{"id":1451,"date":"2017-11-27T08:01:30","date_gmt":"2017-11-27T08:01:30","guid":{"rendered":"http:\/\/delaydude.de\/?p=1451"},"modified":"2018-05-31T13:04:01","modified_gmt":"2018-05-31T13:04:01","slug":"analog-vs-digital","status":"publish","type":"post","link":"https:\/\/delaydude.de\/en\/analog-vs-digital\/","title":{"rendered":"Analog pedals vs. digital emulations"},"content":{"rendered":"<p><a href=\"https:\/\/delaydude.de\/analog-vs-digital\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1234\" data-permalink=\"https:\/\/delaydude.de\/en\/ask-the-dude\/ask-the-dude\/\" data-orig-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?fit=1024%2C577&amp;ssl=1\" data-orig-size=\"1024,577\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ask the Dude\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?fit=840%2C473&amp;ssl=1\" class=\"alignleft size-medium wp-image-1234\" src=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?resize=300%2C169&#038;ssl=1\" alt=\"Ask the Dude\" width=\"300\" height=\"169\" srcset=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?resize=400%2C225&amp;ssl=1 400w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?resize=768%2C433&amp;ssl=1 768w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?resize=148%2C83&amp;ssl=1 148w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?resize=31%2C17&amp;ssl=1 31w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?resize=38%2C21&amp;ssl=1 38w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Ask-the-Dude.jpg?resize=382%2C215&amp;ssl=1 382w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\" \/><\/a>Frequently the question arises which kind of pedal to chose: an analog one or a digital emulation?<\/p>\n<p>It almost seems to be an article of faith and this is why I would like to illuminate this controversal issue. <!--more-->There is an enormous number of digital multi-effects: The <a href=\"https:\/\/www.strymon.net\/products\/timeline\/\" target=\"_blank\" rel=\"noopener\">Strymon Timeline<\/a>, the <a href=\"https:\/\/www.eventideaudio.com\/products\/stompboxes\/delay-stompbox\/timefactor\" target=\"_blank\" rel=\"noopener\">Eventide Timefactor<\/a>, the <a href=\"https:\/\/empresseffects.com\/products\/echosystem\" target=\"_blank\" rel=\"noopener\">Empress Echosystem<\/a>, the <a href=\"http:\/\/www.sourceaudio.net\/products\/one_series\/nemesis_delay.php\" target=\"_blank\" rel=\"noopener\">Source Audio Nemesis<\/a> or the <a href=\"https:\/\/www.google.de\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=3&amp;cad=rja&amp;uact=8&amp;ved=0ahUKEwix7IC2tsPXAhVRY1AKHTLMDesQFggzMAI&amp;url=https%3A%2F%2Fwww.boss.info%2Fde%2Fproducts%2Fdd-500%2F&amp;usg=AOvVaw3TiWFO46zRSBauwe96dy5l\" target=\"_blank\" rel=\"noopener\">Boss DD-500<\/a>, are the most famous ones. Each of them provides numerous types of delays and can be edited in different parameters.<\/p>\n<h2>Is more always better?<\/h2>\n<h3>Functionality<\/h3>\n<p>Surely, the modern digital delays are pretty comfortable. Having tap tempo including subdivisions, modulation, midi control and stereo in- and outputs. On top you will get copious additional features like an included looper or a reverse echo with pitch effect.<br \/>\nFor a guitarist of a top 40 coverband who needs uncountable different sound for one show a digital delays might be the perfect choice.<\/p>\n<p>Although these multi delays are bigger than conventional pedals but in the end they need less space on the pedalboard than two analog and digital delays, not to mention a real tape delay.<\/p>\n<h3>Sound<\/h3>\n<p>But are these multis able to reach the sound quality of a single delay? Although the development is far advanced I would deny this question.<br \/>\nDigital delays in fact offer a great number of parameters to adjust the sound but I think that it is impossible to emulate the sound of a Boss DM-2 or a Deluxe Memory Man exactly.<br \/>\nIndeed some digital emulations enable the user to set the proportion of hiss (of an analog delay) nevertheless it is impossible to control the frequency response in such a way to emulate the natural sound variation of the repeats of an analog delay. These variations are much too complex and finally you will get a similar sound that maybe is not better or worth but at least is not identical to the sound of an analog delay.<\/p>\n<p>Doubtless the question arises if you will hear the difference on stage or in the audience like you have heard while you have been adjusting the parameters at home. I think this is a question of feeling: when you like the sound you will feel comfortabe and accordingly your guitarplay will be. And this is what the audience will feel.<\/p>\n<h3>Conclusion<\/h3>\n<p>If you are searching for a specific delay sound it makes sense to chose a single delay pedal. But if you are looking for a wide range of sounds and some inspiring additional features the multi delay might be your first choice.<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Deutsch.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[256,676,693,770,263,268,774,675],"tags":[392,399,93,64,352,393,351,396,398,97,82,395,400,397,394],"class_list":["post-1451","post","type-post","status-publish","format-standard","hentry","category-7000-questions-to-the-dude","category-boss","category-empress","category-eventide","category-pedalboard","category-pedals","category-source-audio","category-strymon","tag-analog","tag-boss-dd-500","tag-boss-dm-2","tag-delay","tag-deluxe-memory-man","tag-digital","tag-ehx","tag-empress-echosystem","tag-eventide-timefactor","tag-looper","tag-modulation","tag-pitch-effect","tag-source-audio-nemesis","tag-strymon-timeline","tag-subdivisions"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-np","jetpack-related-posts":[{"id":4186,"url":"https:\/\/delaydude.de\/en\/empress-echosystem-vs-source-audio-nemesis\/","url_meta":{"origin":1451,"position":0},"title":"Empress Echosystem vs. Source Audio Nemesis","author":"Delay Dude","date":"Wednesday December 18th, 2019","format":false,"excerpt":"This is a stereo comparison of the Empress Echosystem with the Source Audio Nemesis. 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