Chase Bliss Audio THERMAE vs. Eventide ROSE

This is a comparison of the Chase Bliss Audio THERMAE with Eventide ROSE.
To get close to the brightest setting of the THERMAE, I reduced the filter of the ROSE.
You will also get a demo of a darker setting, slow modulation and how both of delay pedals may sound in the mix. For pitch shifting effects, I added an expression pedal to the ROSE delay.

0:09 bright setting Continue reading “Chase Bliss Audio THERMAE vs. Eventide ROSE”

Eventide ROSE – My favorite 7 settings

These are my favorite 7 settings of the Eventide ROSE delay.
Find out how a maxed filter pot will create bright repeats (0:08) while a reduced filter will bring out almost analog-like sounds (0:43). An envelope controlled modulation will produce a tape-like feeling (1:27).
And of course, I also used an expression pedal (3:00) for reverse delays with pitch shifting.

0:08 brightest repeats Continue reading “Eventide ROSE – My favorite 7 settings”

Empress Echosystem vs. Strymon Volante

This is a stereo comparison of the most versatile delays at the moment. Enjoy the comparison of the Empress Echosystem with the Strymon Volante. Please use your headphones!

0:11 drum/Echorec Continue reading “Empress Echosystem vs. Strymon Volante”

Empress Echosystem vs. Eventide Rose

This is a comparison of the Empress Echosystem with the Eventide Rose. For the Rose is a mono pedal, I chose the single mode for the Echosystem.
Find out more about different settings of these delay pedals and how both of them can sound in the mix.

gear: Fender Stratocaster,Evidence Audio SIS Cables, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

0:09 brightest setting / digital mode Continue reading “Empress Echosystem vs. Eventide Rose”

Empress Echosystem – my favorite 7 settings

This is a stereo demo of the amazing Empress Echosystem.
Please, use your headphones!
For the Echosystem is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.

0:08 tape mode (Echoplex/ Space Echo) – left/right Continue reading “Empress Echosystem – my favorite 7 settings”

Strymon Volante vs. Source Audio Nemesis

This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Ambient Pedalboard #3 THERMAE in sync with the SDRUM – LoFi

This is the third and last part of the video of creating anbient sounds with the Chase Bliss Audio Thermae.
In this video I used a POG2 to create a bass-like guitar sound, which than has been pitched one octave up by the Thermae.
Thereby you can create nice lofi sounds.

Everything in sync with the DelayDude Midi Sync Cable.

gear: Fender Stratocaster, Fender Deluxe Reverb, Cubase.

Crazy Tube Circuits Echotopia vs. Source Audio Nemesis

This is a comparison of the Source Audio Nemesis with the Crazy Tube Circuits Echotopia.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Crazy Tube Circuits Echotopia vs. Wampler Faux Tape Echo

This is a comparison of the Wampler Faux Tape Echo with the Crazy Tube Circuits Echotopia.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Ambient Pedalboard #2 – THERMAE inSync with the SDRUM feat. Generation Loss

This is a video about the pitch shifting function of the Chase Bliss Audio Thermae. For this pedal is too complex to do a simple demo video, I decided to present the Thermae inSync in the context of a whole song.
The Thermae is accompanied by the Montreal Assembly Count to Five, the Cooper FX Generation Loss, the Origin Effects Cali 76 as well as by the Source Audio Ventris. All bass parts are created via the Electro Harmonix POG2.
Looped with the DigiTech JamMan SoloXT.
By using the DelayDude Midi Sync Cable, the JamMan SoloXT as well as the delay speed are send via the DigiTech SDRUM (master clock).

gear: Fender Stratocaster, Fender Deluxe Reverb, Cubase.

Ambient Pedalboard- Chase Bliss Audio Thermae inSync with the SDRUM feat. Count to Five

This is a video about the Chase Bliss Audio Thermae. For this pedal is too complex to do a simple demo video, I decided to present the Thermae (as a darker vintage style analog delay with modulation) inSync in the context of a whole song.
The Thermae is accompanied by the Montreal Assembly Count to Five, the Cooper FX Generation Loss, the Origin Effects Cali 76 as well as by the Source Audio Ventris. All bass parts are created via the Electro Harmonix POG2.
Looped with the DigiTech JamMan SoloXT.
By using the DelayDude Midi Sync Cable, the JamMan SoloXT as well as the delay speed are send via the DigiTech SDRUM (master clock).

So, relax and enjoy the sound!

In part 2 you will learn more about the pitch shifting function of the Thermae.
Therefore, stay tuned and inSync!

Eventide H9 Harmonizer vs. Crazy Tube Circuits Echotopia

This is a stereo comparison of the Crazy Tube Circuits Echotopia with the Eventide H9 Harmonizer.
Please use your headphones!

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Crazy Tube Circuits Echotopia vs. Fulltone Tube Tape Echo

This is a comparison of the Crazy Tube Circuits Echotopia with the Fulltone Tube Tape Echo.

For a better comparability, I maxed the mood pot of the Crazy Tube Circuits Echotopia because the Fulltone Tube Tape Echo provides a very bright sound.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase, AB bypass switch.

Walrus Audio ARP-87 vs. DOD Rubberneck – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the DOD Rubberneck.
For the DOD Rubberneck is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Maxon AD-900 vs. Walrus Audio ARP-87 – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900.
For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in the mix.