This is a Comparison of the Boss DD-7 with the TC Electronic Flashback. Besides the digital mode, I also present the analog emulation, modulation and the reverse mode of these two bugdet delay pedals. At the end of the video I also demonstrate how either of them will sound in the mix.
Large pedalboards with uncountable pedals on them might weaken the signal or at least change the sound in a certain way. In this case, it is secondary whether you use true bypass pedals or buffered ones. Even the length of the cables on your pedalboard will influence the sound. Continue reading “Downsizing Part 2”
In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”
In the first part of this article, I dedicated myself to multi overdrive pedals in general. In this part I would like to introduce some interesting analog multi overdrive pedals in detail. Continue reading “Multi Overdrive Part 2”
The Ditto only adopts the tempo of the SDRUM when he hasn’t saved a loop yet. After you have recorded a loop you can’t change the tempo of the Ditto anymore. But the SDRUM sends signals via midi to start/stop the Ditto in sync. If you delete the loops on the Ditto you will be able to feed in a new tempo with the SDRUM. Hereafter you can record a different part in another tempo.
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