{"id":1876,"date":"2018-03-12T07:33:18","date_gmt":"2018-03-12T07:33:18","guid":{"rendered":"http:\/\/delaydude.de\/?p=1876"},"modified":"2018-06-01T13:40:34","modified_gmt":"2018-06-01T13:40:34","slug":"multi-digital-delays-part-3","status":"publish","type":"post","link":"https:\/\/delaydude.de\/en\/multi-digital-delays-part-3\/","title":{"rendered":"Effect History: Multi Digital Delays – Current developments (Part 3)"},"content":{"rendered":"

\"Effect<\/a>In part 1 and 2 I have dedicated myself to the beginnings of multi digital delays and the second generation of this kind of pedals.
\nRecently there occurred some new developments concerning delays, so I would like to present the latest multi delays.<\/p>\n

Boss DD-500<\/h3>\n

The Boss DD-500<\/a> is the latest Boss delay. It provides incredible setting options and the big display makes editing pretty easy.
\nAt the same time, this pedal can be adjusted by an editor.
\nBesides numerous EQ and routing possibilities, you can also use two different delay sounds simultaneously.
\nThe sound sometimes seems to be a bit sterile but for certain styles of music or rigs this attribute might be perfect.
\nAnd of course, this pedal is built up as robust like all Boss stompboxes.<\/p>\n

Empress Echosystem<\/h3>\n

The new Empress Echosystem<\/a>, too provides the possibility to use two delays concurrently.
\nFollowing the tradition of the Superdelay<\/a>, the Echosystem has numerous innovative and creative algorithms.
\nEspecially the filter and stutter effects are absolutely inspiring.
\nThe pedal is proper for mono and stereo operation and all delay effects can be used parallel as well as serial.
\nUnfortunately, the Echosystem has no display and the midi jack needs a special adapter.
\nBut the sound is marvelous.<\/p>\n

Source Audio Nemesis<\/h3>\n

The Source Audio Nemesis<\/a> is probably the most compact and pedalboard-friendly stompbox.
\nAlthough it lacks a display, it can be edited via an application.
\nBy using this application, you will get twice the number of delay-types and uncountable possibilities to adjust your delay sound.
\nThe only point of criticism is that the Source Audio Nemesis has no analog dry through (means, the signal will always be digitalized) which might get noticeable in low latencies.
\nAnd unfortunately, it lacks a looper.
\nBut you can store 8 presets and others are available via midi.<\/p>\n

All recent multi delays sound excellent and each of them has got its own advantages and disadvantages and its very own specialty.<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Deutsch.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[676,693,261,268,774],"tags":[771,399,772,396,766,773,295,400,103],"class_list":["post-1876","post","type-post","status-publish","format-standard","hentry","category-boss","category-empress","category-history","category-pedals","category-source-audio","tag-app","tag-boss-dd-500","tag-display","tag-empress-echosystem","tag-empress-superdelay","tag-eq","tag-midi","tag-source-audio-nemesis","tag-stutter-effect"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-ug","jetpack-related-posts":[{"id":1859,"url":"https:\/\/delaydude.de\/en\/multi-digital-delays-part-1\/","url_meta":{"origin":1876,"position":0},"title":"Effect History: The first multi digital delays (Part 1)","author":"Delay Dude","date":"Monday March 5th, 2018","format":false,"excerpt":"Almost every guitarist who is addicted to delays is always searching for the perfect delay sound. Uncountable analog and digital delays are jockeying for space on the pedalboard. Early 21st century numerous manufacturers recognized this dilemma and started to invent multi digital delays. Some of them I would like to\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"Effect Pedal","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1862,"url":"https:\/\/delaydude.de\/en\/multi-digital-delays-part-2\/","url_meta":{"origin":1876,"position":1},"title":"Effect History: Multi Digital Delays (Part 2)","author":"Delay Dude","date":"Friday March 9th, 2018","format":false,"excerpt":"The next generation The first part of this series was about the Boss DD-20 and the Line6 DL4. Both pedals have been the standard for a long time and still they are pretty popular. But they have been replaced by technically extensive pedals of the next generation. Eventide Timefactor Put\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"Effect Pedal","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1451,"url":"https:\/\/delaydude.de\/en\/analog-vs-digital\/","url_meta":{"origin":1876,"position":2},"title":"Analog pedals vs. digital emulations","author":"Delay Dude","date":"Monday November 27th, 2017","format":false,"excerpt":"Frequently the question arises which kind of pedal to chose: an analog one or a digital emulation? It almost seems to be an article of faith and this is why I would like to illuminate this controversal issue. There is an enormous number of digital multi-effects: The Strymon Timeline, the\u2026","rel":"","context":"In "7000 questions to the Dude"","block_context":{"text":"7000 questions to the Dude","link":"https:\/\/delaydude.de\/en\/category\/7000-questions-to-the-dude\/"},"img":{"alt_text":"Frag den Dude","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Frag-den-Dude-300x169.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3186,"url":"https:\/\/delaydude.de\/en\/boss-dd-500-digital-delay\/","url_meta":{"origin":1876,"position":3},"title":"Boss DD-500 Digital Delay","author":"Delay Dude","date":"Friday February 8th, 2019","format":false,"excerpt":"The Boss DD-500 is one of the few Boss pedals which are, because of their size, less pedalboard friendly. Therefor, it offers up to 10 seconds maximum delay time, tap tempo and tape emulation. Other features of the stereo pedal that allows to choose a true bypass or a buffered\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"Boss dd 500-1","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2018\/11\/Boss-dd-500-1-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5619,"url":"https:\/\/delaydude.de\/en\/pedalboard-planung\/","url_meta":{"origin":1876,"position":4},"title":"Planning a small pedalboard","author":"Delay Dude","date":"Wednesday October 6th, 2021","format":false,"excerpt":"A reader\u2019s question: I guess, you are well versed in planning pedalboards. I have a big studio board, which I like a lot, but for it is not even easy to manage the transport. Now, I want to assemble a smaller and more compact pedalboard. For overdrive effects I use\u2026","rel":"","context":"In "Analog Delays"","block_context":{"text":"Analog Delays","link":"https:\/\/delaydude.de\/en\/category\/pedals\/analog-delays\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2020\/08\/frag-den-dude-300x169.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3035,"url":"https:\/\/delaydude.de\/en\/digital-delays\/","url_meta":{"origin":1876,"position":5},"title":"Digital delays","author":"Delay Dude","date":"Monday November 12th, 2018","format":false,"excerpt":"In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. 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