Crazy Tube Circuits Echotopia vs. Empress Echosystem

This is a stereo comparison of the brilliant Crazy Tube Circuits Echotopia with the amazing Empress Echosystem.Find out more about different settings and how both of them may sound in the mix.
Please, use your headphones!

0:11 bright setting /tape mode Continue reading “Crazy Tube Circuits Echotopia vs. Empress Echosystem”

Strymon delay comparison: Volante vs. El Capistan

This is a comparison of the brilliant Strymon delays.
Find out more about the sound of a new tape emulation, a dark, old and wobbling tape, a multi head disc style stetting and how the Volante and the El Capistan might sound in the mix.

0:09 new tape Continue reading “Strymon delay comparison: Volante vs. El Capistan”

Moog Moogerfooger MF-104 vs. Eventide ROSE

This is a comparison of the Moog Moogerfooger MF-104 with Eventide ROSE.
To get close to the brightest setting of the Moogerfooger MF-104 I reduced the filter of the ROSE.
You will also get a demo of a darker setting, slow and faster modulation and how both delay pedals may sound in the mix. For pitch shifting effects, I added an expression pedal to the ROSE delay. Regarding the Moogerfooger, I used a square waveform modulation to create the pitch shifting effects.

0:09 bright setting Continue reading “Moog Moogerfooger MF-104 vs. Eventide ROSE”

Empress Echosystem vs. Electro Harmonix Deluxe Memory Boy

This is a comparison of the Empress Echosystem with the Electro Harmonix Deluxe Memory Boy. The Echosystem provides a Deluxe Memory Boy algorithm, which I chose for the first three soundfiles in this video. Find out if the analog bucket brigade device algorithm with slightly increased saturation gets also close to the sound of the Deluxe Memory Boy.
For the Electro Harmonix Deluxe Memory Boy is a mono pedal, I chose the single mode for the Echosystem.

0:11 vibrato/ DMB algorithm with vibrato Continue reading “Empress Echosystem vs. Electro Harmonix Deluxe Memory Boy”

DigiTech SDRUM midi sync with the Strymon Volante and Korg Volcas

This is a video about how to use the DelayDude Midi Sync Cables for a midi sync rig with the DigiTech SDRUM, the Strymon Volante, Korg Volca Keys and the Korg Volca FM. The bpm of the Strymon Volante have been synced with the SDRUM via midi. The Korg Volcas start and stop in sync and the speed is also synchronized with the SDRUM.

gear: Fender Telecaster, Fender Tweed Champ, Evidence Audio SIS Cables, Celestion G12M, Shure SM57, Cubase.

Chase Bliss Audio THERMAE vs. Eventide ROSE

This is a comparison of the Chase Bliss Audio THERMAE with Eventide ROSE.
To get close to the brightest setting of the THERMAE, I reduced the filter of the ROSE.
You will also get a demo of a darker setting, slow modulation and how both of delay pedals may sound in the mix. For pitch shifting effects, I added an expression pedal to the ROSE delay.

0:09 bright setting Continue reading “Chase Bliss Audio THERMAE vs. Eventide ROSE”

Eventide ROSE – My favorite 7 settings

These are my favorite 7 settings of the Eventide ROSE delay.
Find out how a maxed filter pot will create bright repeats (0:08) while a reduced filter will bring out almost analog-like sounds (0:43). An envelope controlled modulation will produce a tape-like feeling (1:27).
And of course, I also used an expression pedal (3:00) for reverse delays with pitch shifting.

0:08 brightest repeats Continue reading “Eventide ROSE – My favorite 7 settings”

Empress Echosystem vs. Strymon Volante

This is a stereo comparison of the most versatile delays at the moment. Enjoy the comparison of the Empress Echosystem with the Strymon Volante. Please use your headphones!

0:11 drum/Echorec Continue reading “Empress Echosystem vs. Strymon Volante”

Empress Echosystem vs. Eventide Rose

This is a comparison of the Empress Echosystem with the Eventide Rose. For the Rose is a mono pedal, I chose the single mode for the Echosystem.
Find out more about different settings of these delay pedals and how both of them can sound in the mix.

gear: Fender Stratocaster,Evidence Audio SIS Cables, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

0:09 brightest setting / digital mode Continue reading “Empress Echosystem vs. Eventide Rose”

Strymon Volante vs. Source Audio Nemesis

This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Strymon Volante – my favorite 7 settings

This is a video about the marvellous Strymon Volante.
For the Volante is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.

0:08 dark bouncing drum
0:47 bright slapback tape
1:17 wobbling drum
1:57 floating studio
2:23 percussive drum
2:55 worn-out drum
3:32 crisp drum

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Click here for a detailed review of the Volante.

Tips & Tricks: Effect pedals – Mark your settings

Tips & tricksOnce found, every guitarist is willing to save the perfect settings of his pedals. There are various possibilities to protect the pots from unintentional adjustment. Here you will find an article about this topic.

But what if you want to alternate between two or three different settings? How can you save or mark the respective settings without fixing the pots? Continue reading “Tips & Tricks: Effect pedals – Mark your settings”

Tips & Tricks: How to protect the pots from unintentional maladjustment

Tips & tricksIt is so annoying: you have spent hours to find the perfect tuning for a pedal while the minutes of the transport to wherever or even the seconds of a single touch are enough to lead to a maladjustment of the pots. Continue reading “Tips & Tricks: How to protect the pots from unintentional maladjustment”

Tips & Tricks: Be brave – use the pots

PotisLooking at the pedalboards of other guitarists, I frequently find the effect pedal pots at 12 o’clock position or even varying marginal from that standard position.
Although even overdrive pedals with only three knobs offer various options – if you are willing to use them. Continue reading “Tips & Tricks: Be brave – use the pots”