![\"Effect](\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=300%2C225&ssl=1\")
<\/a>The next generation<\/h2>\nThe first part of this series was about the Boss DD-20 and the Line6 DL4.
\nBoth pedals have been the standard for a long time and still they are pretty popular.
\nBut they have been replaced by technically extensive pedals of the next generation.<\/p>\n
Eventide Timefactor<\/h3>\n
Put on the market in 2007 the Eventide Timefactor<\/a> definitively set new standards. Especially the digital delays of the Timefactor sound brilliant. Strymon Timeline<\/p>\n The Strymon Timeline<\/a> was put on the market in 2011 and can be found on numerous pedalboards today. Empress Superdelay<\/p>\n In 2008 the Empress Superdelay<\/a> saw the light of the day. In the end it does not matter which of the three delays you will chose, you will always get a good sounding and extensive pedal that is able to provide every delay sound you long for. Sorry, this entry is only available in Deutsch.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[676,1683,1681,693,770,261,724,268,3],"tags":[763,768,767,761,766,769,398,762,397],"class_list":["post-1862","post","type-post","status-publish","format-standard","hentry","category-boss","category-delays","category-digital-delays-pedals","category-empress","category-eventide","category-history","category-line6","category-pedals","category-effektgeraete","tag-boss-dd-20","tag-brigadier","tag-dig","tag-el-capistan","tag-empress-superdelay","tag-eventide-h9","tag-eventide-timefactor","tag-line6-dl4","tag-strymon-timeline"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-u2","jetpack-related-posts":[{"id":3348,"url":"https:\/\/delaydude.de\/en\/fulltone-tube-tape-echo-vs-line6-dl4\/","url_meta":{"origin":1862,"position":0},"title":"Fulltone Tube Tape Echo vs. Line6 DL4 – Delay Comparison","author":"Delay Dude","date":"Wednesday January 2nd, 2019","format":false,"excerpt":"This is a comparison of the Fulltone Tube Tape Echo with the Line6 DL4. Find out if the digital emulation sounds like the original. https:\/\/youtu.be\/tTxvGKNq_V4 gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.","rel":"","context":"In "Delay Demos"","block_context":{"text":"Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/tTxvGKNq_V4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4281,"url":"https:\/\/delaydude.de\/en\/eventide-rose-vs-ibanez-de7\/","url_meta":{"origin":1862,"position":1},"title":"Eventide ROSE vs. Ibanez DE7","author":"Delay Dude","date":"Wednesday November 20th, 2019","format":false,"excerpt":"This is a comparison of the Eventide ROSE with the Ibanez DE7. Both of these digital delays are using an analog filter. Check out some of their sonic possibilities at different setting, for slapback delays and in the mix. https:\/\/youtu.be\/SfXG0bdk0wY 0:11 digital delay through analog filter\/ echo mode 1:00 bright\u2026","rel":"","context":"In "Digital Delay Demos"","block_context":{"text":"Digital Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/digital-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/SfXG0bdk0wY\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4283,"url":"https:\/\/delaydude.de\/en\/the-eventide-comparison-h9-harmonizer-vs-rose-delay\/","url_meta":{"origin":1862,"position":2},"title":"The Eventide comparison: H9 Harmonizer vs. ROSE delay","author":"Delay Dude","date":"Wednesday December 11th, 2019","format":false,"excerpt":"This is a comparison of the Eventide ROSE delay with the H9 Harmonizer. Get thrilled by different types of delays, modulation, reverse delays and the sound of both pedals in the mix. https:\/\/youtu.be\/l8H0-OikDfA 0:11 bright digital delay 1:01 darker delay 1:52 modulation 2:50 reverse 3:50 in the mix gear: Fender\u2026","rel":"","context":"In "Delay Demos"","block_context":{"text":"Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/l8H0-OikDfA\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3811,"url":"https:\/\/delaydude.de\/en\/eventide-rose-delay-synthesizer-superbooth-2019\/","url_meta":{"origin":1862,"position":3},"title":"Eventide Rose Delay with a synthesizer (Superbooth 2019)","author":"Delay Dude","date":"Wednesday May 15th, 