In this video I want to show you how to combine a synthesizer like the Arturia MicroFreak with delay effect pedals for guitars as a little suggestion for sound experiments. This synthesis opens up completely new worlds of sound and can definitely expand the sonical horizon. Have fun trying.
Hardware vs. Software:This is a comparison of the Strymon DIG with the PSP 85 VST plugin.
In this last part of a series of comparisons of a pedal with a VST plugin, I compare a VST plugin with a digital delay pedal.
The sound of both delays is based on the 80s rack-delays.
Check out if there are sonic differences between the pedal and a VST plugin.
0:11 24/96 Continue reading “Strymon DIG vs. PSP 85 VST Plugin”
A reader’s question to the Dude:“I am looking for a percussive delay with trails option, for I really like dotted delays of U2 and likewise. Should be analog.
Supa Puss, Memory Man or the Chase Bliss Tonal Recall? Or something completely different?” Continue reading “Which delay for the dottet delays of U2?”
This is a Comparison of the Boss DD-7 with the Strymon DIG.
In this video I only used the digital mode of the Boss DD-7, because the Strymon DIG does not offer an analog delay mode.
At the end of the video I demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a comparison of two different 12″ speakers which have been (one by one) built into the same Fender Silverface Deluxe Reverb amp.
The first one is a Jensen C12 N Ceramic (current model).
The second one is a Vintage Oxford speaker.
Because I am the DelayDude, I do (self-evident) use a delay for this comparison.
Jazzmaster mit P90, Strymon DIG, Silverface Deluxe Reverb, Fame SC1100 Condenser Microphone, TS202 preamp, EMU 1820M, Cubase.
Stacking booster or overdrives pedals is pretty common.
But it can also be worth it to stack delay pedals. Stacking can be used in different ways to create special rhythmical delays or to produce ambient sounds. Continue reading “Stacking delays”
This is a comparison of the Source Audio Nemesis with the Strymon DIG.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Strymon DIG with the Boss DD-2.
While the Strymon DIG currently is the most modern digital delay, the legendary Boss DD-2 was one of the first.
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Click here for a comparison of the Strymon DIG with the TC Electronic 2290 and here for a comparison with the Korg SDD 3000.
This is a comparison of two digital delays. The TC Electronic 2290 versus the Strymon DIG.
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a demo of my soundscaping-/ambient- pedalboard.
I used the following pedals:
PLUS Pedal, Line 6 Echo Park, Origin Effects Cali 76 TX, Bogner Wessex, Strymon DIG, TC Electronic Hall of Fame.
gear: Fender Telecaster, Fender Deluxe Reverb, PLUS Pedal, Line 6 Echo Park, Origin Effects Cali 76 TX, Bogner Wessex, Strymon DIG, TC Electronic Hall of Fame, Celestion G12M, Shure SM57, Cubase.
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