This is a comparison of the Ibanez AD9 and the Boss DM-2 with the Strymon Brigadier. The Ibanez AD9 and the Boss DM-2 are two of the first analog delays. They provide a maximum delay time of about 300ms and a unique kind of oscillation. For this comparison, choose the short setting for the Brigadier, because, it emulates an analog delay with one IC. Thereby, the Brigadier gets close to the sound of the AD9 and the DM-2.
On this Paul Cochrane Tim I installed an internal switch for various clipping options. Now you can choose between the following clipping options: Symmetric/ asymmetric, LED, MOSFET or silicon. Continue reading “Mod: internal Clipping switch”
Who does not dream about starting crazy sound escapades, driving the delay to the border of oscillation and then, suddenly, turn back while you keep both hands on your guitar? The installation of an external switch enables you to choose via an expression-pedal if you want to control the delay time or the repeats by using an additional expression pedal. Continue reading “Mod: External switch to adjust the delay time via expression pedal”
Today, almost every musician records his/her music at home. Mostly via a soundcard directly into a DAW. There, you will find numerous VST effects to create a sophisticated sound. But many effect pedals as well are also suitable for recording. Continue reading “Effect pedals for recording”
In the first part of this series, I presented some budget tube combos. In the second part, I started a small overview of several heads. And finally, I would like to end up this series with some last recommendations. Continue reading “Lunchbox Tube Amps Part III”
In the first part of this series, I presented some budget tube combos. Here, I would like to give a small overview of several heads. They are even more handy and you can connect every speaker you like. Mini heads are pretty functional and flexible. Besides, they are (mostly) cost-effective and fit in almost every gig bag. Continue reading “Lunchbox Tube Amps Part II”
Small tube amps are pretty popular at the moment. And mostly, they are not much quieter than their big brothers. But of course, they offer a little less clean headroom. They can be carried easily and they are so much more than just a little toy. Perfect for a jam-session at home or for recording. In the Studio, even Led Zeppelin did not use a Marshall full stack but a small Supro amp. Mostly, the prices of these little amps are comparable with the effort for a good effect pedal.
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