Maxon AD-900 vs. Retro-Sonic Analog Delay Comparison

This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

DOD Rubberneck vs. Ibanez DE-7 Delay Comparison

This is a comparison of the DOD Rubberneck with the Ibanez DE-7.

The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.

The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.

TC Electronic Hall Of Fame vs. Strymon Big Sky – Reverb Comparison

This is a reverb pedal comparison:  TC Electronic Hall Of Fame vs. Strymon Big Sky.

gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Hughes and Kettner Replex vs Fulltone TTE

This is a comparison of the Hughes & Kettner Replex (which is a very fine tube driven tape emulation) with the Fulltone Tube Tape Echo.


Weitere Vergleichsvideos des Fulltone TTE findest du hier.