{"id":4454,"date":"2020-04-08T08:00:36","date_gmt":"2020-04-08T06:00:36","guid":{"rendered":"http:\/\/delaydude.de\/?p=4454"},"modified":"2020-03-05T15:59:48","modified_gmt":"2020-03-05T14:59:48","slug":"analogman-ardx20-vs-maxon-ad-900","status":"publish","type":"post","link":"https:\/\/delaydude.de\/en\/analogman-ardx20-vs-maxon-ad-900\/","title":{"rendered":"AnalogMan ARDX20 vs. Maxon AD-900 &#8211; Analog delay comparison"},"content":{"rendered":"<p>This is a comparison of the AnalogMan ARDX20 with the Maxon AD-900.<br \/>\nThese both analog delays create a rather dark sound. They are about the same size, but for the AnalogMan ARDX20 comes along with the Amazeo, it will need a bit more space on the pedalboard. Therefore, you will additionally get tap tempo and modulation.<br \/>\nSonically both delay pedals are based on the Ibanez AD-9.<br \/>\nFor the Maxon AD-9 does not provide modulation, I forego showing this feature of the AnalogMan ARDX20. Find out more about the sound of different delay times and how both pedals may sound in the mix.<\/p>\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"AnalogMan ARDX20 vs. Maxon AD-900 - Analog delay comparison\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/F1O8LhPOIl0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>0:07 about 600ms delay time (max. delay time of the AD-900)<br \/>\n1:02 shorter delay time <!--more--><br \/>\n1:43 slapback delays<br \/>\n2:28 about 400ms delay time<br \/>\n3:32 in the mix<\/p>\n<p>gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase, <a href=\"http:\/\/www.evidenceaudio.com\/library\/sis-assembly\" target=\"_blank\" rel=\"noopener noreferrer\">Evidence Audio SIS Cables<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Deutsch.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1690,697,257,690,62],"tags":[255,87,2842,337,163,251,1274,1995,1996,1741,2018,2024,92,571,780,115,960,223,508],"class_list":["post-4454","post","type-post","status-publish","format-standard","hentry","category-analog-delay-demos","category-analogman","category-delay-demos","category-maxon","category-videos","tag-amazeo","tag-analog-delay","tag-analogman-ardx20","tag-comparison","tag-demo","tag-digital-delay","tag-effect-pedal","tag-fx-pedal","tag-gearnerds","tag-guitar-fx","tag-guitargear","tag-in-the-mix","tag-maxon-ad-900","tag-pedal-demo","tag-pedal-shootout","tag-pedalboard","tag-slapback","tag-tap-tempo","tag-vergleich"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-19Q","jetpack-related-posts":[{"id":4459,"url":"https:\/\/delaydude.de\/en\/mxr-carbon-copy-deluxe-vs-analogman-ardx20\/","url_meta":{"origin":4454,"position":0},"title":"MXR Carbon Copy Deluxe vs. AnalogMan ARDX20 &#8211; Analog delay comparison","author":"Delay Dude","date":"Wednesday February 12th, 2020","format":false,"excerpt":"This is a comparison of the MXR Carbon Copy Deluxe with the AnalogMan ARDX20. These both analog delays create a rather dark sound. By using the Amazeo, the ARDX20 provides tap tempo like the MXR Carbon Copy Deluxe. Find out more about the sound of different delay times, the modulation\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/3FI8-F9b-QY\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4457,"url":"https:\/\/delaydude.de\/en\/analogman-ardx20-vs-dod-rubberneck\/","url_meta":{"origin":4454,"position":1},"title":"AnalogMan ARDX20 vs. DOD Rubberneck &#8211; Analog delay comparison","author":"Delay Dude","date":"Wednesday March  4th, 2020","format":false,"excerpt":"This is a comparison of the AnalogMan ARDX20 with the DOD Rubberneck. These both analog delays create a rather dark sound. Each of them provides modulation and - if you also use the Amazeo for the ARDX20- also tap tempo. Find out more about the sound of different delay times\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/NfBmoJ7iHGg\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3664,"url":"https:\/\/delaydude.de\/en\/maxon-ad-900-vs-walrus-audio-arp-87\/","url_meta":{"origin":4454,"position":2},"title":"Maxon AD-900 vs. Walrus Audio ARP-87 &#8211; Delay Comparison","author":"Delay Dude","date":"Wednesday June 19th, 2019","format":false,"excerpt":"This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900. For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/wHHssJhyE38\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":82,"url":"https:\/\/delaydude.de\/en\/delay-vergleich\/","url_meta":{"origin":4454,"position":3},"title":"Analogman ARDX20 vs. Ibanez ADmini","author":"chrismeg7_w0z57i2a","date":"Wednesday March 15th, 2017","format":false,"excerpt":"Analogman ARDX20 vs. Ibanez ADmini This is a short comparison of two analog delay pedals: The ARDx20 is a boutique delay by Analogman. It is an analog pedal with numerous features: two different settings, effect-loop amm. The Ibanez Admini also is analog and because of its size pretty \u201cpedalboard-friendly\u201d. Both\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3279,"url":"https:\/\/delaydude.de\/en\/maxon-ad-900-vs-fulltone-tube-tape-echo\/","url_meta":{"origin":4454,"position":4},"title":"Maxon AD-900 vs. Fulltone Tube Tape Echo &#8211; delay comparison","author":"Delay Dude","date":"Wednesday December  5th, 2018","format":false,"excerpt":"This is a comparison of the Maxon AD-900 with the Fulltone Tube Tape Echo. The comparison of an analog delay with a tape echo might be a bit extraordinary - but these two classics can definitvely compete with each other. gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57,\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3141,"url":"https:\/\/delaydude.de\/en\/maxon-ad-900-vs-dmb-pedals-lunar\/","url_meta":{"origin":4454,"position":5},"title":"Maxon AD-900 vs. DMB Pedals Lunar Echo &#8211; Analog Delay Comparison","author":"Delay Dude","date":"Wednesday November  7th, 2018","format":false,"excerpt":"This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay. The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/4454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/comments?post=4454"}],"version-history":[{"count":0,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/4454\/revisions"}],"wp:attachment":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/media?parent=4454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/categories?post=4454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/tags?post=4454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}