{"id":4454,"date":"2020-04-08T08:00:36","date_gmt":"2020-04-08T06:00:36","guid":{"rendered":"http:\/\/delaydude.de\/?p=4454"},"modified":"2020-03-05T15:59:48","modified_gmt":"2020-03-05T14:59:48","slug":"analogman-ardx20-vs-maxon-ad-900","status":"publish","type":"post","link":"https:\/\/delaydude.de\/en\/analogman-ardx20-vs-maxon-ad-900\/","title":{"rendered":"AnalogMan ARDX20 vs. Maxon AD-900 &#8211; Analog delay comparison"},"content":{"rendered":"<p>This is a comparison of the AnalogMan ARDX20 with the Maxon AD-900.<br \/>\nThese both analog delays create a rather dark sound. They are about the same size, but for the AnalogMan ARDX20 comes along with the Amazeo, it will need a bit more space on the pedalboard. Therefore, you will additionally get tap tempo and modulation.<br \/>\nSonically both delay pedals are based on the Ibanez AD-9.<br \/>\nFor the Maxon AD-9 does not provide modulation, I forego showing this feature of the AnalogMan ARDX20. Find out more about the sound of different delay times and how both pedals may sound in the mix.<\/p>\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"AnalogMan ARDX20 vs. Maxon AD-900 - Analog delay comparison\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/F1O8LhPOIl0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>0:07 about 600ms delay time (max. delay time of the AD-900)<br \/>\n1:02 shorter delay time <!--more--><br \/>\n1:43 slapback delays<br \/>\n2:28 about 400ms delay time<br \/>\n3:32 in the mix<\/p>\n<p>gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase, <a href=\"http:\/\/www.evidenceaudio.com\/library\/sis-assembly\" target=\"_blank\" rel=\"noopener noreferrer\">Evidence Audio SIS Cables<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Deutsch.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1690,697,257,690,62],"tags":[255,87,2842,337,163,251,1274,1995,1996,1741,2018,2024,92,571,780,115,960,223,508],"class_list":["post-4454","post","type-post","status-publish","format-standard","hentry","category-analog-delay-demos","category-analogman","category-delay-demos","category-maxon","category-videos","tag-amazeo","tag-analog-delay","tag-analogman-ardx20","tag-comparison","tag-demo","tag-digital-delay","tag-effect-pedal","tag-fx-pedal","tag-gearnerds","tag-guitar-fx","tag-guitargear","tag-in-the-mix","tag-maxon-ad-900","tag-pedal-demo","tag-pedal-shootout","tag-pedalboard","tag-slapback","tag-tap-tempo","tag-vergleich"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-19Q","jetpack-related-posts":[{"id":3473,"url":"https:\/\/delaydude.de\/en\/mxr-carbon-copy-deluxe-vs-maxon-ad-900\/","url_meta":{"origin":4454,"position":0},"title":"MXR Carbon Copy Deluxe vs. Maxon AD-900 Analog Delay &#8211; Analog Delay Comparison","author":"Delay Dude","date":"Wednesday January 30th, 2019","format":false,"excerpt":"This is a Comparison of the MXR Carbon Copy Deluxe with the Maxon AD-900 Analog Delay. https:\/\/youtu.be\/m5PL_6rMC6E gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/m5PL_6rMC6E\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2631,"url":"https:\/\/delaydude.de\/en\/source-audio-nemesis-vs-maxon-ad-900-analog-delay\/","url_meta":{"origin":4454,"position":1},"title":"Source Audio Nemesis vs. Maxon AD-900 Analog Delay","author":"Delay Dude","date":"Wednesday August  8th, 2018","format":false,"excerpt":"This is a comparison of the Source Audio Nemesis with the Maxon AD-900 Analog Delay. gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4558,"url":"https:\/\/delaydude.de\/en\/maxon-ibanez-ad-999\/","url_meta":{"origin":4454,"position":2},"title":"Maxon\/ Ibanez AD 999","author":"Delay Dude","date":"Friday April 24th, 2020","format":false,"excerpt":"Similar to the other Maxon AD-pedals, the AD 999 as well is a less pedalboard-friendly analog delay. The MC4107D bucket brigade ICs make the AD 999 sound a bit dirtier, less defined and a bit rougher than the AD 900. The up to 900 ms maximum delay time of the\u2026","rel":"","context":"In &quot;Analog Delays&quot;","block_context":{"text":"Analog Delays","link":"https:\/\/delaydude.de\/en\/category\/pedals\/analog-delays\/"},"img":{"alt_text":"Maxon AD 999","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2020\/02\/Maxon-AD-999-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5703,"url":"https:\/\/delaydude.de\/en\/pigtronix-constellator-vs-ibanez-echo-shifter-es3\/","url_meta":{"origin":4454,"position":3},"title":"Pigtronix Constellator vs. Ibanez Echo Shifter ES3","author":"Delay Dude","date":"Wednesday September 29th, 2021","format":false,"excerpt":"This is a comparison of the Pigtronix Constellator with the Ibanez Echoshifter ES3. For these two are quite new at the moment, I thought, that a comparison could be interesting for guitarists with a lot of space on the pedalboard as well as for those have only little space to\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/7CgA3XGO-9A\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3648,"url":"https:\/\/delaydude.de\/en\/chase-bliss-audio-tonal-recall-rkm-vs-walrus-audio-arp-87\/","url_meta":{"origin":4454,"position":4},"title":"Chase Bliss Audio Tonal Recall RKM vs. Walrus Audio ARP-87 &#8211; Delay Comparison","author":"Delay Dude","date":"Wednesday May  8th, 2019","format":false,"excerpt":"This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87. For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/EngHwI5VvC8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5718,"url":"https:\/\/delaydude.de\/en\/jhs-pedals-panther-cub-vs-mxr-carbon-copy-deluxe\/","url_meta":{"origin":4454,"position":5},"title":"JHS Pedals Panther Cub vs. MXR Carbon Copy Deluxe","author":"Delay Dude","date":"Wednesday October 27th, 2021","format":false,"excerpt":"This is a comparison of the JHS Pedals Panther Cub with the MXR Carbon Copy Deluxe. These both analog delays come along with comparable features and need about the same space on the pedalboard. https:\/\/youtu.be\/bcRy3pIfD4o 0:52 long delay time 1:33 chorus 2:23 vibrato 3:15 short delay time gear: Fender Telecaster,\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/bcRy3pIfD4o\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/4454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/comments?post=4454"}],"version-history":[{"count":0,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/4454\/revisions"}],"wp:attachment":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/media?parent=4454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/categories?post=4454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/tags?post=4454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}