{"id":443,"date":"2017-06-01T15:02:36","date_gmt":"2017-06-01T15:02:36","guid":{"rendered":"http:\/\/delaydude.de\/?page_id=443"},"modified":"2018-06-12T16:48:29","modified_gmt":"2018-06-12T14:48:29","slug":"modulationseffekte","status":"publish","type":"post","link":"https:\/\/delaydude.de\/en\/modulationseffekte\/","title":{"rendered":"Modulation pedals"},"content":{"rendered":"

<\/p>\n

\"Modulationseffekte\"Chorus<\/h2>\n

First of all, a chorus creates an exact copy of the signal. Subsequently one of these signals is, similar to a delay, reproduced delayed. But the delays of the sound are so short that they are not perceived as delays. They only last 2 up to 70 ms. Afterwards the delayed signal will be modulated. That means that the delay of the signal varies between 40 and 50 ms. This creates an acoustic chorus-effect. The longer the delay-time and the bigger the width of the modulation, the more intense the effect.<\/p>\n

The first chorus-pedal was the Boss CE-1<\/a>. This effect-unit previously has been installed into the Roland Jazzchorus<\/a> amplifier and has also been offered in a separate enclosure in the late 70th. Still today the sound of the CE-1 is legendary.
\nAnother early chorus-pedal was the Small Clone<\/a> by Electro Harmonix.<\/p>\n

Vibrato<\/h2>\n

Technically the vibrato is working similar to a chorus. But the original signal is not reproduced. By reproducing only the modulated signal, an intensive vibrato-effect is created.<\/p>\n

With the above mentioned Boss CE-1 the guitarists were able to create the first vibrato-effects. Before, this only was possible by using a unit installed to an amlipfier.<\/p>\n

Flanger<\/h2>\n

The flanger delays and modulates the signal just like a chorus does. But in this case, the times of delay are pretty short (0,5 -16 ms). And some flangers lead back a part of the signal to the input of the pedal to modulate it a second time. The proportion of the lead-back signal can be controlled by the “Feedback”- pot.<\/p>\n

A legendary flanger is the A\/DA Flanger<\/a>. And also MXR <\/a>produced a flanger in the 1970th.<\/p>\n

Phaser<\/h2>\n

A phaser treats the signal in a different way. It shifts the phase of the signal. The shifted phase is modulated at the same time. This causes extinctions in several frequencies. By modulating the shifted phase the frequencies of the extinction varies.<\/p>\n

The most famous phaser is the MXR Phase 90<\/a>.<\/p>\n

Uni-vibe<\/h2>\n

The Uni-Vibe<\/a> became famous through Jimi Hendrix<\/a>. Primarily it should create the doubler-effect of a Leslie-Speaker<\/a>. But most of the uni-vibe-pedals actually are some kind of phaser- or chorus\/vibrato- pedals.<\/p>\n

The first uni-vibe-pedal has been developed by Shin-ei<\/a>. Many of the recent ones are based on this original.<\/p>\n

Tremolo<\/h2>\n

The tremolo is created by a variation of the volume of the signal. This effect can be created almost simple. This is why it has been one of the first pedals, respectively one of the first effects integrated into an amplifier.<\/p>\n

One of the first tremolo-pedals has been developed by DeArmond. Inside of this pedal the volume-pot could has been controlled mechanically by a small motor.<\/p>\n

Delay<\/h2>\n

A delay creates, just like a chorus, a copy of the original-signal and reproduces it delayed. The times of this delays are much longer and can be heard clearly. Most of the delay-pedals have a delay-time of 30 -600 ms. Some digital delays are able to create delay-times that last up to several seconds.<\/p>\n

Frequently the delayed signal can be additionally modulated. This creates floating delay-sounds.<\/p>\n

The first delays have been produced by Boss (DM-1)<\/a>, MXR 118<\/a> and DOD<\/a>. Their delay-times were pretty short and they produced besides noise. Later digital delays like the Boss DD-2<\/a> created a cleaner sound.<\/p>\n

