{"id":665,"date":"2017-07-19T12:41:38","date_gmt":"2017-07-19T12:41:38","guid":{"rendered":"http:\/\/delaydude.de\/?page_id=665"},"modified":"2018-06-14T16:17:39","modified_gmt":"2018-06-14T14:17:39","slug":"effect-history-part-4-die-80er","status":"publish","type":"post","link":"https:\/\/delaydude.de\/en\/effect-history-part-4-die-80er\/","title":{"rendered":"Effect history (Part 4): The 80s shaped in racks"},"content":{"rendered":"<p><\/p>\n<div class=\"entry-content\">\n<p><a href=\"https:\/\/delaydude.de\/effect-history-part-4-die-80er\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1161\" data-permalink=\"https:\/\/delaydude.de\/en\/effect-history-part-5-die-90er\/history\/\" data-orig-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?fit=1024%2C768&amp;ssl=1\" data-orig-size=\"1024,768\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Effect Pedal\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?fit=840%2C630&amp;ssl=1\" class=\"alignleft size-medium wp-image-1161\" src=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=300%2C225&#038;ssl=1\" alt=\"Effect Pedal\" width=\"300\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=400%2C300&amp;ssl=1 400w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=148%2C111&amp;ssl=1 148w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=31%2C23&amp;ssl=1 31w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=38%2C29&amp;ssl=1 38w, https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/History.jpg?resize=287%2C215&amp;ssl=1 287w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\" \/><\/a>In the 80s there was a boom of pedals and some technical progress. Each of the most famous manufacturers (<a href=\"https:\/\/www.boss.info\/de\/\" target=\"_blank\" rel=\"noopener\">Boss<\/a>, <a href=\"https:\/\/www.jimdunlop.com\/category\/products\/electronics\/mxr.do\" target=\"_blank\" rel=\"noopener\">MXR<\/a>, <a href=\"http:\/\/www.ibanez.com\/products\/ele_top17.php?area_id=3&amp;year=2017\" target=\"_blank\" rel=\"noopener\">Ibanez<\/a> and <a href=\"http:\/\/www.ehx.com\/\" target=\"_blank\" rel=\"noopener\">Electro Harmonix<\/a>)) produced his own interpretation of each kind of pedal and all of them have been packed into colorful enclosures. <!--more--><\/p>\n<h2>Rack-effects<\/h2>\n<p>But also the rack-effects, which were intended to be used for record-studios, have been used on the guitarrig. The digital technique made it possible to create powerful and flexible devices.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"739\" data-permalink=\"https:\/\/delaydude.de\/en\/effect-history-part-4-die-80er\/dscf5149\/\" data-orig-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149.jpg?fit=3664%2C2748&amp;ssl=1\" data-orig-size=\"3664,2748\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.9&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;FinePix J27 J28 J29&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1447766462&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;5.7&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.11111111111111&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Korg SDD-3000\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149.jpg?fit=840%2C630&amp;ssl=1\" class=\"alignleft size-medium wp-image-739\" src=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-300x225.jpg?resize=300%2C225&#038;ssl=1\" sizes=\"auto, (max-width: 300px) 85vw, 300px\" srcset=\"https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-300x225.jpg 300w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-768x576.jpg 768w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-1024x768.jpg 1024w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-1200x900.jpg 1200w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-148x111.jpg 148w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-31x23.jpg 31w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-38x29.jpg 38w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF5149-287x215.jpg 287w\" alt=\"Korg SDD-3000\" width=\"300\" height=\"225\" \/>The most famous are the reverbs of <a href=\"https:\/\/lexiconpro.com\/en-US\" target=\"_blank\" rel=\"noopener\">Lexicon,<\/a>, the <a href=\"http:\/\/www.korg.com\/de\/products\/effects\/sdd3000\/\" target=\"_blank\" rel=\"noopener\">Korg SDD 3000<\/a> and the <a href=\"http:\/\/www.tcelectronic.com\/de\/tc-2290\/\" target=\"_blank\" rel=\"noopener\">TC Electronic 2290 Delay<\/a>. Uncountable multi-effects were added. In order to be able to switch it usefully, producers like, for example <a href=\"http:\/\/www.customaudioelectronics.com\/bradshaw_legacy\" target=\"_blank\" rel=\"noopener\">Bob Bradshaw<\/a>, invented specific switching- systems.