One loves the Tubescreamer, the other hates it. It is impossible to keep everyone happy. While to one guitarist the overdrive pedal sounds perfect, stresses the mids in an optimal way and creates the ultimate range of distortion, the same pedal seems hollow with the bass cut quite too much to another guitar player. Continue reading “Effect pedals interacting with the whole setup”
This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.
The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.
gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.
Large pedalboards with uncountable pedals on them might weaken the signal or at least change the sound in a certain way. In this case, it is secondary whether you use true bypass pedals or buffered ones. Even the length of the cables on your pedalboard will influence the sound. Continue reading “Downsizing Part 2”
Some combinations of effect pedals are awkward – similar to human relationships: some won’t get along well with one another. Continue reading “How to combine effect pedals – not every combination works fine”
In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”
Although the Boss DD-2 does not show off with an extraordinary equipment, this delay pedal is definitively cult (8 of 10 points on my cult factor scale). Continue reading “Boss DD-2 digital delay”
The Seymour Duncan Vapor Trail is a beautiful analog delay which additionally provides a modulation with its speed and depth adjustable. Continue reading “Product of the month: Seymour Duncan Vapor Trail”
Commonly, you arrange the pedals in a way that the guitar signal first passes the overdrive pedal and is then send to modulation effects like delays or reverb pedals.
But in my honest opinion, it is worth it to change this accustomed layout. Continue reading “An overdrive pedal after a delay”
Stacking booster or overdrives pedals is pretty common.
But it can also be worth it to stack delay pedals. Stacking can be used in different ways to create special rhythmical delays or to produce ambient sounds. Continue reading “Stacking delays”
There are numerous manufacturers who offer complex looper pedals which are supposed to simplify the use of a pedalboard.
But does really everybody need a looper pedal? Continue reading “Do I really need a looper?”
The Strymon El Capistan is one of the best digital tape echo emulations.
Nevertheless, some miss the warm character of an analog device and consider that the sound of the Strymon El Capistan is somehow sterile. Continue reading “Ask the Dude: How to create the sound of the legendary Fulltone Tube Tape Echo”
Recently, Chase Bliss Audio debuted the Thermae, an analog pitch shifting pedal.
This pedal is based on a delay. To every cunning guitarist, this fact poses the question, if it might be possible to create this kind of sounds with a normal delay pedal, too. Continue reading “Analog Pitch Shifter: Do I really need the Chase Bliss Audio Thermae or is there any other option?”
For sonwriting it is extremely important to have a good working pedalboard with inspiring sounds.
Today I would like to introduce some ideas that might worth it to be taken into consideration if you are willing to create such a songwriting pedalboard. Continue reading “Tips & Tricks: Songwriting Pedalboard”