{"id":647,"date":"2017-07-13T13:14:56","date_gmt":"2017-07-13T13:14:56","guid":{"rendered":"http:\/\/delaydude.de\/?page_id=647"},"modified":"2018-06-14T16:27:03","modified_gmt":"2018-06-14T14:27:03","slug":"effect-history-part-3-die-70er","status":"publish","type":"post","link":"https:\/\/delaydude.de\/en\/effect-history-part-3-die-70er\/","title":{"rendered":"Effect history (Part 3): die 70er – Revolution der Modulationseffekte"},"content":{"rendered":"

\"Effect<\/a>In den 70ern wurden zahlreiche Effekte entwickelt. Die ersten OP-Amps vereinfachten den Aufbau von Effektger\u00e4ten enorm. So konnten auch komplexe Modulationseffekte, wie zum Beispiel Phaser, Chorus, Auto Wah und Flanger Effektpedale umgesetzt werden. <\/p>\n

Modulationseffekte<\/h2>\n

\"\"Der wohl bekannteste Phaser wurde 1974 gebaut: der MXR Phase 90<\/a>. Fast zur gleichen Zeit hat Electro Harmonix den Small Stone<\/a> eingef\u00fchrt. Beide Phaser haben 4 Stufen, der Phase 90 basiert jedoch auf FETs, der Small Stone auf einem OTA. Der Phase 90 klingt immer etwas “schmutziger” w\u00e4hrend der Small Stone einen sehr cleanen Sound produziert. Beide werden immer noch produziert. Boss entwickelte Ende der 70er seinen ersten Phaser.<\/p>\n

1976 kam der Boss CE-1<\/a> Chorus Ensemble auf den Markt. Bereits ein Jahr zuvor wurde diese Schaltung erfolgreich im Jazz-Chorus 120<\/a> Amp von Roland verbaut. Aufgrund des damals sehr hohen Preises, oder des gro\u00dfen Formats, verkaufte sich das Pedal allerding nicht sehr gut. Heute ist es ein gesuchtes Effektger\u00e4t.<\/p>\n

Ein sehr interessantes Pedal dieser Zeit war das Mu-Tron<\/a>. Der Envelope Filter (Auto Wah) war sicher nicht unerheblich f\u00fcr die funkige Musik des Disco-Zeitalters.<\/p>\n

Erste Overdrive Pedale<\/h2>\n

Fast zeitgleich kamen zun\u00e4chst der Boss OD-1<\/a> gefolgt vom Ibanez TS-808<\/a> auf den Markt. Auch schaltungstechnisch sind die beiden Pedale nahezu identisch. Der Ibanez Tubescreamer konnte sich, vermutlich aufgrund seines zus\u00e4tzlichen Tone-Potis, durchsetzen. Der Rest ist Geschichte. Zahlreiche Gitarristen benutzen noch immer einen Ibanez Tubescreamer, da das spezielle Mittenspektrum des Pedals sich gut im Gesamtklang einer Band durchsetzt.<\/p>\n

\"\"Das Boss DS-1<\/a> und auch das MXR Distortion +<\/a> waren die ersten Distortion-Pedale. Beide wurden Ende der 70er entwickelt und werden bis heute produziert. Diese Pedale waren auch f\u00fcr den damals neuen Heavy Metal grundlegend, da sie mehr Gain erzeugten, als ein Overdrive und im sich im Klang differenzierter darstellten, als ein Fuzz-Pedal.<\/p>\n

Weitere wichtige Effekte<\/h2>\n

Der vielleicht beste Flanger, war der 1978 gebaute A\/DA Flanger<\/a>. Er konnte absolut neuartige Sounds erzeugen und den Klang bis zur Selbstoszillation verformen. Etwas weniger extrem war der erste Flanger, der 1976 von MXR<\/a> gebaut wurde.<\/p>\n

\"\"Electro Harmonix war mit seinen Innovativen Ideen wie immer ganz vorne mit dabei. Der Big Muff<\/a> war und ist eines ihrer bekanntesten Pedale. Auch wenn das, vom Firmengr\u00fcnder Mike Mathews verbreitete, Ger\u00fccht, dass Jimi Hendrix schon einen Big Muff gespielt hat, nie best\u00e4tigt wurde, hat er mit dem Pedal eine vollkommen neue Verzerrergattung erschaffen.<\/p>\n

W\u00e4hrend Fuzz-Pedale mit ihren zwei Transistoren, einen eher unkomprimierten und rauen Sound erzeugen, hat der Big Muff mehr Sustain und ist komprimierter. Er ist also eher zwischen einem Fuzz und Distortion einzuordnen.<\/p>\n

