This is a comparison of the brilliant Strymon delays. Find out more about the sound of a new tape emulation, a dark, old and wobbling tape, a multi head disc style stetting and how the Volante and the El Capistan might sound in the mix.
This is a video about how to use the DelayDude Midi Sync Cables for a midi sync rig with the DigiTech SDRUM, the Strymon Volante, Korg Volca Keys and the Korg Volca FM. The bpm of the Strymon Volante have been synced with the SDRUM via midi. The Korg Volcas start and stop in sync and the speed is also synchronized with the SDRUM.
This is a comparison of the Strymon Volante with the Source Audio Nemesis. Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.
This is a video about the marvellous Strymon Volante. For the Volante is an incredible extensive delay, I won’t even try to present all of its brilliant functions. I only present my 7 favorite settings instead.
This is a comparison of the Walrus Audio ARP-87 with the DOD Rubberneck. For the DOD Rubberneck is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
Recently, I found the following request in my mailbox:
“I think, I actually would need a Binson Echorec, but they are in fact beyond price. I love the flutter echo mash, that the Echorec is able to create. In the meantime, I think, that an analog delay is able to produce every sound, I long for. Digital delays with analog emulation do not sound that nice to me. But at the same time, I don’t want to get into dept. Could you tell me, if the Ibanez Echo Shifter might be a suitable pedal for me? Especially in contrast to the Ibanez analog delay, AD9, mini or even the EHX Memory Toy? I have already tried to many sappy pedals. Right now, I do (still!) use the Hardwire DL8. But in my opinion, it is too cold and inorganic.”Continue reading “Ask the Dude: Is there a pedal sounding like the Binson Echorec?”
This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900. For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in the mix.
ARP-87 – a pair of interacting galaxies, affecting each other by gravitative interaction and the exchange of gas and dust. Let`s have a look, if the Walrus Audio ARP-87 boasts likewise characteristics like its eponym. Continue reading “Review: Walrus Audio ARP-87”
Today I’m going to test a very nice pedal: The Crazy Tube Circuits Echotopia. The play of words with echo (resonance) and utopia (wishful thinking/illusion) describes the pedal quite well. The guys from Crazy Tube Circuits categorize the sound of the Echotopia as a retro tape echo for soundscapes. Continue reading “Review: Crazy Tube Circuits – Echotopia”
Delay pedals are a great invention and every guitarist should own at least one. But not only guitarist can benefit from the effects of a delay pedal. Bass players also can venture into a new realm by using a delay pedal. But there is one thing you should take into consideration. Continue reading “Delay pedals for bass players?”
This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87. For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
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