{"id":3197,"date":"2018-12-21T08:00:59","date_gmt":"2018-12-21T07:00:59","guid":{"rendered":"http:\/\/delaydude.de\/?p=3197"},"modified":"2018-11-22T10:02:37","modified_gmt":"2018-11-22T09:02:37","slug":"boss-dd-7-digital-delay","status":"publish","type":"post","link":"https:\/\/delaydude.de\/en\/boss-dd-7-digital-delay\/","title":{"rendered":"Boss DD-7 Digital Delay"},"content":{"rendered":"

\"boss<\/a>The Boss DD-7 digital delay is quite unpretentious, like the Boss DD-6.
\nAlthough you don\u2019t need any special tricks to tap the speed and the maximum delay time of 3200 ms is a bit longer compared to the DD-6, this pedalboard friendly 9V stereo pedal also dispenses with tape emulation, looper and midi input.
\nIt is impossible to fine-tune the one modulation preset of the Boss DD-7 which is still produced today. Even the expression-pedal input is unable to let this standard delay become more than a 2 of 10 on my cult factor scale.<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Deutsch.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[676,1691,1683,1656,1681,268,3],"tags":[1713,251,123,82,1714,223],"class_list":["post-3197","post","type-post","status-publish","format-standard","hentry","category-boss","category-delay-steckbriefe-a-z","category-delays","category-delays-a-z","category-digital-delays-pedals","category-pedals","category-effektgeraete","tag-boss-dd-7","tag-digital-delay","tag-expression-pedal","tag-modulation","tag-preset","tag-tap-tempo"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-Pz","jetpack-related-posts":[{"id":5065,"url":"https:\/\/delaydude.de\/en\/boss-dd-200\/","url_meta":{"origin":3197,"position":0},"title":"BOSS DD-200","author":"Delay Dude","date":"Wednesday August 12th, 2020","format":false,"excerpt":"This is a demo of the BOSS DD-200 (http:\/\/www.bossus.com\/). The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi. https:\/\/youtu.be\/BBeJ-wzyl3s 0:10 standard 0:33 standard (bright) 0:56 analog 1:09 analog (bright) 1:20 analog (dark) 1:32 tape\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/BBeJ-wzyl3s\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3549,"url":"https:\/\/delaydude.de\/en\/boss-dd-7-vs-walrus-audio-arp-87\/","url_meta":{"origin":3197,"position":1},"title":"Boss DD-7 vs. Walrus Audio ARP-87 – Digital Delay Comparison","author":"Delay Dude","date":"Wednesday March 27th, 2019","format":false,"excerpt":"This is a Comparison of the Boss DD-7 with the Walrus Audio ARP-87. Besides the digital mode, I also present the analog emulation, modulation and how either of them will sound in the mix. https:\/\/youtu.be\/7tAtXGLsE5Q gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/7tAtXGLsE5Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3521,"url":"https:\/\/delaydude.de\/en\/boss-dd-7-vs-electro-harmonix-deluxe-memory-man\/","url_meta":{"origin":3197,"position":2},"title":"Boss DD-7 vs. Electro Harmonix Deluxe Memory Man – Delay Comparison","author":"Delay Dude","date":"Wednesday February 27th, 2019","format":false,"excerpt":"This is a Comparison of the Boss DD-7 with the Electro Harmonix Deluxe Memory Man. At the end of the video I also demonstrate how either of them will sound in the mix. https:\/\/youtu.be\/MkucX3Cr-FM gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.","rel":"","context":"In "Analog Delay Demos"","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/MkucX3Cr-FM\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5068,"url":"https:\/\/delaydude.de\/en\/boss-dd-200-besondere-algorithmen\/","url_meta":{"origin":3197,"position":3},"title":"BOSS DD-200 special algorithms","author":"Delay Dude","date":"Wednesday August 26th, 2020","format":false,"excerpt":"This is a demo of some special algorithms of the marvelous BOSS DD-200 (http:\/\/www.bossus.com\/).The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi. https:\/\/youtu.be\/RH0C8vcAUzU Shimmer 0:54 Tera Echo 1:33 Pad Echo 2:06 Pattern 2:30 Lo-Fi\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/RH0C8vcAUzU\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3648,"url":"https:\/\/delaydude.de\/en\/chase-bliss-audio-tonal-recall-rkm-vs-walrus-audio-arp-87\/","url_meta":{"origin":3197,"position":4},"title":"Chase Bliss Audio Tonal Recall RKM vs. Walrus Audio ARP-87 – Delay Comparison","author":"Delay Dude","date":"Wednesday May 8th, 2019","format":false,"excerpt":"This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87. For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals\u2026","rel":"","context":"In "Analog Delay Demos"","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/EngHwI5VvC8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5329,"url":"https:\/\/delaydude.de\/en\/strymon-brigadier-vs-ibanez-ad9-and-boss-dm-2\/","url_meta":{"origin":3197,"position":5},"title":"Strymon Brigadier vs. Ibanez AD9 and Boss DM-2","author":"Delay Dude","date":"Wednesday December 2nd, 2020","format":false,"excerpt":"This is a comparison of the Ibanez AD9 and the Boss DM-2 with the Strymon Brigadier. The Ibanez AD9 and the Boss DM-2 are two of the first analog delays. They provide a maximum delay time of about 300ms and a unique kind of oscillation. For this comparison, choose the\u2026","rel":"","context":"In "Analog Delay Demos"","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/AM2TXNoW8o4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/3197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/comments?post=3197"}],"version-history":[{"count":0,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/3197\/revisions"}],"wp:attachment":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/media?parent=3197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/categories?post=3197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/tags?post=3197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}