<\/p>\n<p>Midi-technique made it possible to vary all parameters of the digital effects. Some effect-racks became as high as a Marhall Fullstack. But the numerous connections caused some disadvantages: certain power supplies were needed to avoid the humming of the rack. Furthermore the long cables influenced the sound and because of this, the signal got affected by numerous buffers and boosters.<\/p>\n<p>Other typical multi-rack-effects of the 80s are the<a href=\"http:\/\/www.vintagedigital.com.au\/yamaha-spx90-multi-effects-processor\/\" target=\"_blank\" rel=\"noopener\">Yamaha SPX<\/a> and the <a href=\"https:\/\/www.amazona.de\/zeitmaschine-roland-gp-8\/\" target=\"_blank\" rel=\"noopener\">Roland GP<\/a>.<\/p>\n<h2>Analog multi-effects<\/h2>\n<p>Multi-effects also were new in the 80s. Ibanez had its <a href=\"http:\/\/en.audiofanzine.com\/electric-guitar-multi-effects\/ibanez\/ue-400-overdrive-version\/user_reviews\/\" target=\"_blank\" rel=\"noopener\">UE 400-<\/a>-series \u2013 overdrive, compressor, chorus and delay combined in one enclosure. It was built-up by putting together the analog wirings of the respective pedals.<\/p>\n<p>The counterpart of Boss was the <a href=\"http:\/\/www.bossus.com\/support\/knowledge_base\/201924659\" target=\"_blank\" rel=\"noopener\">ME-5<\/a>. In this case the effects could already be switched by midi.<\/p>\n<p>The advantage of these effects was that the whole pedalboard could be supplied with power by a single power supply without the need for any patch cables.<\/p>\n<h2>Digital pedals<\/h2>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"738\" data-permalink=\"https:\/\/delaydude.de\/en\/effect-history-part-4-die-80er\/dscf3826\/\" data-orig-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826.jpg?fit=3664%2C2748&amp;ssl=1\" data-orig-size=\"3664,2748\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.9&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;FinePix J27 J28 J29&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1416144251&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;5.7&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.076923076923077&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Boss DD-2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826.jpg?fit=840%2C630&amp;ssl=1\" class=\"alignleft size-medium wp-image-738\" src=\"https:\/\/i0.wp.com\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-300x225.jpg?resize=300%2C225&#038;ssl=1\" sizes=\"auto, (max-width: 300px) 85vw, 300px\" srcset=\"https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-300x225.jpg 300w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-768x576.jpg 768w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-1024x768.jpg 1024w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-1200x900.jpg 1200w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-148x111.jpg 148w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-31x23.jpg 31w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-38x29.jpg 38w, https:\/\/delaydude.de\/wp-content\/uploads\/2017\/07\/DSCF3826-287x215.jpg 287w\" alt=\"Boss DD-2\" width=\"300\" height=\"225\" \/>The digital technique enabled the producers to use more compact enclosures. The <a href=\"http:\/\/www.bossus.com\/blog\/2015\/11\/11\/echoes-in-time-the-history-of-boss-delay-pedals\/\" target=\"_blank\" rel=\"noopener\">Boss DD-2<\/a>, developed in 1983, used the same Chip like the huge rack delays. The sound of the DD-2 was excellent and still today it is in great demand. The T.E.S delay by <a href=\"http:\/\/www.petecornish.co.uk\/index2.html\" target=\"_blank\" rel=\"noopener\">Pete Cornish<\/a> is oriented to the DD-2.<\/p>\n<p>At the end of the 80s the first pitch shifter pedals were put on the market. And even in this category Boss was groundbreaking with the release of the <a href=\"http:\/\/www.bossarea.com\/boss-ps-2-digital-pitch-shifter-delay\/\" target=\"_blank\" rel=\"noopener\">PS-2<\/a> in 1987.<\/p>\n<p>But also Ibanez developed the <a href=\"https:\/\/www.tonehome.de\/ibanez\/master-series-l\/dml-dig-mod-delay\/\" target=\"_blank\" rel=\"noopener\">DML<\/a>-series digital delays, which unfortunately were unable to pass through. Electro Harmonix again exceeded all technical limits by introducing the 16 second digital delay.