2019","format":false,"excerpt":"This is a demo of how to use the Eventide Rose Delay with a synthesizer. https:\/\/youtu.be\/rIahN83lAjM Special thanks to Collin Bevan from Eventide who answered to my questions at the SUPERBOOTH 2019.","rel":"","context":"In "Delay Demos"","block_context":{"text":"Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/rIahN83lAjM\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2091,"url":"https:\/\/delaydude.de\/en\/count-to-five-vs-eventide-h9\/","url_meta":{"origin":1862,"position":4},"title":"Montreal Assembly Count to Five vs. Eventide H9 Harmonizer","author":"Delay Dude","date":"Wednesday March 28th, 2018","format":false,"excerpt":"This is a comparison of the Montreal Assembly Count to Five with the Eventide H9 Harmonizer. gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase. \u00a0","rel":"","context":"In "Eventide"","block_context":{"text":"Eventide","link":"https:\/\/delaydude.de\/en\/category\/eventide\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5436,"url":"https:\/\/delaydude.de\/en\/akai-headrush-vs-line6-echo-park\/","url_meta":{"origin":1862,"position":5},"title":"Akai Headrush vs. Line6 Echo Park","author":"Delay Dude","date":"Wednesday February 3rd, 2021","format":false,"excerpt":"This is a comparison of the Akai Headrush with the Line6 Echo Park. Besides the digital sound, you can also check out the tape echo sounds of these two classic digital budget delays. https:\/\/youtu.be\/-3vO2dDfgmo 0:14 digital setting 1:11 tape echo 2:47 tape echo - multi head setting 4:08 tape echo\u2026","rel":"","context":"In "Akai"","block_context":{"text":"Akai","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/akai\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/-3vO2dDfgmo\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/1862","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/comments?post=1862"}],"version-history":[{"count":0,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/1862\/revisions"}],"wp:attachment":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/media?parent=1862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/categories?post=1862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/tags?post=1862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nIt provides several parameters and offers the possibility to store 100 presets.
\nEven the sound is superior to the sound of the first multi digital delays.<\/p>\n
\nThe special thing about the Timefactor is that all 9 offered types of delays are available as dual delay. This means you can create marvelous stereo or dual mono delays with varying tempos.
\nBesides you will get different setting options for modulation and the possibility to control all parameters via midi.
\nThe one or the other might be overwhelmed by the countless setting options but the already saved presets work quite well and can easily be adapted to your very own ideas.<\/p>\n
\nIt provided everything a digital delay should offer: presets, stereo effects, 12 types of effects, midi in and out, tap tempo and much more.
\nRecently an editor appeared. By this you can edit your sounds also on your personal computer.
\nBecause of the display, the menu navigation is clear and intuitive.
\nWhile the tTmefactor shines with digital delay sounds, the Timeline is an expert in warm-sounding delays (analog emulations as well as tape emulations) and experimental sounds.<\/p>\n
\nIn my honest opinion this delay is absolutely underrated.
\nThe compact multi delay pedal offers a very neatly tape echo emulation and a looper.
\nBesides it affords very interesting rhythmical delay possibilities with individual pattern.
\nAnd finally, the Empress Superdelay has a reverse\/+octave up mode that is absolutely inspiring.
\nThere are two versions of the Superdelay: the white standard version and the vintage modified version in black.
\nOnly sound of the tape mode varies.<\/p>\n
\nThe sounds of the Eventide Timefactor can also be found in the Eventide H9<\/a> and can be controlled by an app.
\nAnd if you long for a certain sound of the Strymon Timeline you can also get the El Capistan<\/a>, the DIG<\/a> or the Brigadier.<\/p>","protected":false},"excerpt":{"rendered":"