And to those who would like to deepen this issue, I would like to recommend ZING Instruments<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Deutsch.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[263,268,3],"tags":[157,156,108,64,152,155,154,153,85,84,151],"class_list":["post-443","post","type-post","status-publish","format-standard","hentry","category-pedalboard","category-pedals","category-effektgeraete","tag-boss-dd-2","tag-boss-dm-1","tag-chorus","tag-delay","tag-flanger","tag-mxr","tag-phaser","tag-small-stone","tag-tremolo","tag-uni-vibe","tag-vibrato"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-79","jetpack-related-posts":[{"id":5101,"url":"https:\/\/delaydude.de\/en\/neunaber-expanse\/","url_meta":{"origin":443,"position":0},"title":"Neunaber Expanse","author":"Delay Dude","date":"Friday September 25th, 2020","format":false,"excerpt":"The Neunaber Expanse is a pedalboard-friendly digital delay that, in combination with the Expanse software sonically offers almost everything a delay-addicted can long for. Actually, it is a multi-effect. Via mini USB the elegant looking 9V allrounder can be connected to your PC or Mac. Then, the up to 1000ms\u2026","rel":"","context":"In "Delay wanted A-Z"","block_context":{"text":"Delay wanted A-Z","link":"https:\/\/delaydude.de\/en\/category\/delay-steckbriefe-a-z\/"},"img":{"alt_text":"Neunaber Expanse","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2020\/08\/Neunaber-Expanse--300x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1554,"url":"https:\/\/delaydude.de\/en\/boss-ce-1-chorus-ensemble\/","url_meta":{"origin":443,"position":1},"title":"Review: Vintage Boss CE-1 Chorus Ensemble","author":"Delay Dude","date":"Friday February 2nd, 2018","format":false,"excerpt":"The Boss CE-1 Chorus Ensemble was the first chorus pedal that has been put on the market in the 1970s. Originally, the wiring of this pedal has been integrated into the legendary Roland Jazz Chorus amplifier. Enclosure and pots The big enclosure of the CE-1 has a built-in power supply\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"Boss CE-1 Chorus Ensemble","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/12\/DSCF7110-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3285,"url":"https:\/\/delaydude.de\/en\/analog-delay-sound\/","url_meta":{"origin":443,"position":2},"title":"Analog delay sound","author":"Delay Dude","date":"Monday December 17th, 2018","format":false,"excerpt":"Analog delay pedals are not all equal. By now, there are so many different pedals that you cannot speak of THE analog delay sound anymore. Technology A guitarist speaking of an analog delay mostly refers to a Bucket-Brigade Device (BBD) -based delay pedal. Seen for a technical point of view,\u2026","rel":"","context":"In "Analog Delays"","block_context":{"text":"Analog Delays","link":"https:\/\/delaydude.de\/en\/category\/pedals\/analog-delays\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2018\/02\/DOD-Rubberneck-1-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6070,"url":"https:\/\/delaydude.de\/en\/behringer-model-d-mit-modulations-gitarrenpedalen\/","url_meta":{"origin":443,"position":3},"title":"Behringer Model D with modulation guitar effect pedals","author":"Delay Dude","date":"Sunday February 5th, 2023","format":false,"excerpt":"Check out how to use guitar modulation effect pedals like chorus, phaser, flanger, tremolo, wah and pitch shifter to create more vivid sounds with an anlog synthesizer like the Behringer Model D. https:\/\/youtu.be\/7L0r12Mw3UE And if you like, check out, how to combine the Arturia MicroFreak with effect pedals like delay\u2026","rel":"","context":"In "behringer"","block_context":{"text":"behringer","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/behringer\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/7L0r12Mw3UE\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1771,"url":"https:\/\/delaydude.de\/en\/tape-delay-sounds-without-a-tape\/","url_meta":{"origin":443,"position":4},"title":"Tips & Tricks: Tape delay sounds without a tape?","author":"Delay Dude","date":"Friday March 16th, 2018","format":false,"excerpt":"The charm of tape delays is unique, and their digital emulations are pretty popular. But what makes this tape echo sound and is it possible to get this sound without a tape echo emulation? Sound Those who haven\u2019t played a real tape echo jet may think that a tape delay\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"Tips & tricks","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2018\/05\/Tips-tricks-300x172.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":647,"url":"https:\/\/delaydude.de\/en\/effect-history-part-3-die-70er\/","url_meta":{"origin":443,"position":5},"title":"Effect history (Part 3): die 70er – Revolution der Modulationseffekte","author":"Delay Dude","date":"Thursday July 13th, 2017","format":false,"excerpt":"In den 70ern wurden zahlreiche Effekte entwickelt. Die ersten OP-Amps vereinfachten den Aufbau von Effektger\u00e4ten enorm. So konnten auch komplexe Modulationseffekte, wie zum Beispiel Phaser, Chorus, Auto Wah und Flanger Effektpedale umgesetzt werden. Modulationseffekte Der wohl bekannteste Phaser wurde 1974 gebaut: der MXR Phase 90. Fast zur gleichen Zeit hat\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"Effect Pedal","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/comments?post=443"}],"version-history":[{"count":0,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/443\/revisions"}],"wp:attachment":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/media?parent=443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/categories?post=443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/tags?post=443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}