 <\/p>\n

Effect history: Teil 1<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

In den 70ern wurden zahlreiche Effekte entwickelt. Die ersten OP-Amps vereinfachten den Aufbau von Effektger\u00e4ten enorm. So konnten auch komplexe Modulationseffekte, wie zum Beispiel Phaser, Chorus, Auto Wah und Flanger Effektpedale umgesetzt werden.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[676,687,261,698,691,259,3],"tags":[797,307,246,308,162,644,82,155,81],"class_list":["post-647","post","type-post","status-publish","format-standard","hentry","category-boss","category-electro-harmonix","category-history","category-ibanez","category-mxr","category-overdrive-pedals","category-effektgeraete","tag-a-da-flanger","tag-big-muff","tag-distortion","tag-electro-harmonix","tag-fuzz","tag-ibanez-tubescreamer","tag-modulation","tag-mxr","tag-overdrive"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-ar","jetpack-related-posts":[{"id":6070,"url":"https:\/\/delaydude.de\/en\/behringer-model-d-mit-modulations-gitarrenpedalen\/","url_meta":{"origin":647,"position":0},"title":"Behringer Model D with modulation guitar effect pedals","author":"Delay Dude","date":"Sunday February 5th, 2023","format":false,"excerpt":"Check out how to use guitar modulation effect pedals like chorus, phaser, flanger, tremolo, wah and pitch shifter to create more vivid sounds with an anlog synthesizer like the Behringer Model D. https:\/\/youtu.be\/7L0r12Mw3UE And if you like, check out, how to combine the Arturia MicroFreak with effect pedals like delay\u2026","rel":"","context":"In "behringer"","block_context":{"text":"behringer","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/behringer\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/7L0r12Mw3UE\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":443,"url":"https:\/\/delaydude.de\/en\/modulationseffekte\/","url_meta":{"origin":647,"position":1},"title":"Modulation pedals","author":"Delay Dude","date":"Thursday June 1st, 2017","format":false,"excerpt":"Chorus First of all, a chorus creates an exact copy of the signal. Subsequently one of these signals is, similar to a delay, reproduced delayed. But the delays of the sound are so short that they are not perceived as delays. They only last 2 up to 70 ms. Afterwards\u2026","rel":"","context":"In "Pedalboard"","block_context":{"text":"Pedalboard","link":"https:\/\/delaydude.de\/en\/category\/pedalboard\/"},"img":{"alt_text":"Modulationseffekte","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/06\/DSCF6573-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2059,"url":"https:\/\/delaydude.de\/en\/flanger\/","url_meta":{"origin":647,"position":2},"title":"Flanger","author":"Delay Dude","date":"Monday March 19th, 2018","format":false,"excerpt":"At the moment flanger pedals are rather unpopular- maybe because they have been used far too often in the 80s or maybe because of their distinctive sound. But not all flange effects are equal and depending on the way of use a flange effect can sound quite interesting. Tape Flanger\u2026","rel":"","context":"In "A\/DA"","block_context":{"text":"A\/DA","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/a-da-hersteller\/"},"img":{"alt_text":"Effect Pedal","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3989,"url":"https:\/\/delaydude.de\/en\/frag-den-dude-modulationseffekte-analog-dry-through\/","url_meta":{"origin":647,"position":3},"title":"Ask the Dude: Modulation effects – analog dry through yes or no?","author":"Delay Dude","date":"Monday August 26th, 2019","format":false,"excerpt":"Question to the Dude: \"I decided to spend a bit more money for a pedalboard and to buy a Gigrig G2 and, beside others, a Strymon Timeline. I am almost sure, that the analog dry through function makes a decisive difference regarding the dry signal. Here is my question: Is\u2026","rel":"","context":"In "7000 questions to the Dude"","block_context":{"text":"7000 questions to the Dude","link":"https:\/\/delaydude.de\/en\/category\/7000-questions-to-the-dude\/"},"img":{"alt_text":"Frag den Dude","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/09\/Frag-den-Dude-300x169.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":665,"url":"https:\/\/delaydude.de\/en\/effect-history-part-4-die-80er\/","url_meta":{"origin":647,"position":4},"title":"Effect history (Part 4): The 80s shaped in racks","author":"Delay Dude","date":"Wednesday July 19th, 2017","format":false,"excerpt":"In the 80s there was a boom of pedals and some technical progress. Each of the most famous manufacturers (Boss, MXR, Ibanez and Electro Harmonix)) produced his own interpretation of each kind of pedal and all of them have been packed into colorful enclosures. Rack-effects But also the rack-effects, which\u2026","rel":"","context":"In "Boss"","block_context":{"text":"Boss","link":"https:\/\/delaydude.de\/en\/category\/hersteller\/boss\/"},"img":{"alt_text":"Effect Pedal","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":440,"url":"https:\/\/delaydude.de\/en\/effektreihenfolge\/","url_meta":{"origin":647,"position":5},"title":"Order of effects","author":"Delay Dude","date":"Friday June 2nd, 2017","format":false,"excerpt":"If you arrange many pedals on a complex pedalboard the question of the order of the pedals arises. This matter is more complex than one first might think. Therefore one has to note some rules and some exceptions. Tuner In first place one mostly places the tuner. The advantage of\u2026","rel":"","context":"In "Modulation"","block_context":{"text":"Modulation","link":"https:\/\/delaydude.de\/en\/category\/modulation\/"},"img":{"alt_text":"Pedalboard","src":"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/04\/DSCF4214-300x225.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/comments?post=647"}],"version-history":[{"count":0,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/posts\/647\/revisions"}],"wp:attachment":[{"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/media?parent=647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/categories?post=647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/delaydude.de\/en\/wp-json\/wp\/v2\/tags?post=647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}