This is a comparison of three different types of delays all accompanied by the Timmy. For this demo I used a classic analog delay (Electro Harmonix Deluxe Memory Man), a tape echo emulation (Strymon Volante) and a digital delay (Empress Echosystem). The Paul Cochrane Timmy is probably the best choice, if you are looking for a transparent overdrive. so, go ahead and find out, how it affects every single type of delay depending on the respective kind of playing (like dynamic playing, modulation, in the mix). If you are looking for a sonic sneak peak, check out 1:22.
This is a comparison of the MXR Carbon Copy Deluxe with the AnalogMan ARDX20. These both analog delays create a rather dark sound. By using the Amazeo, the ARDX20 provides tap tempo like the MXR Carbon Copy Deluxe. Find out more about the sound of different delay times, the modulation sound and how both pedals may sound in the mix.
This is a comparison of three different types of delays all accompanied by the AnalogMan King of Tone. For this demo I used a dark analog delay (DOD Rubberneck), a digital delay (Strymon DIG) and a tape delay(Fulltone Tube Tape Echo). The first 25 seconds you can hear a sneak peak of each type of delay accompanied by the King of Tone. Learn more about the how the King of Tone affects every single type of delay depending on the respective kind of playing (palm mutes, modulation, in the mix).
This is a comparison of the Freezification-mode of the Empress Echosystem with the Gamechanger Audio PLUS Pedal. In this comparison, I used different times for attack and release and altered the adjustment of the tone pot in the different sound files to create varying tonal colorings. Especially in the second file you will hear the sonic difference between the PLUS Pedals and the Echosystem. While the PLUS Pedal puts the layers on top of each other and fades out more fluently, the current signal of the Echosystem fades out completely before the next sound wave arises. Depending on the style of playing, this difference regarding the blend effect can be used quite purposefully.
The Empress Tape Delay is a nearly pedalboard-friendly digital delay. To be precise, this pedal is the light- version of the Empress Superdelay VM (vintage modified), which Empress developed in collaboration with Pro Guitarshop.com. Continue reading “Empress Tape Delay”
Every centimeter, the Empress Echosystem needs on the pedalboard, is worth it. The true bypass pedal offers every kind of sound that delay-lovers can ever imagine. Continue reading “Empress Echosystem”
Like its great idol, the Deluxe Memory Man, the size of the Electro Harmonix Deluxe Memory Boy is also rather less pedalboard friendly.But, the analog delay with a maximum delay time of 700 ms offers numerous features in on XO- enclosure. Continue reading “Electro Harmonix Deluxe Memory Boy”
The DigiTech DigiDelay is a pedalboard-friendly digital delay that provides several features in an optically not really attractive enclose. Besides tap tempo and modulation, the 9V stereo pedal offers a maximum delay time of 4 seconds. Continue reading “DigiTech DigiDelay”
The Italian as well as the Spanish word “Volante“ means wheel or travelling/flying. I think, it refers to the magnetic disc of a Binson Echorec, for the Strymon Volante emulates its sounds (as well as further tape echo sounds) in a very special way. Continue reading “Review: Strymon Volante part 1”
ARP-87 – a pair of interacting galaxies, affecting each other by gravitative interaction and the exchange of gas and dust. Let`s have a look, if the Walrus Audio ARP-87 boasts likewise characteristics like its eponym. Continue reading “Review: Walrus Audio ARP-87”
Today I’m going to test a very nice pedal: The Crazy Tube Circuits Echotopia. The play of words with echo (resonance) and utopia (wishful thinking/illusion) describes the pedal quite well. The guys from Crazy Tube Circuits categorize the sound of the Echotopia as a retro tape echo for soundscapes. Continue reading “Review: Crazy Tube Circuits – Echotopia”
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