This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck with the Ibanez DE-7.
The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.
The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.
This is a reverb pedal comparison: TC Electronic Hall Of Fame vs. Strymon Big Sky.
gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Here is a comparison of the Wampler Faux Tape Echo and the Fulltone TTE Tube Tape Echo:
In diesem Video vergleiche ich das Empress Superdelay vintage modified mit dem Fulltone TTE Tube Tape Echo.
This is a comparison of the Catalinbread Belle Epoche with the Fulltone TTE Tube Tape Echo.
This is a comparison of the Hughes & Kettner Replex (which is a very fine tube driven tape emulation) with the Fulltone Tube Tape Echo.
Weitere Vergleichsvideos des Fulltone TTE findest du hier.