This is a comparison of the Strymon Brigadier with the Source Audio Nemesis. The Source Audio Nemesis is, as well as the Brigadier, able to emulate numerous analog delay sounds. For it has about the same size, I decided to compare these two digital delays.
This is a comparison of the Nux Atlantic with the Source Audio Ventris. Both pedals provide the combination of delay and reverb. Besides the direct comparison of varying reverb- and delay sounds, you will also get a soundscape of shimmer to float away.
This is a comparison of the Neunaber Expanse with the Source Audio Nemesis. The Neuaber Expanse is quite more than a reverb. Thus, I compare different settings of both pedals like tape and digital. But also modes like scatter (Expanse) versus rhythmic (Nemesis) and echelon stock (Expanse) versus digital mode (Nemesis). Last but not least, you will get a demo of how both pedals sound in the mix.
This is a comparison of the Strymon Volante with the Source Audio Nemesis. Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.
In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”
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