Review: Crazy Tube Circuits – Echotopia

EchotopiaToday I’m going to test a very nice pedal: The Crazy Tube Circuits Echotopia.
The play of words with echo (resonance) and utopia (wishful thinking/illusion) describes the pedal quite well. The guys from Crazy Tube Circuits categorize the sound of the Echotopia as a retro tape echo for soundscapes. Continue reading “Review: Crazy Tube Circuits – Echotopia”

Eventide Rose Delay with a synthesizer (Superbooth 2019)

This is a demo of how to use the Eventide Rose Delay with a synthesizer.

Special thanks to Collin Bevan from Eventide who answered to my questions at the SUPERBOOTH 2019.

Delay pedals for bass players?

Ask the DudeDelay pedals are a great invention and every guitarist should own at least one. But not only guitarist can benefit from the effects of a delay pedal. Bass players also can venture into a new realm by using a delay pedal. But there is one thing you should take into consideration. Continue reading “Delay pedals for bass players?”

Chase Bliss Audio Tonal Recall RKM vs. Walrus Audio ARP-87 – Delay Comparison

This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87.
For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Walrus Audio ARP-87 vs. MXR Carbon Copy Deluxe – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the MXR Carbon Copy Deluxe.
For the MXR Carbon Copy Deluxe is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Boss DD-7 vs. Source Audio Nemesis – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the Source Audio Nemesis. Besides the analog and digital delay sounds and the reverse mode of both pedals, I also demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Boss DD-7 vs. Strymon DIG – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the Strymon DIG.

In this video I only used the digital mode of the Boss DD-7, because the Strymon DIG does not offer an analog delay mode.
At the end of the video I demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Walrus Audio ARP-87 vs. Source Audio Nemesis – Digital Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.

Boss DD-7 vs. Walrus Audio ARP-87 – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the Walrus Audio ARP-87.
Besides the digital mode, I also present the analog emulation, modulation and how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Boss DD-7 vs. MXR Carbon Copy Deluxe – Delay Comparison

This is a Comparison of the Boss DD-7 with the MXR Carbon Copy Deluxe.

In this video I only used the analog mode of the Boss DD-7. At the end of the video I demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Reverse delays

Tips & tricksAlmost since musicians used tape recording, there are also reverse delays. Very early artists like the Rolling Stones or Jimi Hendrix experimented with this type of delay sounds. At those days, creating reverse delays was pretty complicated because the recording tapes had to be cut and played backwards. Continue reading “Reverse delays”

Walrus Audio ARP-87 – Digital Delay Demo

This is a demo of the Walrus Audio ARP-87.

Besides varying setting options in the digital and analog mode, I also present the modulation and the lo-fi sounds of this versatile digital delay. And at the end of this video you will find out how the ARP-87 sounds in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Which pedal should I get? Boss DD-7 vs. TC Electronic Flashback

If you are searching for a reasonably priced digital delay pedal, there is no way around the Boss DD-7 and the TC Electronic Flashback. But what features do these two pedals provide and which is appropriate for which propose? Continue reading “Which pedal should I get? Boss DD-7 vs. TC Electronic Flashback”

Boss DD-7 vs. DOD Rubberneck – Delay Comparison

This is a Comparison of the Boss DD-7 with the DOD Rubberneck. For this comparison I only used the analog mode of the Boss DD-7. At the end of the video I also demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio,Cubase.