Source Audio Nemesis with the Electro Harmonix Deluxe Memory Man.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Source Audio Nemesis vs. Fulltone Tube Tape Echo – Delay Comparsion

This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Source Audio Nemesis vs. Chase Bliss Audio Tonal Recall RKM – Delay Comparsion

This is a comparison of the Source Audio Nemesis with the Chase Bliss Audio Tonal Recall RKM.