<\/p>\n<p>The next episode I will tell you more about the 90s.<\/p>\n<p>Click <a href=\"https:\/\/delaydude.de\/effect-history-part-3-die-70er\/\">here\u00a0<\/a>for the article about the pedals of the 70s.<\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Deutsch.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[676,261,698,696,691,683,3,1133],"tags":[1138,1139,157,1137,1135,393,79,1134,671,295,80,155,1136,78,98],"class_list":["post-665","post","type-post","status-publish","format-standard","hentry","category-boss","category-history","category-ibanez","category-korg","category-mxr","category-tc-electronic","category-effektgeraete","category-yamaha","tag-analog-multi-effects","tag-bob-bradshaw","tag-boss-dd-2","tag-boss-me-5","tag-boss-ps-2","tag-digital","tag-digital-effects","tag-ibanez-dml","tag-korg","tag-midi","tag-multi-effects","tag-mxr","tag-pete-cornish","tag-rack-effects","tag-tc-electronic"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9GLlF-aJ","jetpack-related-posts":[{"id":5333,"url":"https:\/\/delaydude.de\/en\/strymon-brigadier-vs-mxr-carbon-copy-deluxe\/","url_meta":{"origin":665,"position":0},"title":"Strymon Brigadier vs. MXR Carbon Copy Deluxe","author":"Delay Dude","date":"Wednesday January 13th, 2021","format":false,"excerpt":"This is a comparison of the Strymon Brigadier with the MXR Carbon Copy Deluxe. The MXR Carbon Copy Deluxe is by now a modern classic and besides the modulation, you can also choose between a dark and a bright setting. Therefore, I decided to compare these two green digital delay\u2026","rel":"","context":"In &quot;Delay Demos&quot;","block_context":{"text":"Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/3_B86CiV1S0\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5329,"url":"https:\/\/delaydude.de\/en\/strymon-brigadier-vs-ibanez-ad9-and-boss-dm-2\/","url_meta":{"origin":665,"position":1},"title":"Strymon Brigadier vs. Ibanez AD9 and Boss DM-2","author":"Delay Dude","date":"Wednesday December  2nd, 2020","format":false,"excerpt":"This is a comparison of the Ibanez AD9 and the Boss DM-2 with the Strymon Brigadier. The Ibanez AD9 and the Boss DM-2 are two of the first analog delays. They provide a maximum delay time of about 300ms and a unique kind of oscillation. For this comparison, choose the\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/AM2TXNoW8o4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5653,"url":"https:\/\/delaydude.de\/en\/ibanez-echo-shifter-es3-analog-setting\/","url_meta":{"origin":665,"position":2},"title":"Ibanez Echo Shifter ES3 &#8211; analog setting","author":"Delay Dude","date":"Wednesday July  7th, 2021","format":false,"excerpt":"This is a demo of the analog setting of the Ibanez Echo Shifter ES3. Check out the sounds while I am playing around with different setting options and start a journey through the beautiful world of analog delay sounds with modulation, chorus, vibrato and oscillation. https:\/\/youtu.be\/-jMwtaRhmCk 0:09 long delay time\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/-jMwtaRhmCk\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5703,"url":"https:\/\/delaydude.de\/en\/pigtronix-constellator-vs-ibanez-echo-shifter-es3\/","url_meta":{"origin":665,"position":3},"title":"Pigtronix Constellator vs. Ibanez Echo Shifter ES3","author":"Delay Dude","date":"Wednesday September 29th, 2021","format":false,"excerpt":"This is a comparison of the Pigtronix Constellator with the Ibanez Echoshifter ES3. For these two are quite new at the moment, I thought, that a comparison could be interesting for guitarists with a lot of space on the pedalboard as well as for those have only little space to\u2026","rel":"","context":"In &quot;Analog Delay Demos&quot;","block_context":{"text":"Analog Delay Demos","link":"https:\/\/delaydude.de\/en\/category\/videos\/analog-delay-demos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/7CgA3XGO-9A\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5718,"url":"https:\/\/delaydude.de\/en\/jhs-pedals-panther-cub-vs-mxr-carbon-copy-deluxe\/","url_meta":{"origin":665,"position":4},"title":"JHS Pedals Panther Cub vs. MXR Carbon Copy Deluxe","author":"Delay Dude","date":"Wednesday October 27th, 2021","format":false,"excerpt":"This is a comparison of the JHS Pedals Panther Cub with the MXR Carbon Copy Deluxe. 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